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Winterbound

Joined: Aug 06, 2010 Posts: 77 Location: N. Ireland/Lisburn
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Posted: Tue Oct 12, 2010 5:30 am Post subject:
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Hey guys, not sure if I have this posted in the correct forum section, just been watching a documentary on Youtube on this genre of music. I was just wondering if there was anybody on EM that made this type of stuff, I have heard a few pieces lately but I dont know whether they could be referred to as Musique Concrète.
Darren. |
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Muied Lumens
Stream Operator

Joined: Apr 24, 2009 Posts: 1321 Location: Bristol UK
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elektro80
Site Admin

Joined: Mar 25, 2003 Posts: 21954 Location: Norway
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Posted: Tue Oct 12, 2010 11:33 am Post subject:
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Musique Concrète is probably best described as a method rather than a genre.
BTW: http://en.wikipedia.org/wiki/Pierre_Schaeffer
And check out Musique Acousmatique !  _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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Antimon

Joined: Jan 18, 2005 Posts: 3371 Location: Sweden
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Winterbound

Joined: Aug 06, 2010 Posts: 77 Location: N. Ireland/Lisburn
Audio files: 3
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Posted: Tue Oct 12, 2010 1:10 pm Post subject:
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I see your point, and I agree with you. I really dont have much experience when it comes to this "method" or "genre" whichever term you wish to use. I do find it quite an interesting form of composition though.
Darren. |
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abstraktor

Joined: Apr 27, 2009 Posts: 189 Location: glasgow, scotland
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Posted: Tue Oct 12, 2010 1:39 pm Post subject:
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I think musique concrete was very much a product of its time -when tape recording was a new technology and composers like Schaeffer and the rest pushed it to its limits with editing techniques and varispeed decks. They also did a lot of pioneering work on harmonic and formant analysis which is still standard textbook stuff today. When sampling technology became mainstream in the late 1980's and 90's, it was very easy to manipulate and process recordings in the same way, so maybe that kind of closed the lid on it as a technique per se. Some of the works from the late 1950's are stunning when you consider what limited technology they had compared to now.
(nb the IRCAM in Paris is still a leading centre in sound analysis and processing). |
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Acoustic Interloper

Joined: Jul 07, 2007 Posts: 1507 Location: Berks County, PA
Audio files: 26
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Posted: Fri Oct 15, 2010 4:43 pm Post subject:
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| abstraktor wrote: | | When sampling technology became mainstream in the late 1980's and 90's, it was very easy to manipulate and process recordings in the same way, so maybe that kind of closed the lid on it as a technique per se. |
There was at least one research presentation+performance on this at June's International Computer Music Conference, in this case a software instrument composed of open source components for storing, indexing, searching and playing concrete samples at composition and improvisation time. When possible, technology should raise the bar on composition and performance without eliminating the heart of a technique. _________________ "Time is a ruler across the knuckles of eternity."
Dale Parson
"Just say no."
Nancy Reagan |
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