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diy drum synth
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Skrog Productions



Joined: Jan 07, 2009
Posts: 1220
Location: Scottish Borders
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PostPosted: Fri Feb 13, 2009 10:56 am    Post subject: diy drum synth
Subject description: Idea for a sort of vermona drum synth type of diy unit
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Hello , I've been thinking about building a midi triggered drum sound module and toying with the idea of housing these kits / projects in yet another plywood box Very Happy .

Elby - midi to sds trigger kit (8 outs).

2x Coron DS8.

2x T.H. mega percussive synth.

CGS Synare.

CGS chime sim.

a few simple lfo's.

mfos stereo pan.

Mixer.


I thought of putting audio FX insert jacks on each output before the mixer .

Does anyone have any advice having built any of these circuits ???


David
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creatorlars



Joined: Nov 26, 2007
Posts: 524
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PostPosted: Fri Feb 13, 2009 3:03 pm    Post subject: Reply with quote  Mark this post and the followings unread

This should work great, I have a similar setup in my modular. I added trigger outputs to my Midibox CV though, instead of using an Elby kit.

I have a master "Drum Mix" module which is basically a CGS VCA with headers behind the panel -- each drum module connects to this module to send audio to the VCA and receive a trigger which is distributed from the Midibox CV. The "level" knobs on each module function as the level going into the "drum mix", which has send/receive jacks and a couple of extra inputs. This way I can add as many drum modules as I like, and still have them be part of the master mix. Each drum module has it's own trigger input and output jacks too, so they can be used independently as well. Adding stereo capability would have been nice, but I will handle stereo mixing on a case-by-case basis -- mainly my goal was to be able to connect my MIDI In and my audio out, and have direct access and a mix of all my drum modules without patching anything.

I also reccomend the Thomas Henry Clangora -- it has a neat input trigger structure for closed/open hats and sounds great. The 808 voices are not hard to build either.
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Skrog Productions



Joined: Jan 07, 2009
Posts: 1220
Location: Scottish Borders
Audio files: 159

PostPosted: Sat Feb 14, 2009 8:35 am    Post subject: Reply with quote  Mark this post and the followings unread

thanks, i'll check those out

I've found some XR2206 chips from hong kong on ebay for the MPS circuits and think i have most other components ( after a good tidy up of the work bench ) just have to have a rummage for a toroidal & some reg's etc to make a power supply .
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Rykhaard



Joined: Sep 02, 2007
Posts: 1290
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PostPosted: Sat Feb 14, 2009 10:20 am    Post subject: Reply with quote  Mark this post and the followings unread

Cool to see that there are at least 3 of us building 'drum kits'. Smile

I so far have completed:

- 1 x MPS (1 more to go)
- 1 x Liquid HiHat (2 more to go)
- 2 x T.Henry precision 1V/O triangle VCOs (with)
- 1 x Marc Bareille AD633 balanced modulator (1 more to be wired. Parts are done)
- 4 x Triple Voice Drum Triggers (8 more to go)
- 1 x Yamaha Bass Drum foot drum pad (and pedal)
- 2 x Remo Practice Pads (converted to electronic. 3 more to, in stock. More coming)
- 1 x Alesis D4 Trigger to MIDI converter

I'm currently trying to decide what to do for a mixer for them. I like Creatorlars idea of using a Ken Stone VCA as a Master Out. I still have 2 available that I haven't finished yet. I could set the pair of them up with at least 1 Inverter, for doing stereo panning between them for outputs. (I AM currently doing that for my new Quad 3 input AC mixer rebuild.)

One trouble that I now have to work out, is impact intensities to the Thomas Henry MPS.

The MPS Trigger input has the Sensitivity control for the Comparator. Depending on what level this is set at and how hard the drum pad is hit, can range from no trigger occurring at all, to full sustain. scratch

I'm wondering if this could be due to the drum pad, still resonating after being hit. A continuing resonance could be retriggering the comparator, not allowing the input capacitor TO discharge. This seems to occur when I have the Sensitivity control to set to very low. If I set it to high though, then I get no response from too soft of an impact to the drum pad.

Lots of head scratching with this one for me, at the moment. I figure, it might be best to find the Simmons SDS schematics, to see how they took care of input from the drum pads.

Sorry for rambling on and on ...... I haven't yet found anyone else to speak with about this problem and have been trying to solve it all by myself, with barely any related experience to drum pad implementing.
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Skrog Productions



Joined: Jan 07, 2009
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Location: Scottish Borders
Audio files: 159

PostPosted: Sat Feb 14, 2009 10:51 am    Post subject: Reply with quote  Mark this post and the followings unread

Ah! velocity response, my roland v-drum kit snare & cymbals make the roland module output velocity changes via midi to my korg X5 drum sounds but to implement that to an analog voice module would i be wrong in saying some sort of velocity C.V. needs to be fed to the vca to change loudness ??? .
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creatorlars



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PostPosted: Sat Feb 14, 2009 11:12 am    Post subject: Reply with quote  Mark this post and the followings unread

Yeah, you'd need some sort of Velocity CV for loudness control.

In order to have full loudness control over every single drum module, they'd need their own output VCAs and dedicated Velocity-to-CV channels. For my purposes, this was not neccesary (and could be implemented on a case-by-case basis by just patching a drum voice through a VCA module and then back into one of my master drum mixer's auxillary inputs.) But my compromise was making the master mix a VCA... this way I could have control over global emphasis/volume for the whole mix, which is more of a common use I would have for loudness/dynamics control.

With the CV outs of Ryk's "triple voice drum trigger" you could have all sorts of fun with dynamics/CV control of drum modules.
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Rykhaard



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PostPosted: Sat Feb 14, 2009 12:08 pm    Post subject: Reply with quote  Mark this post and the followings unread

I grasped the usefulness of Velocity in expression, back in the mid to later 80's and have worked with it, ever since. It helps greatly for providing impressions through it's use. I'm still trying to fine tune the related parts for it in my drum controller.
And yes, I patch it to the related VCA's CV for control of it's loudness. Also, to the filter cutoff's CV, if I wish to change the timbre of the sound in relation to how hard the drum pad is hit.
Together with pitch or almost anything as other alternatives, is where I found 3 different Decay EG's to be useful from a single drum's trigger; differing velocities being able to control up to 3 different things for each drum trigger. Smile

My final puzzle to solve with it, is creating an interface that allows me to switch from 1 CV output to another, depending on the level of velocity from the input source.. For now though, I'm happy with my current version of my controller.
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Skrog Productions



Joined: Jan 07, 2009
Posts: 1220
Location: Scottish Borders
Audio files: 159

PostPosted: Mon Feb 16, 2009 10:32 am    Post subject: Reply with quote  Mark this post and the followings unread

great drum synth combinations Rych & Lars,
i feel left out so here's a pic of stage 1 - the box.
This will surely act as a visual incentive for me to start soldering an affordable 8 sound midi 2 analog drum module , ha ha.
I have ordered 2 ds8 boards & 2 mps boards & i'm whipping up a power supply to go in the box i knocked together in the shed on sunday .
panel will be 810mm x 140mm with a printed vinyl sticker.


Box for drum synths 1.JPG
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creatorlars



Joined: Nov 26, 2007
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PostPosted: Mon Feb 16, 2009 10:35 am    Post subject: Reply with quote  Mark this post and the followings unread

The box looks great!! I should take some pics soon of my rig, it's been a while.

Just a note -- if all you need is Midi-to-Trigger, you can build a Midibox CV with only a core board and a DOUT board, which would be extremely cheap with the available kits. Be sure to check out http://www.ucapps.de.
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Skrog Productions



Joined: Jan 07, 2009
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PostPosted: Mon Feb 16, 2009 10:44 am    Post subject: Reply with quote  Mark this post and the followings unread

oops, i ordered the elby kit on saturday, never mind.
There's loads of cool stuff on that link, thanks Lars.
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Rykhaard



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PostPosted: Mon Feb 16, 2009 11:25 am    Post subject: Reply with quote  Mark this post and the followings unread

Great looking setup Skrog! And an M6R!! Droolfest to me! I especially loved the oscillator sync on it. Wonderful sound to it. I only ever recorded my M6r into 1 tune. I wish I used it in more of them. Alas ......

Creatorlars! Wait wait wait! Surprised Shocked A couple of years ago, I had ordered everything that I needed to build the MIDIbox SEQ V2.0. I got about 75% of the way there (all PCBs done, but the panel only about 10% completed) before I decided to instead work on my own sequencer designs. (Success, a year later, with my Quadatrix 1V/o sequencers.)

NOW though - seeing the MIDI to CV kit and you've gone that route - could you clue me in on exactly which option that you chose and how well it's working??

I'm asking cuz, I'm currently using a Roland MPU-101 (4 channels). I bought Marc Bareille's MCV-876 (still to build) which will give me 4 more channels. My hopes though are having somewhere between 16 and 32 channels of MIDI to CV for all of my synth and drum requirements.

I was thinking of uploading the MIDI to CV code to my MIDIbox PIC, but I'm stuck so far on which of the MIDI to CV options to go for.

Curious to what you've done! Smile
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ericcoleridge



Joined: Jan 16, 2007
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PostPosted: Mon Feb 16, 2009 4:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

creatorlars wrote:
Yeah, you'd need some sort of Velocity CV for loudness control.


Has anyone tried or thought about using a VCA or VC Comparator to control/modulate incoming drum triggers? This would be to give dynamic control over the gate length/envelope sustain of individual drum hits based on force of each hit-- might work well with Rykh's Triple Drum Trigger also.

I'm sure I read about this somewhere; would provide another naturalistic dynamic in addition to volume.
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creatorlars



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PostPosted: Mon Feb 16, 2009 4:44 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
This would be to give dynamic control over the gate length/envelope sustain of individual drum hits based on force of each hit


That's an awesome idea.

The "Sustain" input on the Cynare is one of my favorite features for that reason -- You can program such movement into your sequences by varying the gatelength triggering the module...

Being able to control gatelength via CV would be very interesting with this module, but it's the only module I can think of that has that Sustain feature.
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neandrewthal



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PostPosted: Mon Feb 16, 2009 5:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

I'm planning a 6U x 5U super dense(a la creatorlars) MOTM format drum synth to go in the corner of my modular, to be played with dual CGS pulse divider/logic combos, gated comparator, 4 channel gate sequencer and whatever other logic my modular can throw at it. So far, I've got 2x MPS, 2x SDS-3, CGS Cyncare, dual drum and dual chime to go in it, but there's no way I'll be able to fit it all help For the output, I'm going to have an unattenuated output jack for each, and an 8 input mixer off to the side with the drum voices normalled to it through switching jacks. That way all the mixing is done in one place and I can still send all the voices through whatever external effects I want.
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creatorlars



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PostPosted: Mon Feb 16, 2009 5:05 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
I'm planning a 6U x 5U super dense(a la creatorlars) MOTM format drum synth to go in the corner of my modular


Sounds awesome, I can't wait to see your design, your panels look great!!

Here's some panel designs (I may have posted them here before, but this thread is a good place...)

There are some 1U and 2U MOTM panels and then a big 19" x 4U rack panel.


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ericcoleridge



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PostPosted: Mon Feb 16, 2009 5:20 pm    Post subject: Reply with quote  Mark this post and the followings unread

creatorlars wrote:

Being able to control gatelength via CV would be very interesting with this module, but it's the only module I can think of that has that Sustain feature.


Well, I think that you would get this effect automatically-- without need for VC over Sustain; You know? It would be inherent in the pulse-length of your incoming trigger-- which would be under voltage control via a comparator or (possibly?) VCA.

I guess the only pitfall to this idea would be if your drum module requires a very specific lenth/level of trigger. But, it seems like most edrums can be triggered from at least some range of pulses, no?

Last edited by ericcoleridge on Mon Feb 16, 2009 7:39 pm; edited 1 time in total
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neandrewthal



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PostPosted: Mon Feb 16, 2009 6:09 pm    Post subject: Reply with quote  Mark this post and the followings unread

creatorlars wrote:

There are some 1U and 2U MOTM panels and then a big 19" x 4U rack panel.


Holy crap, that's a lot of drums in a small space and they look awesome. It makes me wonder if it's worth it having 22 knobs per mps when it can only make 1 voice at once. That's as many knobs as 6 or more 808 voices Shocked

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creatorlars



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PostPosted: Mon Feb 23, 2009 7:55 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
It makes me wonder if it's worth it having 22 knobs per mps when it can only make 1 voice at once. That's as many knobs as 6 or more 808 voices

Well that's why I opted for both in the same unit... I can use the 808 voices when I want those specific sounds and the modular voices when I want MUCH greater versatility/voltage control. The cloned 808 voices, even with the mods, are very much one trick ponies compared to stuff like the Clangora or MPS -- but they sound so good, and it would be very hard to replicate a lot of them exactly, even with something as complex as the MPS, especially stuff like the clap that has a weird envelope, etc. But yeah, if you're using your MPS just to try to replicate an 808 clap sound, seems like a waste of knobs.
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Skrog Productions



Joined: Jan 07, 2009
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Audio files: 159

PostPosted: Fri Mar 06, 2009 1:39 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hot tin/lead has been sizzling away at the workbench to make these for the project.


most important build ... power supply.

Used vero board for ease, a dual 12V & a dual 15V supply, had the reg's lying around so used em.




Boards populated so far.......

2X ds8 clone

2X MPS

1X Bass + +

8ch mixer with pan L-R & FX inserts & H-phones (Ray's simple st mixer).

Working on the panel this weekend.


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Last edited by Skrog Productions on Wed May 06, 2009 6:23 am; edited 1 time in total
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creatorlars



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PostPosted: Fri Mar 06, 2009 1:45 pm    Post subject: Reply with quote  Mark this post and the followings unread

Beautiful, great work!!

I'll upload some pics of my drum machine in progress (been too busy using it!)
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Skrog Productions



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PostPosted: Fri Mar 06, 2009 1:52 pm    Post subject: Reply with quote  Mark this post and the followings unread

Steady. Surprised . you could drive a bus under some of those resistors on my mixer vero board Ha Ha Ha.
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Skrog Productions



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PostPosted: Sat Mar 21, 2009 12:39 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hello folks.
I've been busy drilling and getting the front panel sticker sorted out.

hoping to start wiring this week coming.

Picture update on drum synth sound module so far........


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Populating front panel & box painted black
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Last edited by Skrog Productions on Sat Mar 21, 2009 1:17 pm; edited 1 time in total
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creatorlars



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PostPosted: Sat Mar 21, 2009 12:44 pm    Post subject: Reply with quote  Mark this post and the followings unread

Awesome!!! I have the first four modules in my big 808 rack panel, pics soon.
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