Version=Nord Modular G2 File Format 1 Type=Performance Version=23 Info=BUILD 320 exKey Quant 1/@Key Quant 20@Key Quant 1b1AKey Q Angelic 12A!A_JG@  Ѐ @@`@D0@ H, ( &A@'@x<T^ @ #@LPq4E(@idM DD0d1450F@AAPJ@@0@0!`i>ye.]*Y׹RR@)ÁC`A`A`B`B@!@@A!@A b A ` AB`AD@AA!" D!D@ A!C@!FBDBFC@ BF#@F#`BA A@@ AE"DBD@B`E"E#F@# F""R@@@AMC@Hx @X@x @x @x @x @X@ @ @/@oA # 8 #8@0 Ap B\" E.0p`@ @P@ ME@B@h?$ @1` `{ !P 7 0'BTX :@@=  `@@ '((@B40 @P`%@ٽ \8!K@@!5@0 0 Kl(p@)"jED`Y@  2@"X@@@P@ 8P  $ @LI< 0 A9 B@@@d @ A,(AN,(AAB BMc"P p0@!'#+7?Dh@   @@C@ @ `@ @8 @@0@ @ D#VG@ho\5 V 3[1X8 0mp& x -A' <f @ (@`  0@`, @ a @f0HAch  b 0 @2 `A !  8@@6  {`@@ Mr@@@ @  p@  @@0@ @ @ 4/*@<@eZ 8A:UP  @.(0DAT@`t%00A GpT("`(0 A pyjO9svkP'R@)# F""#F@"EB`EBD@"D AE@@#`BA A#@F BFC@BFBD!F!C@ A!D@" D!AA@D`AB A A `!@A b!@@A`B@`B`A`ACÁR@A@@MC@Hxp@X@x @x @x @x @X@ @ @/@oA # 8 #8@0 Ap B\" E.0p`@ @P@ ME@B@h?$ @1` { !P 7 0'BTX :@@=  `@@ '((@B40 @P`%@ٽ \8!K@@!5@0 0 Kl(p@)"jED`Y@  2@"X@@@P@ 8P  $ @LI< 0 A9 B@@@d @ A,(AN,(AAB BMc"P p0@!'#+7?Dh @   @@C@ @ `@ @8 @@0@ @ D#VG@ho\5 V 3[1X8 0mp&  -A' <f @ (@`  0@`, @ a @f0HAch  b 0 @2 `A !  8@@  {`@@ Mr@@@ @  p@  @@0@ @ @ 4/*@<@ea (0DApT(" (0 A pPWZFx-InFX OUTPUTReverboQThis is my patch for solo (w/voice) performance. Based on Prophet patch #11. With ModWhl it's more like an acoustic guitar / clean electric. SusPed turns on release, like the PR5 GW1 shortens release time GW2 opens filter cutoff, like PR5 ctrl ped CtrlPed speeds up PWM, like PR5's LFO Rate knob. ModWhl lowers sustain level, enabling short decay (gets slightly longer): pluckier/guitar-like AT brings in small 11% vibrato at 6.02 Hz. Vel increases filter cutoff & PWM rate ROW A1 provides the most useful controls: 1. Amp Env Decay 2. Audio Speed Filter Modulation (from Osc 2) -- enable via the SWITCH 3. Filter Pitch Mod = envelope amount 4. Filter Res, with GC switch 5.-8. FILTER ENVELOPE controls VAR 2 is original pre-Velocity patch (Velocity only affects volume -- linear AM) VARS 4-8 are Hotprint sounds, including 5 = Hotprint Harpsi! _x