I do not know all these plugins. I like the Oxford EQ.
Massenburg EQ, is that a VST?
Yes, but I did not use a pultec. What you probably notice was the L3-LL that I routed with the L3-16 to push in a expanding way the transients of a certain sound that I reduced at the same time by routing a combination of other EQs to create something that would be similar to a sonical vacuum because there is a lot scientific filtering going on thats probably related to whats known as Butterworth and Linkwitz-Riley filtering.
The highs, middles and the lows are extremly processed and my idea was to keep the volume of the complete musical piece a bit gentle and not so loud to make the filter processes stay soft and stable. My audio interface is not high quality enough for working on such a expanded and intense sound level, so it ended up at many sonical places in a way that reduced the resolution of a certain coloration that I wanted to archive, so I used many different EQs and mixing tricks, but with such a cheap audio interface I can´t take it any further.
Everything sounds wrong on this audio interface. I lost my old audio interface that was a bit more high fidelity and I did this musical piece here on a low quality audio interface and its really pushed to the extreme, but the soft volume keeps it all quiet good together for some reason. What I would need for such a musical and sonical production would be a good RME audio interface with 42 bit internal audio resolution and its pretty expansive.
The bass sounds that sound like a tremolo are created in a totally different way and I did not use quantisation of the bass for the stereo signature of the time frame to cut or do filterings to create the sound but I filtered the results and tweaked them to the extreme after I recorded what I played on the synthesizer. It sounds very twisted because there was not enough bandwith, but for about 400 bugs I should be able to buy me such a high fidelity audio interface from RME and working on a sound processing over such a legendary premium audio interface from RME with 42 bit audio resolution would make this piece here sound so much more gentle, clear, softly and smooth, without all the twisted complex need to do highly complex filtering to get a similar sound over a low quality audio interface with wicked distortions on every corner, but at the end I was happy to get the sound to about 90% or so how I had it in my imagination.
Maybe buy a used audio interface? I am very happy with my edirol.
Not sure if its good enough for my intentions. I need something with a lot bit resolution beyond 32 bits with good transistors like the one audio interface from RME with 42 bit audio resolution. Its the only audio interface with such a high bit resolution. The rest only goes up to 24 bit or 32 bit in some cases.
Sorry I wrote so much that I forgot to answer your question. The answer is yes and its for sure one the best super pro mastering grade EQ plugins that you can buy for money. Its so high quality that it makes no sense to use this EQ plugin with a low fidelity sound audio interface. You should already have a good sounding audio interface.
The quality difference between Massenburg EQ plugin and other high quality EQ plugins is like the quality difference between blue ray picture quality and dvd picture quality if you can compare it in this way, of course you can´t compare it like this, but to show you the big difference, its probably a good example.
Its so high quality that you really can´t compare it with other EQ plugins, but you need a very good audio interface. I haven´t got at the moment a very good audio interface and therefore my tune "Unlimited" sounds not very good and has strange but intense sonical artefacts because I pushed the sound editing to the max and a bit to much over the line this time.
I found out that I can´t do a mixing, sound engineering and sound editing with such a low class audio interface. Pushing the sound tweaking to the extreme will just create strange artefacts on every possible level and you can´t get that under control because this sonical world has no limit.
And therefore I called this musical piece "Unlimited", because it was a mess to edit it to get the sound that I wanted and I could not get the sound that I wanted because I pushed it this time pretty intense over the limit with the possible capacity of the audio interface.
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum You cannot attach files in this forum You can download files in this forum