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Ambient Ping - holzkopf and ANGELswing - Feb 3
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mosc
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Joined: Jan 31, 2003
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Location: Allentown, PA
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PostPosted: Sat Jan 31, 2004 11:26 am    Post subject: Ambient Ping - holzkopf and ANGELswing - Feb 3 Reply with quote  Mark this post and the followings unread

Calendar Event: February 3, 2004

THE AMBiENT PiNG http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
3 blocks east of the Union Station subway.
map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday February 3rd - holzkopf and ANGELswing

First up, holzkopf (visiting from Saskatoon, Saskatchewan),
plans a set of ambient/soundscapes building up to some beat
driven and glitch parts near the end. Winter melodies, fuzzy
drones & string samples compressed to hell, building in intensity
like a bad drunk. Anchored to the soundscapes are rhythms
lifted from rock & rap, allowing the occasional full-on outburst
of feedback-driven breakdance music and electro-punk.
http://www.daintydeathy.com

Then, for the second set, (visiting from Courtice, Ontario),
Dark Winter recording artist ANGELswing informs us:
"If you like your music bleak and desolate, you will find
yourself right at home. Think IDM/Noise/Black Ambient
and you will most certainly be on the right track. Music is,
without a doubt, the most powerful life-affirming force on
this planet, but when it involves myself, it tends to blur the
line somewhat. If you do choose to attend, you will not
be disappointed - but remember, I like my music dark."
http://www.darkwinter.com/dw04.html

Between Sets CD - "Spirit Dome" by Steve Roach + vidnaObmana
Created in a 1AM continuous 74-minute session and
mastered without any additional editing or additions,
"Spirit Dome" reveals a nocturnal world of gothic dreams
from two ambient masters unafraid of the dark.
http://www.steveroach.com http://www.vidnaobmana.be
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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