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chuckbeginner
Joined: May 26, 2008 Posts: 9 Location: Asheville NC
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 9:51 am Post subject:
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Very interesting effect, it would be nice to use it in a song. The only "comment" I have on the code is that it need comments, haha. _________________ EChucK: The synthesizer that got smashed into smithereens! |
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chuckbeginner
Joined: May 26, 2008 Posts: 9 Location: Asheville NC
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Posted: Sun Jun 22, 2008 10:52 am Post subject:
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| The basic idea is that at each 'step' of the staircase you have a combination of two (or more) tones an octave apart. The tones have different weights which change with each step. (I first heard Shepard tones on a random noise cassette a few years ago, though I didn't know what they were called until I read the book Godel, Escher, Bach. Wikipedia has a pretty good article on it, too.) |
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ico

Joined: Jun 07, 2006 Posts: 12 Location: NL
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Posted: Sun Jun 22, 2008 12:20 pm Post subject:
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| chuckbeginner wrote: | | though I didn't know what they were called until I read the book Godel, Escher, Bach. |
I guess I missed that, I never made it past chapter seven... |
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 12:33 pm Post subject:
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Can we apply this concept to other musical things like chord progressions or scales? That would sound wicked-cool, to do a song that sounded like M C Escher's work. Not that I could play it yet, but I could probably ChucK it... _________________ EChucK: The synthesizer that got smashed into smithereens! |
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ico

Joined: Jun 07, 2006 Posts: 12 Location: NL
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Posted: Sun Jun 22, 2008 12:51 pm Post subject:
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| Inventor wrote: | | Can we apply this concept to other musical things like chord progressions or scales? That would sound wicked-cool, to do a song that sounded like M C Escher's work. Not that I could play it yet, but I could probably ChucK it... |
Well, the book is called "Godel, Escher Bach" for a good reason. Bach did it all. Fugas with the strucdture of eschers infinite stairs, details within details, shapes within shapes, it's all there  |
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 12:57 pm Post subject:
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Oh, i see said the blind man (me). _________________ EChucK: The synthesizer that got smashed into smithereens! |
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Blue Hell
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Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
G2 patch files: 295
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 1:25 pm Post subject:
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Very interesting, though the meaning escapes me.
I can understand a system in which we have notes separated by multiples of the 12th root of two, that double every 12 notes, sure. But why name them so funny?
A A# B C C# D D# E F F# G G# and back to A again. We should just use the first 12 letters of the alphabet. Why all the sharps/flats, and why skip two of them. This all seems highly illogical to me. _________________ EChucK: The synthesizer that got smashed into smithereens! |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
G2 patch files: 295
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Posted: Sun Jun 22, 2008 1:46 pm Post subject:
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Well, you know ... there is some history involved ...
(the link drops you at a somewhat arbitrary spot in that history, but at a point that the letters of the alphabet could still be used in a "logical" way) _________________ Jan |
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Flevo
Joined: Mar 10, 2008 Posts: 7 Location: Bussum
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Posted: Sun Jun 22, 2008 1:50 pm Post subject:
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thats a long story. let say that first they only use the white notes on the keybords. later people realized the distance between notes didnt fit
if then they started again counting we wouldn thave these problems
nobody learns from history: do you know why al the keys of your pc keybord are mixed thisway? almost same problem.
there are a lot of examples of wrong choices................ |
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Flevo
Joined: Mar 10, 2008 Posts: 7 Location: Bussum
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Posted: Sun Jun 22, 2008 1:51 pm Post subject:
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| funny, same answer same time |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
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Posted: Sun Jun 22, 2008 1:54 pm Post subject:
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Must be true then  _________________ Jan |
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Flevo
Joined: Mar 10, 2008 Posts: 7 Location: Bussum
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Posted: Sun Jun 22, 2008 1:59 pm Post subject:
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| yours is the scientistic way |
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Flevo
Joined: Mar 10, 2008 Posts: 7 Location: Bussum
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Posted: Sun Jun 22, 2008 2:01 pm Post subject:
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| i forgot to ask: the ~~.ck patch is not usable in G2 isn't it? |
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 2:04 pm Post subject:
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Aha! I thought it was a mix-up of some sort. So why haven't we had a revolution in music, a redefinition of things properly. Or is it time for that now? _________________ EChucK: The synthesizer that got smashed into smithereens! |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
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Posted: Sun Jun 22, 2008 2:05 pm Post subject:
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| Flevo wrote: | | i forgot to ask: the ~~.ck patch is not usable in G2 isn't it? |
nope, see here for more info. _________________ Jan |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
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Posted: Sun Jun 22, 2008 2:09 pm Post subject:
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| Inventor wrote: | | So why haven't we had a revolution in music, a redefinition of things properly. |
Revolution is the cause of the problem actually  _________________ Jan |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
G2 patch files: 295
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Posted: Sun Jun 22, 2008 2:15 pm Post subject:
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There are a lot of interesting experiments with musical scales recently, one of the causes being that computers make experimentation so much easier nowadays. Carlo (seraph) tries to educate us in this ... try a search on this forum on the keyword "scale" with author "seraph". _________________ Jan |
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Inventor

Joined: Oct 13, 2007 Posts: 1628 Location: Florida, USA
Audio files: 60
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Posted: Sun Jun 22, 2008 2:21 pm Post subject:
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Some college friends of mine got latched onto the phrase: "revolution begins in the mind". I heard it over and over again:
"revolution begins in the mind"
"revolution begins in the mind"
"revolution begins in the mind"
So I said: "Everything begins in the mind, what's so special about revolution?"
And I never heard it again. I guess that was the end of the revolution. _________________ EChucK: The synthesizer that got smashed into smithereens! |
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chuckbeginner
Joined: May 26, 2008 Posts: 9 Location: Asheville NC
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Posted: Sun Jun 22, 2008 3:47 pm Post subject:
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I've always loved W. Carlos' album--I think it was 'Switched on Bach', featuring electronic interpretations of many of this pieces. My memory is a little hazy but I think my favorite was Two-Part Invention in G-Minor.
The problem I'm having with this program (I can probably figure it out if I go to pen and paper) is the progression of weights. If at any point the gain on other input gets to 0, the effect is ruined because that 'step' is clearly above/below the others around it. I wanted to just do the straight CDEFGAB scale I've had to add an extra 'wrong' tone in order to make the constant gain factor divisible by 8 (i.e. rational).
The approach reminds me of linear algebra, with the notes as vectors and the gains as scalars. I'll try some other approaches and post the results. |
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Blue Hell
Site Admin

Joined: Apr 03, 2004 Posts: 11729 Location: Netherlands, Enschede
Audio files: 28
G2 patch files: 295
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Posted: Sun Jun 22, 2008 5:39 pm Post subject:
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| chuckbeginner wrote: | | I've always loved W. Carlos' album--I think it was 'Switched on Bach', featuring electronic interpretations of many of this pieces. |
Also interesting, because it uses very different scales is "The beauty in the beast".
| Quote: | | The problem I'm having with this program (I can probably figure it out if I go to pen and paper) is the progression of weights. If at any point the gain on other input gets to 0, the effect is ruined because that 'step' is clearly above/below the others around it. |
Using three tone generators will work better than two, as the silencing of one tone will be masked better.
| Quote: | | The approach reminds me of linear algebra, with the notes as vectors and the gains as scalars. I'll try some other approaches and post the results. |
Same here, except that I'd consider a tone volume pair to be a vector in 2-space. You could use vector rotation probably to work it out in software. _________________ Jan |
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