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 Forum index » DIY Hardware and Software
Abusing the SSM2044
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etaoin



Joined: Jun 30, 2005
Posts: 761
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PostPosted: Thu Aug 02, 2007 10:41 pm    Post subject: Abusing the SSM2044
Subject description: or what to do with spares
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Has anyone ever seen the SSM2044 being (ab)used for anything other than an LPF? I have two spare but have no need for further low pass filters. Can it go low enough to act as a phase shifter for example?

Maybe I should just try a few things on breadboard.

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Dave Kendall



Joined: May 26, 2007
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PostPosted: Fri Aug 03, 2007 7:11 am    Post subject: Reply with quote  Mark this post and the followings unread

This from mutronics' website refers to the mutator (rack VCF), but should apply to the SSM 2044 or any LPF I guess....

Quote:
LOW-PASS INTO HIGH-PASS
 As mentioned in the main text. it is possible to turn a low-pass filter, such as that of the Mutator, into a high-pass quite easily. Connect the signal to be filtered directly to one channel of the console and parallel it through the filter to another. Mix both together at the same level with the phase of one channel (either one) inverted. With a neutral setting on the filter no signal should be heard since the two identical but opposite phase signals cancel each other out but, if you bring down the cut-off frequency on the filter then, on that channel, no high frequencies will be present therefore they will not cancel. The result allowing for a little unpredictability due to the phase characteristics of the unit as a whole, is a variable cut-off frequency low-pass filter


( I think they mean HIGH pass filter in the last line.)

There might be some mileage in this. A little inverting and mixing sub circuit should be easy to tack on to a regular 2044 LPF circuit ( Fonik's maybe?). It should be possible to get simultaneous HP and LP filters. Adjusting the relative levels of the 2 channels might be interesting too.....

Just a mad friday thought.... Smile


cheers,

Dave
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Dan Lavin



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PostPosted: Fri Aug 03, 2007 7:51 am    Post subject: Reply with quote  Mark this post and the followings unread

Dave,

That's actually an excellent suggestion. Using Fonik's SSM2044 board and a little hand-wired expansion board, a HPF can be created and mixed with the low pass to create a notch filter. Then he would have a nice LP/HP/notch filter. On my Oberheim SEM, I rarely use straight LP or HP...it's usually a combination of the 2.
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StephenGiles



Joined: Apr 17, 2006
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PostPosted: Sat Aug 04, 2007 10:36 am    Post subject: Reply with quote  Mark this post and the followings unread

Didin't Tom Henry design a Phaser for Polyphony using a 2044?
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softfin



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PostPosted: Sat Aug 04, 2007 4:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

Interesting topic!
Would be very interesting to hear if you come up with ideas how to get specifically the SSM2044 to act as highpass filter.
The SSM2044 is such a great filter that adding a little more versatily like hipass and notch modes, it could be one of the best filters around, IMO.
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StephenGiles



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PostPosted: Sun Aug 05, 2007 1:21 am    Post subject: Reply with quote  Mark this post and the followings unread

I can't get into our attic at the moment as it's too hot up there, but I'm sure there was a 2044 phaser.
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guitarfool



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PostPosted: Sun Aug 05, 2007 8:55 am    Post subject: Reply with quote  Mark this post and the followings unread

StephenGiles wrote:
Didin't Tom Henry design a Phaser for Polyphony using a 2044?


Tom used the SSM 2040, not the 2044. The 2040 has 4 separate gain cells that can be wired up in a variety of ways just like the CEM 3320. The 2044 is some kind of "ladder" design. Dave Rossum showed a lot in his patent, but I haven't looked it over too carefully yet.

It does have differential inputs, and you may be able to use differential amps to tap the poles like Tony Allgood (Oakley Sound) did with his Super Ladder. This can get you different responses (Tony did a 1 pole and 4 pole Low-pass, adding them to get a Band-pass).

I haven't seen any circuit designs using the 2044 that deviated from the one example in the spec sheet, other than adding voltage control for "Q". I've never seen anyone use the inverting input either. I have a bunch of these chips that I have been planning on experimenting with some day Rolling Eyes


04404529_1.pdf
 Description:
SSM2044 Patent

Download (listen)
 Filename:  04404529_1.pdf
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Last edited by guitarfool on Tue Aug 21, 2007 6:21 pm; edited 1 time in total
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StephenGiles



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PostPosted: Sun Aug 05, 2007 9:59 am    Post subject: Reply with quote  Mark this post and the followings unread

Ah yes of course, the 2040 - well, nearly got the number right!!
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Peake



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PostPosted: Sun Aug 05, 2007 10:45 am    Post subject: Reply with quote  Mark this post and the followings unread

I have a Castle 3 phaser, and it uses the SSM 2044.

Here's a post from AH regarding filter chips in phase shifters, and an interesting note on imperfection:

On 10/13/02 11:42 AM, "p. hendricks" <ph> wrote:

> On 10/13/02 10:47 AM, "Mike Peake" <peake> wrote:
>
>> Other phasers utilizing filter chips for
>> their core:
>> Castle III: SSM 2044
>> Roland Digital Rhodes: IR3109 (excellent)
>
> what about the symetrix phase filter?
>
> http://www.modezero.com/phase-filter.htm.htm

>
> uses SSM 2040's YUM! sure looks nice.
> -phil
>
>
>
I replied to Mike then saw this post. They are *VERY* nice. We originally
designed them with three SSM2040's but the effect was too much! The units
bent notes and were just wild. All the units had the PCBs laid out for three
chips though, just not stuffed with them. The main factor to their sound was
that the two SSM chips didn't have their CV control matched. The same LFO
would move one filter farther at each of the ends of the sweeps and this
made them sound very unique. That and the fact that they had 2 LFOs and CV
in. They are a little noisy compared to the units today, but that adds a
bunch to the character of the sound. They show up now and then but we never
made a whole lot of them.

-James

--
James Husted
The ErsatZ Planet Graphics & Sound
James@ersatzplanet.com
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Dave Kendall



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PostPosted: Wed Aug 08, 2007 3:10 pm    Post subject:
Subject description: Hi pass quick test
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Hi guys.
Well, I had a go at following the Mutator manual's HPF tip, using a mutator (because I haven't got a SSM2044 filter yet....)
The phase reverse trick works, but splitting the signal and running it into a Yamaha 03D didn't get anywhere near total phase cancellation. Balancing the normal and inverted phase signals is very critical, to the point that I could hear what sounds like discrete "steps" when fine adjusting the 03D faders - (quantized fader resolution maybe?) and never got total cancellation.

The mutator has VCAs and other things in its signal path too, which probably make matters worse.

Another problem was the non-linearity of the resonance response. One twitch of the resonance knob, and the phase shifted enough that the partial cancellation became hardly any cancellation. The relative balance of the 2 channels needed quite a bit of adjustment - around 6dB or more, according to the fader markings.
Perhaps a constant volume(gain?) circuit in the resonance path is needed to deal with this. I don't know how the SSM2044 behaves in this regard, but I suspect the resonance response of the mutator is frequency dependent - at low freq, the RES is less pronounced, which does however give it a nice warm bass end. It sort of reminds me of the EFM VCF6C diode ladder filter.....

Interestingly, with feedback at medium to high levels, phase cancellation was greater than with no RES - the residual signal was much lower.

I guess phase linearity in the inverting and non-inverting part of the circuit needs to be very stable across a wide frequency range, and accurate (drift free) level trimming will be important, and that's before the resonance issue is addressed....

All for now....

cheers,

Dave
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