Version=Nord Modular G2 File Format 1 Type=Performance Version=22 Info=BUILD 234 Wdglitch1205Wurl221205gong0020No name!,_JTMs@P 0  `7$3Ap'@#0 `B <@D 3C@! (@`@D @,8sE}`$$@\7(-Aw ѰDC4pP0GQa.!hH B@H7&`  b+h Bh@t/TLd(4#̀ 00+5@Jv@ ` !0 D 04@PC% D Pqirx/_@Rs@\& K AB `@B!A!C!K  !A!A!!"A"AA@A@AB@AĀA C@@@BC"C"DA"K`B@`E A AAA"@C@"@AB`āBD@@ED@BAB@B FB FBGCE#F@#J#L#F#G#ǁ#GFƁ`I`@HB#I@#A$H$IH K@A#J#E EAJ@K%K%J`J@K&G#C`H@D@D@$F‚B@B"AA BF`MF@ &L&FRg``A!@C!@A`ā`D D D@@ ă@! DA! AD@!D`D!C!C!B@@BBB@@@MC@H @ @ @ @ @ @ @ @ @ ,@ lA  8 8@0 Ap B e (@0P2`@ @@P@A MK@Bl@'  @@0pVp@ 4@    `@ l 6lv0p  @?(`b ? O A?!"@@:  @ @ @, @h @ @ @@9 @Lr @ >@9 a& @   @X @  @@8@ @`4  4 @@$@4@D@@=@@@@@@@@X  `   "@   p@h@ B 00` (@ 8XxP? A7!X 0A@ @0@@@ @@<#<0#<P#<p#<@ ` ;` K ` @p H,@ @  @@@ (Hh0p  @7 oB? 0` (@H@@p ` 8@(A@@@@@@@@@#@  0@@` P@&` `M+`̀8@ @`) 0@ %5Ej00Pp`@P -@ 0 L @8 `@4@ @(" (08@ ``H` Abp@ 4@d `9 H2@ l#$a       ( __ AG5h P ,MB@A @ A@ p@8J@%H$P C(AIP Ċ(xrE<A"J  @$4D @@(P@@  @ (D l @ X @" q@ #`@@ @ <@ @ 9 @Lr @ >@9 !@   p@h@ B PP`@ @  @@@9`X@Ay`"X @ C0P$ ` x@@<``NQ  $ 4 D   @ A8@"@&,@ >@ 2& p %?)OA  Sb eU  0@P`pbx`F[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[TABBX@BX@BP @B BBX@BBX@ BX@[0BP @B BBX@BP @Zq5RndClkA1ClkDiv1Constant12-Out1EnvD1RndTrig2Mux8-1X1RndClkA2 DelayQuad1 Mix2-1A1 DelayA1 ClkGen1 RndTrig1OscC1FreqShift1LfoC1Pan1LevMult1FlipFlop1RndTrig3RndClkA4Saturate1SeqEvent1EnvD2OscPM12-Out2RndTrig5RndTrig4RndClkA3Mix4-1A1Mux1-81 Pan2!EnvAHD1"OscC2#Pan2$2-Out2%Mix4-1A2&EnvD3'Saturate2(Mix4-1A2)ClkDiv2*Scratch1+Saturate2,Pan2-2-Out2.MetNoise1/ModAHD10LevAmp11Constant22NoteSend13RndTrig64RndClkA55Constant2Z3Fx-In1Compress1Reverb12-Out1ClkGen1OscShpB1OscShpB2Mix2-1A1 LfoC1 LfoC2 FltClassic1 RndClkA1Glide1LfoShpA1LevMult1Overdrive1Mix1-1S1StChorus1oWas passiert, wenn Ausgang LfoA1zum oberen Pitch-Eingang geht? Die Herzrate des LfoA1 steuert die Geschwindigkeit, der Pitch Modulation Attenuator Amplitude? !Z_J7B@J  @P$ E A+J@ @ "  P / @`8&Abh, H&ADg0<@D8P3DA\ EC0L*p@D&AHd P\iP_W  //eJN!@ @ @R+@ @ AAA @`A@@ @ Ba@@D AR$BCA@"`C"@B!B@B CB@B`!C@"@!`@! !CA`!`C! BA €!A @@A`ABŀC"E"F@#@@# F#@F#@CA!`A! MC@H @ @ @ @ @ @ @ @ @,@ lA  8 8@0 Ap B e (@0P2`@  @P@A M}B@E@&- @p @@ 4@ @@(@W @A^A!@/| `KK,K<K 580 d0d@dPd`dpddP` P@@ P ,HP 8`@@   ` M@A @ A@ p@ @@0@@ 8`  0  -`@ ` j@@A @A@B @(  P@@X @ AD @ @b  @@x@ BR@ `D@ ` H@ \d$ JB  @@@pH$Y &Hr@ |d5(`9 @Q@@ P @ d$ 6H@? A7!@( A P@X@ @D 0p  A@? oB?P@ * ` 0A  h""@  oB? @@OgD$Y &Hr@ |dd  @#@?,@ >@ 2ey d)l !=%A: X@    bx`F[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[@[>C€BX@BX@€BX@BX@BP @ZNnOscShpB1FltHP1FltLP1EnvADSR12-Out1Constant1 Overdrive1 ClkDiv1ZFx-In12-Out1LevMod1Pan1Reverb1LfoC1LfoC2 SeqCtr1 NoteSend1 SeqCtr1 NoteSend1 SeqCtr1NoteSend1RndClkA1ClkGen1RndTrig1RndClkA2RndClkA2Delay1RndClkA3NoteQuant1NoteSend1Rect1Mix1-1A1oWas passiert, wenn Ausgang LfoA1zum oberen Pitch-Eingang geht? Die Herzrate des LfoA1 steuert die Geschwindigkeit, der Pitch Modulation Attenuator Amplitude? !B,_JEA@ Bp! (004P0 pC@5$ @1A`@!"H /tĀ 0$@@Pf`Ji R@$CCB@CA@C@ACBCAA@ABCBA C BA@DB!`D`!  @D@A@@`D!A!D"C"`A@E@"`EARMC@H @ @ @ @ @ @ @ @ @ * @ lA  8 8@0 Ap B e (@0P2`@ @@PA ME@A @ A@ p@0 #@| @ `  8@  @ ` v >`A @x @  }:'@ @d|r@ €|U V&@9  @d@ `Ā  <  ? @Lr @ >@9 @q$ Đ>A @x @  @ ` ` `l l lll|@X@" @@@8 @ A`4 !<(6@^@@d\r @ F@9> 3@, @@ Y`4X@,  &d tv   "A@@@A(@A@B(LP@@0!@$@@!@D@@ 8 x Al@( @ P0 @?MeY @bx`F[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[ZABP @B BP @B EBP @B BP @B [Zx2-Out1Noise1X-Fade1Pan1DlySingleB1Mix2-1A2Mix2-1A3DlySingleB1 Mix2-1A4 DlySingleB1 EnvADSR1 DlySingleB1 Mix4-1A1LfoC1Mix2-1A1FltMulti1FreqShift1Scratch1LfoB1Constant1FltPhase1Zo!BX_J@Ji R@RMC@H @ @ @ @ @ @ @ @ @ ,@ lA  8 8@0 Ap B e (@0P2`@ @@P@A M@MeU  0@P`pbx`F[T@TBY[BU[B^XBY B\ BP B XB˕ [@[ZCZ o_x4