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 Forum index » Instruments and Equipment » Modular Synthesis
That plucking sound
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Pehr



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PostPosted: Wed Jan 16, 2008 2:03 pm    Post subject: That plucking sound
Subject description: how to?
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How do 'they' really get those really nice plucking sounds in those sequences.

Are the key to use filters in a specific way?

Or is it 'just' a non-excistent attack followed by a slight decay (amplitude envelope)?

Waveforms?

Listen to this one for example:

http://www.youtube.com/watch?v=cjwuNWDBAGQ Shocked

I know he uses an awesome delay of some sort, but it is the sequence notes I'm qurious about...

EDIT: I'm not trying to copy anything. Just learning to patch. Rolling Eyes

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v-un-v
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PostPosted: Wed Jan 16, 2008 2:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

Pehr, the VCS3 Mk1 is famed for a sort of bubbling effect you could get from the filter (especially when it was being used as an oscillator), because there was a slight lag going on between the filter and its modulation source. I think the culprit was a decoupling capacitor or something- but you could try injecting a very quick lag to the filter.

That Moog filter also had a kind of 'rasping' sound when it was wide open (I know this because a mate of mine here in Birmingham has a IIIc and it has that 'sound').

hope that helps Smile

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v-un-v
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PostPosted: Wed Jan 16, 2008 2:44 pm    Post subject: Reply with quote  Mark this post and the followings unread

oh and, fwiw, if you like echo (which I do too), Roland have done a virtual space echo pedal- which sounds (and looks) the business, although I myself have also been looking at the Toadworks Redux- which has some really innovative features- including a sort of random multitap delay setting. very cool indeed!
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PostPosted: Wed Jan 16, 2008 8:26 pm    Post subject: Re: That plucking sound
Subject description: how to?
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Pehr wrote:
Or is it 'just' a non-excistent attack followed by a slight decay (amplitude envelope)?


Sounds to me like two sawtooth oscillators (or maybe saw and pulse) tuned very close to unison. You got the envelope shape, just modulate the filter frequency as well. Just a very little amount or no resonance on the filter.

You could use a organ shape envelope (A=0,S=100%,D=0) for the vca, let the filter alone do the decay.
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Pehr



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PostPosted: Wed Jan 16, 2008 10:52 pm    Post subject: Reply with quote  Mark this post and the followings unread

Thanks for the answers! Very Happy

I can hear the filter envelope when you mention it. I guess my new synthacon vcfs is great for this purpose. Cool I just need more EGs Rolling Eyes

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PostPosted: Thu Jan 17, 2008 12:36 am    Post subject: Reply with quote  Mark this post and the followings unread

v-un-v wrote:
oh and, fwiw, if you like echo (which I do too), Roland have done a virtual space echo pedal- which sounds (and looks) the business, although I myself have also been looking at the Toadworks Redux- which has some really innovative features- including a sort of random multitap delay setting. very cool indeed!


Yes, the RE-20, right? It looks good, but a bit expensive. I'd rather buy the original RE-201 Cool

EDIT: In the YT-vid above he is using the BOSS DD20

Posted Image, might have been reduced in size. Click Image to view fullscreen.

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PostPosted: Thu Jan 17, 2008 5:26 am    Post subject: Reply with quote  Mark this post and the followings unread

Pehr wrote:


Yes, the RE-20, right? It looks good, but a bit expensive. I'd rather buy the original RE-201 Cool


Eh?? Run that past me again.......? Shocked

A bit what? Expensive?!?

RE-20 = £120

RE-201 = £400+

Right. Fine....... Exclamation Laughing

The RE-20 is a shit-hot bargain!!

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PostPosted: Thu Jan 17, 2008 5:32 am    Post subject: Reply with quote  Mark this post and the followings unread

The new digital Space Echo clone is sickenly good. Approved!
And.. the Universal Audio software clone for the UAD-1 DSP card is way hot as well.

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v-un-v
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PostPosted: Thu Jan 17, 2008 6:00 am    Post subject: Reply with quote  Mark this post and the followings unread

Pehr wrote:
[I'd rather buy the original RE-201 Cool



I'm curious to know why you would prefer the original over the cloned version- really just out of curiosity.

I've owned 2 space echoes and a Korg stage echo (which was noisy as hell btw). My last space echo just stopped working- although I sold it to someone who fixed it by using the motor out of an old Black and Decker drill! The speed was all wrong (too fast), but it worked. The other one I sold with a 400% mark-up on the price (well I needed the money dammit!!). But one thing I HATED was those fucking loops that went inside- and the price of that tape now? Rolling Eyes I tried making loops, but I kept getting a click, no matter how much I tried to splice at different angles, or demagnatise the heads.

So why would you prefer the 201?

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PostPosted: Thu Jan 17, 2008 6:26 am    Post subject: Reply with quote  Mark this post and the followings unread

I have owned a few tape echo devices myself. I see no rational reason for buying any of these secondhand. The digital clones will do just fine.
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Pehr



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PostPosted: Thu Jan 17, 2008 2:10 pm    Post subject: Reply with quote  Mark this post and the followings unread

It would be really cool to have the original RE-201 Rolling Eyes Real tape echo, analog stuff etc... It looks really cool to. Cool I really like analog. Smile

However, it is too hard to find in good condition and is way too expensive. Crying or Very sad If I'd stumble upon one for a reasonable price I would really buy it, but I'm not going to hunt one down on e*ay for $$$ or something...

So I really considering digital pedals. But right now my budget is too tight for the RE-20 or the DD-20 (i.e. too expensive right now).

Perhaps I'll buy a behringer DD400 for ~$30 to start with... Embarassed

EDIT: I got the plucking sound when patching earlier today Very Happy Using the Klee Cool

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PostPosted: Fri Jan 18, 2008 2:41 am    Post subject: Reply with quote  Mark this post and the followings unread

A little delay testing with the Klee. Prob too much of it... Embarassed
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Funky40



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PostPosted: Sat Jan 19, 2008 9:55 am    Post subject: Reply with quote  Mark this post and the followings unread

i don't understand the term "plucked" really. on the G2 engine i have other sounds named like this.

maybe there were Zero VCOs patched.
those can give a very bellly and smooth lower end.
the sound reminds me to what i heard from the Zero.


it is useful to have a sequenz patched to the filter and to experiment with closing it almost.
it's about to alternat those lower an higer notes in adjustment with the sequnez for the frequenzy
patching a slew to the sequenz might be a good try to give pluckend sounds too.
Oakley has a nice pcb




@Pehr
why i post:
give the low pass gate a try, you will definitly REALLY like it,
and it's an easy build.(only the Vactrols are expensive, you can take the dual Vactrols)
look at fonics site:


http://modular.fonik.de/pdf/low%20pass%20gate.pdf
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Pehr



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PostPosted: Sat Jan 19, 2008 2:12 pm    Post subject: Reply with quote  Mark this post and the followings unread

Funky40 wrote:
i don't understand the term "plucked" really. on the G2 engine i have other sounds named like this.


With 'plucked' I actualy mean Pizzicato. I think it sounds kind of like a string instrument.

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Pehr



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PostPosted: Sun Jan 20, 2008 3:27 am    Post subject: Reply with quote  Mark this post and the followings unread

Pehr wrote:
So I really considering digital pedals. But right now my budget is too tight for the RE-20 or the DD-20...


I've been doing a little research about different, affordable delay-pedals the last days and I'm really interested in the DD-20. It costs the same as the RE-20 here in Norrköping and it also contains tape delay simulation also, so why not buy the DD? Very Happy

It's great that it can handle line level signals so I don't have to build the cgs stomp box adaptor.

It also has Sound-on-Sound which is really cool. Cool

Has anyone experience of the DD? quirks?

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a.b.o.z.



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PostPosted: Sun Jan 20, 2008 4:15 am    Post subject: Reply with quote  Mark this post and the followings unread

I was using DD-5 for some time. It is very good digital delay only. Best buy if you want digital.
What about Line6 stomps? DL4 is a monster and there is echo park also.
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Pehr



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PostPosted: Sun Jan 20, 2008 5:07 am    Post subject: Reply with quote  Mark this post and the followings unread

I have looked at some other digital delays, but can they handle line level signals? Confused
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a.b.o.z.



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PostPosted: Sun Jan 20, 2008 6:55 am    Post subject: Reply with quote  Mark this post and the followings unread

don't know about DL4 but I watched Pamelia Kurstin once..and she played her theremin thru two of DL4... Is moog's theremin give line level output?
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PostPosted: Mon Jan 21, 2008 2:05 am    Post subject: Reply with quote  Mark this post and the followings unread

a.b.o.z. wrote:
Is moog's theremin give line level output?


I guess so, but I'm not sure... Confused

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