Version=Nord Modular G2 File Format 1 Type=Performance Version=23 Info=BUILD 266 W xplayerpiano0p31stringsarc3trilobite!@?J@JosA@ @ `E4AE<A # @C<$ @3P"E@<8EAT @i(y^@ @R@R_!B C@ C@@@@A@aB@aA@aC@B@AA@AB@`@`@@A`AC"A"A"B"BA"B!`D" DMC@H @ @ @ @ @ @ @ @ @ ,@ lA  8 8@0 Ap B e (@0P2`@ @@P@A M@MB@Bc@'  @,@8@ @`4     @@ 0@@  ` 00 $y .H@H@L$ @0 $y .H@H@L$ P0 $y .H@ ? O A?!@(`b  /o3dL$Y &Hr@ |d<@ @`@@  \@d  P ,e` 08 t} @`bx` F[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[@[&BBX@€BX@BP @Z@ZRndClkA2ClkGen1SeqEvent1ClkDiv2ClkDiv1NoteSend1NoteSend1NoteSend1 NoteSend1 NoteSend1 RndClkA1 ClkDiv1 KeyQuant1NoteSend1ClkDiv3Mix1-1A1Constant1oWas passiert, wenn Ausgang LfoA1zum oberen Pitch-Eingang geht? Die Herzrate des LfoA1 steuert die Geschwindigkeit, der Pitch Modulation Attenuator Amplitude? !_J}D@  p0p@@ P ` p"@@# ,00 @@TL10D~J)@@@ @0  i8\җ.s&frHX$_'O͘@ @Rs@`CCB B ÀB @@AA"!C!A!"!A BB BA@@A @`ABR' AA@@ B AC`@`MC@H @ @ @ @ @ @ @ @ @ ,@ lA  8 8@0 Ap B e (@0P2`@ @@PA MfD@CS iT:p%8A  N@ @S ePy@e 6P@e J%@  @ @ hP<A(" Z"P tA2  L&@@@ @  a @` @@8 nY .dַ,:/Zܲ[@kr#nY&@r` 9 pH@l, A6 M&@'('('('('('('('('( B!`@@v ;X,X4`A  B H T H- ԀHhp D A" D "H$@@Ȁ @  Dp%! !0!@!P!`!p!!)" O)" ) " )"!) D@]$N D@$NDA]$NDA$N!D@M@A@@ @ p@ @0@@ ST ;S;S-;S=;S  2@ $H< 2,@ >@ 2   A `@  e i \0"BrE $!u@A A`Cj@̂.dh 9[H@"B@bРE 0u5ZH AB2 P- j! H1 ]hP"Bbe-$s Z(@B$.(h!`H1 ]hp2 @P̃- g!KiZH BBZ$.8x@ I\(BA%-D$ !! ZX CZ P .d!s EY@Bօ-, ! ^A2 `E, m!Q AHBBև/i \0"BrE $!u@A A`Cbx`(&:BF[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[@[ABBP @Z@OscPMEnvDOscPM1EnvDOscPM1EnvADSR2-Out1Mix4-1B OscPM1 EnvADSR OscPM1 EnvD OscPM1EnvADRLevScaler1LevScaler2Keyboard1GrandPianoIan SayerZ9Fx In12-Out1Reverb1DlySingleA1Mix1-1S12-In1o!A7JG@G 0 P\ @pD@  0 (C@n " `@D BP*D @#tTt qA€dWTB~8< J@@@ @x i eYR@("CE A@FBD#A@A@ƀ"aA @! @DC!CDFAF !`@A!`C DD@@@!@CA!@B@B`A@C@@ C C E F BA @ E@"E"@@!@!@R`@` @MC@H @ @ @ @ @ @ @ @ @*@jA  @ @@0 Ap B Le (@0&P2 `@  @P A MFB@E@`-L~F1p @@`- L~4F1  @@`-@PA 0`@ PZT!@@@@@ @ @@@    `@@ @zlH <phy; ?zl8)dh(n (n0(n@)dhP(n`(np.*`v)dh0?@0?w$ W5@/xB _|@ @%  @_@b<@ @ Aq6  !0@G @( @@x@#G @(,@4@<@xCG @(hp `G0 @+p#Hp `G0 @+p!p (@JP" T |@(<0iL:`SE0Lh@ @$   @Lx87`?\g3_H(?@r P? @?`@ 6@ŁP@ @ 80  tKP ?r;m`Հ82 4R(?  l ?9?l Y?{hl @  <!Mj@A@@ @  pA@ @0@@ 6C0 S#jAt3 ~k6e vY[8BJ$*.@" ]]F4%+T G1G * `J#` BH0%Cp#pR ˵B0AjP%Ԉ!D KCHFB4x !$ F(A Qp#pR5EH0"$Bzֈ!D #AH"G 8B@eڃ!d nK BhD"%Ќ!` p#@Ybx`(&:BF[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[&@BBP @BP @BP[[[[Z@OscShpB1BowNoiseX-Fade1EnvADR22-Out1EqPeak1EnvADSRMix2-1B1 ShpMMix LfoC LfoC OscC OscShpB1ShpMMixX-Fade1LfoC1EqPeak1Mix2-1B1Keyboard1StrBendLevConv1X-Fade1Heavy BowedEqPeak1Mix2-1B1FltLP1Ian Sayer 2004BowLevelZFx In12-Out1StChorus1o!B"_JG@ @Xp $@, 02`$ $P$, hD"@ `t\p4x P+C@@H 0P@0 DL`< EA  `C:pC1Dh PJi(w>{]ϟ@ @R@2#G#GGC@B@AB @ BA B @ CA F!AC!BB@ A C@@!`A!`@!`C ` `CCCC`A DbbBb`BbcBD@EAEFE`B`FF@F D@ F @@`FA@E@@@AFRMC@H @ @ @ @ @ @ @ @ @ ,@ lA  8 8@0 Ap B e (@0P2`@ @@P@A M F@A@ @ p@@< @@@$@,@4@<@D@@@K 0 (@0 H@0 h@0 @            " _ Gp0 @ B!@@a 0  7€@' Ѐ @   !@X@"`@@  \@d 0@HP@ D0 @0p$X@0@XP@ Dp `@ 4x P @ r@9  @d|r@ m r@ &@9  @d` @P  2, r ,  , ,#@   p@h@ B 0``@( MeU  0@P`pbx`F[T@TBܛ\ @BQܛ\ Bܛ\ Bܛ\ Bܛ\ @BQܛ\ Bܛ\ Bܛ\[FA€BX@€BP @EBP @B BP @B [Z @2-Out1OscC1LfoShpA1OscC1OscC1PartQuant1RandomA1PartQuant1 LevMult1 LevMult1 RndClkA1 LevMult2 FreqShift1DlySingleB1Mix1-1A1fast clocksw 1dly 1sw 2dly 1sw 1dly 1dly 1sw 2Mix2-1A1Mix2-1A2Pan1FltLP1LfoC1CtrlSend1ZoWas passiert, wenn Ausgang LfoA1zum oberen Pitch-Eingang geht? Die Herzrate des LfoA1 steuert die Geschwindigkeit, der Pitch Modulation Attenuator Amplitude? _x-P