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flowersniffer7
Joined: Nov 17, 2006 Posts: 53 Location: Allentown PA
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Posted: Thu Jan 18, 2007 10:10 am Post subject:
Does anybody here listen to Richard Devine? |
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I was wondering if anybody here has read the article on the reaktor website about richard devine and the manner in which he composes/performs... seems like a pretty tedious process... One which I would like to learn more about.
I have had occassion to talk to him about it, though we were both quite drunk at the time so much of the tech talk was lost in alcohol babble. Pretty cool guy though I must say.
Anyway, does anybody have more information about his music construction process? _________________ analoguemind.zy8.org |
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ontology
Joined: Jan 31, 2007 Posts: 4 Location: Santa Fe, NM
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Posted: Wed Jan 31, 2007 5:37 am Post subject:
Re: Does anybody here listen to Richard Devine? |
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flowersniffer7 wrote: |
I have had occassion to talk to him about it, though we were both quite drunk at the time so much of the tech talk was lost in alcohol babble. Pretty cool guy though I must say.
Anyway, does anybody have more information about his music construction process? |
Heard him play here in Santa Fe, New Mexico at the Lensic theater earlier this year. He's got a quite a following out here in this city of 50,000 people. (strange, no?)
- canton
http://www.ontology.com/canton/music <-- original music
http://www.sampleswap.org <-- share sounds here |
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elektro80
Site Admin
Joined: Mar 25, 2003 Posts: 21959 Location: Norway
Audio files: 14
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Posted: Wed Jan 31, 2007 6:04 am Post subject:
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I googled the guy. I think I found his homepage. Pretty cool stuff. Well done. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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flowersniffer7
Joined: Nov 17, 2006 Posts: 53 Location: Allentown PA
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Posted: Wed Jan 31, 2007 9:23 am Post subject:
Re: Does anybody here listen to Richard Devine? |
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ontology wrote: | flowersniffer7 wrote: |
I have had occassion to talk to him about it, though we were both quite drunk at the time so much of the tech talk was lost in alcohol babble. Pretty cool guy though I must say.
Anyway, does anybody have more information about his music construction process? |
Heard him play here in Santa Fe, New Mexico at the Lensic theater earlier this year. He's got a quite a following out here in this city of 50,000 people. (strange, no?)
- canton
http://www.ontology.com/canton/music <-- original music
http://www.sampleswap.org <-- share sounds here |
Not really so strange... When I lived in Phoenix he had quite a following and every time I've seen him in San Francisco he has brought out quite a few people... I really enjoy his stuff... and btw his website is freaken amazing... If you haven't you should check it out. _________________ analoguemind.zy8.org |
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play
Joined: Feb 08, 2004 Posts: 489 Location: behind the mustard
Audio files: 2
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Posted: Mon Feb 05, 2007 2:18 pm Post subject:
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I was quite into Devine at one time. Then I went to a symposium held by the digital media studies department here at DU. Devine did a thing about Absynth that was basically one long commercial. Then he spoke about how to commercialize your music. It made me feel kind of dirty and I started to listen to his tunes more and realized that it was sort of intentionless. Lots of amazingly crafted sounds but not a lot of emotion. Not that there is anything wrong with that. If you like the sound that's all that matters but sometimes having a negative experience of the artist can color the music from then on. Incidentally, Jushua Kit Clayton presented at the same symposium. He is a great musician and also one of the programmers of max/msp which was the topic of his presentation. Fascinating stuff. |
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flowersniffer7
Joined: Nov 17, 2006 Posts: 53 Location: Allentown PA
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Posted: Mon Feb 05, 2007 2:39 pm Post subject:
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play wrote: | I was quite into Devine at one time. Then I went to a symposium held by the digital media studies department here at DU. Devine did a thing about Absynth that was basically one long commercial. Then he spoke about how to commercialize your music. It made me feel kind of dirty and I started to listen to his tunes more and realized that it was sort of intentionless. Lots of amazingly crafted sounds but not a lot of emotion. Not that there is anything wrong with that. If you like the sound that's all that matters but sometimes having a negative experience of the artist can color the music from then on. Incidentally, Jushua Kit Clayton presented at the same symposium. He is a great musician and also one of the programmers of max/msp which was the topic of his presentation. Fascinating stuff. |
I have gotten that from richard devine too, but I am not so much impressed with his song structures because they are generally somewhat generic, but moreso with his technique which seems quite intensive. I didn't gather from the times I've chatted with him that he was anything of a corporate prick, but I guess alcohol can mask that fairly well. Anywho... I am still very interested in his tehniques as they seem to be pretty unique and his ability to pull vast ammounts of complex sounds out of his equiptment is what amazes me.
He seemed to me like a pretty downto earth guy? _________________ analoguemind.zy8.org |
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play
Joined: Feb 08, 2004 Posts: 489 Location: behind the mustard
Audio files: 2
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Posted: Mon Feb 05, 2007 4:01 pm Post subject:
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I wasn't really making a character judgment. I'm sure he's a nice and cool guy. I guess I'm just easily put off by any type of commercialism even it's benign.
He is quite an amazing sound designer. From what I've gathered just reading and also watching him work in Absynth, he uses a huge amount of samples and layers or morphs them and probably controls sample selection based on various algorithms. That reminds me of a tool I saw on the princeton soundlab page: http://soundlab.cs.princeton.edu/research/mosievius/
I haven't been able to play with it since the UI is OSX only but the concept is really interesting and it sounds like it would give you the power to do some things live that would normally be a tedious noodling process.
Also, just from listeneing to the sounds I think devine has a very finely tuned ear in the sense of textures not in the traditional musical sense and his technical knowledge is such that he is able to imagine new sounds by combining other sounds with various techniques without having to actually do it. Sort of like how skilled composers can imagine a complex score. The rest of us have to just noodle around :)
It would be interesting to try and categorize that process so that it could be practiced. |
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erich
Joined: Jan 08, 2007 Posts: 58 Location: US
Audio files: 1
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Posted: Wed Feb 07, 2007 1:31 pm Post subject:
You may already know |
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I know he uses CDP, Kyma, and Symbolic composer. I am looking for info on symbolic composer myself, all I found though was stuff the company put out. There isn't alot of info on it. Anyone know of any? |
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IanBuzz
Joined: Mar 08, 2007 Posts: 23 Location: San Francisco, California
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Posted: Wed Mar 14, 2007 11:51 am Post subject:
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I meet the guy and he jammed out with our techno rave ensemble at Berklee last year... He had some bad ass hacked 303s and just a ton of cool gear, he came off as a real nice guy... not my style of music but I RESPECT what he dose 100% _________________ -Tech-House-Electro-Rock-
My new all original Album - stream it here!
http://www.relentlessdancemusic.com/ |
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