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Which recordings do you miss most
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bachus



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PostPosted: Mon Apr 14, 2008 2:20 pm    Post subject: Which recordings do you miss most Reply with quote  Mark this post and the followings unread

I got rid of virtually all my vinyl in the ealy 90s. I saved a view sleeves of those I was too attached to-- The Mercury Living Presence seies of 5 LPs of the incomparable Marcel Dupre playing the equally incomparable Cavaillé-Coll at St. Sulpice .

I can literally make me cry that these are no longer available.

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PostPosted: Mon Apr 14, 2008 3:27 pm    Post subject: Reply with quote  Mark this post and the followings unread

when I was 18/19 years old I started listening to and collecting jazz albums. As I was becoming a jazz buff I thought I had to get rid of all the pop rock albums I had collected before to "purify" myself so I remember getting rid of albums by Genesis, Gentle Giant, Jefferson Airplane, Quicksilver Messenger Service, Frank Zappa, Jethro Tull, Blood Sweat and Tears, Chicago, Colosseum, John Mayall, Traffic, Tangerine Dream, Electric Light Orchestra, Moody Blues, Curved Air, Crosby Stills Nash and Young and who knows what...I don't miss many of those albums but a few...
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Low Note



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PostPosted: Mon Apr 14, 2008 7:01 pm    Post subject: Re: Which recordings to you miss most Reply with quote  Mark this post and the followings unread

bachus wrote:
I got rid of virtually all my vinyl in the ealy 90s. I saved a view sleeves of those I was too attached to-- The Mercury Living Presence seies of 5 LPs of the incomparable Marcel Dupre playing the equally incomparable Cavaillé-Coll at St. Sulpice .

I can literally make me cry that these are no longer available.


You know, they've re-released the Eastman Wind Ensemble "Living Presence" titles, so they may get around to the other parts of that catalog.

If not, http://www.arkivmusic.com/classical/AlbumGroup?album_group=8 is re-issuing titles that are unfindable these days. Maybe a suggestion to them could get them to try and pick up Mercury...
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elektro80
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PostPosted: Mon Apr 14, 2008 7:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

Excellent vinyl reissues:

http://www.speakerscorner.de/

And there are Living Presence reissues too.. of course..
Very Happy

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bachus



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PostPosted: Mon Apr 14, 2008 7:39 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hey thanks guys both these catalogs bring back very fond memories. Every few years I do a search for Dupre's Mercury volumes and I know that the Organ Historical Society has members actively working to get these re-released -- some day -- I just hope I'm still alive Laughing


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Wayne Higgins



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PostPosted: Tue Apr 15, 2008 7:56 am    Post subject: Reply with quote  Mark this post and the followings unread

In 1979, I was broke and in college (first time). Sold around 425 albums. In 1987, I returned to college. Sold around 600 albums. Then cds came around. I started the Oenyaw thing and there were a few deaths in the family and a large collection of cds seemed quite ridiculous so I sold about 700 of them (but this time, I made copies before I sold them). I kept the elctronic and classical. Now I'm buying vinyl again.

What do I miss the most?
Tomita "The Bermuda Triangle" and "Bolero"

Eugene Fodor "Tchaikosky's Violin Concerto"

An album of women electronic musicians containing Johanna Beyer (?), Megan Roberts and a couple of the first recordings by an unknown Laurie Anderson

and some NY punk band called The Real Kids.

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PostPosted: Tue Apr 15, 2008 12:57 pm    Post subject: Reply with quote  Mark this post and the followings unread

Funnily enough, I too sold pretty much all my vinyl when I first got into CD's, but then spent the next 10 years madly hunting for all the ones I loved (thinking very stupidly that I'd replace all of them via CD), just to get them all back again! Laughing
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PostPosted: Wed Apr 16, 2008 6:25 am    Post subject: Reply with quote  Mark this post and the followings unread

Yeah, and then when I did replace all the cd's, I got a turntable and found that I wanted them back on vinyl.
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PostPosted: Wed Apr 16, 2008 7:03 am    Post subject: Reply with quote  Mark this post and the followings unread

Oenyaw wrote:
Yeah, and then when I did replace all the cd's, I got a turntable and found that I wanted them back on vinyl.


I hate vinyl with a passion. I hated it when I was a child and I longed for/ dreamed of a replacement that did not hiss and scratch and pop. To me every bit of noise was like being poked with a sharp stick. I thought CDs were the greatest thing in the world and I still love them and wouldn't let a turntable into my house even if it begged.

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PostPosted: Wed Apr 16, 2008 9:15 am    Post subject: Reply with quote  Mark this post and the followings unread

I was really happy to switch to cd. No more pops, scratches, ect. What I really hated about vinyl was that sound of a daimond needle scraping across the vinyl that seemed to compromise the music itself. And there was no way any one could convince me that the dynamic range of vinyl could match cds. Only problem was that most of the remastered redone 24 bit HDCD expensive discs I was buying began to sound bad to me. I felt like I was occasionally being dupped.

Then something really wierd happened this year. I found a number of used albums, really cheap, very rare. So me and my wife decided to get a turntable. Stanton, manual, inexpensive. I found that the amplifier I had on the surround sound system at home didn't have a phono input, none of the home stereo systems made have one anymore. You have to plug the turntable into the auxilliary. I had to buy a phono preamp. $50. Sure, what the hell. I wanted to hear the 1957 printing of the Fantasia soundtrack I got in an antique store. Hooked it all up. I couldn't believe my ears! My wife got a copy of Led Zeppelin VI (Black Dog, ect) at an antique store for the cover. Turned out to be the first pressing. Sounds better than the cd. I really think the difference is that phono preamp thing.

The one thing I never liked about digital recording are cymbal crashes. They don't "hang" like they do on older analog recordings. No matter how close to a sine wave digital can be, there will always be a point where it just ends.

Here's the true test. Mott The Hoople "Brain Capers" the song "The Journey". It breaks into a part where the band is pounding out chords that stop abruptly. The silence in between the stops changes. It's the reflex of the speaker. It doesn't happen on cd. I know I'm splitting hairs, making mountains out of molehills. It's actually a personal priority preference. Would you rather hear a cymbal hang or would you rather not hear the occasional "pop!"? As for me, I don't buy very many cds anymore, but I'm buying lots of vinyl (and it's really cheap!)

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PostPosted: Wed Apr 16, 2008 11:30 am    Post subject: Reply with quote  Mark this post and the followings unread

Oenyaw wrote:
The one thing I never liked about digital recording are cymbal crashes. They don't "hang" like they do on older analog recordings. No matter how close to a sine wave digital can be, there will always be a point where it just ends.


Well here's my take on this: First signals on vinyl are highly compressed and being compressed the tails of such notes remain unnaturally loud. Another is that most digital mixers allow you to set a level below which the signal is zeroed out. There are a lot of poorly mastered CDs where this is used. Finally if properly mastered and the ring is allowed to decay completely in will fall below the resolving abilities of any thing less than very expensive speakers. Finally there are some basic engineering princples violated by your last sentence. Under even the best circumstances a signal becomes inaudible when it falls below the signal to noise ratio of the system. CDs have a substantially larger signal to noise ratio then vinyl. Thus you should (and I would argue can) hear a cymbal ring longer on a properly mastered CD played though high quality speakers (and decent amps--they don't make much difference any more because it costs little to build one that surpasses the sensitivity of the human ear) As I am not an engineer I could have this wrong so I will let mosc or another qualified person address my comments regarding S/N etc.

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PostPosted: Wed Apr 16, 2008 11:50 am    Post subject: Reply with quote  Mark this post and the followings unread

I won't argue to S/N point. You got me there.

The covers are easier to read on vinyl than cd jewel cases. Razz

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PostPosted: Wed Apr 16, 2008 11:57 am    Post subject: Reply with quote  Mark this post and the followings unread

The cymbal issue is simply just a matter of production techniques and production choices.



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PostPosted: Wed Apr 16, 2008 12:02 pm    Post subject: Reply with quote  Mark this post and the followings unread

Robert is quite right about the audio being highly compressed on vinyl. A big part of that stunning "full" sound on vinyl is partly caused by compression being a vital tool when producing for vinyl. It is however amusing that compression + good engineering often results in a recording that sounds far more dynamic and transparent than a recording with little compression applied.
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PostPosted: Wed Apr 16, 2008 12:08 pm    Post subject: Reply with quote  Mark this post and the followings unread

The noise-floor of modern vinyl is about -60db practically speaking.

Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal.

Modern music on vinyl will either have larger dynamics then new CD's or be quite low. Because of some properties of the material and the grooves you can't cut vinyl as continually "hot" as you can with CD (which everybody does these days and which sounds like shit). Though of course some compression is recommendable it's actually extremely unwise to over-compress material to be cut on vinyl.

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PostPosted: Wed Apr 16, 2008 12:57 pm    Post subject: Reply with quote  Mark this post and the followings unread

I don´t think we were actually discussing overcompression here Laughing
But yes, too much compression is not good.

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PostPosted: Wed Apr 16, 2008 2:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

Kassen wrote:
Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal.


It is in my listening room and intentionally so. Both in terms of room treatment and where in the world the room is located.

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PostPosted: Wed Apr 16, 2008 3:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

To be honest Robert, I actually miss books that I've lost over the years more than recordings. I had a great William Klein book that I can't find any more Sad
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PostPosted: Wed Apr 16, 2008 3:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

v-un-v wrote:
To be honest Robert, I actually miss books that I've lost over the years more than recordings. I had a great William Klein book that I can't find any more Sad


How 'bout that, we almost have something in common. Laughing The lost book I miss most is by Morris Kline. Generally Im not big on material attachments but the Dupre disks were something special. And the Kline book was a gift from a friend. I hope you find yours.

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PostPosted: Wed Apr 16, 2008 3:56 pm    Post subject: Reply with quote  Mark this post and the followings unread

Kassen wrote:
The noise-floor of modern vinyl is about -60db practically speaking.


I confess I have not heard modern vinyl. And I hope not to Wink But to me an important question is how quiet will it be after being played for ten years?

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PostPosted: Wed Apr 16, 2008 3:57 pm    Post subject: Reply with quote  Mark this post and the followings unread

I love books- they're wonderful. These days I buy more books than records/ CD's etc.
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PostPosted: Wed Apr 16, 2008 4:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

bachus wrote:
Kassen wrote:
Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal.


It is in my listening room and intentionally so. Both in terms of room treatment and where in the world the room is located.
If I ever had to live near "civilization" I'd include lead foil in the walls and ceiling of the listening room, below the sound absorbing layers of course.
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PostPosted: Wed Apr 16, 2008 4:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

bachus wrote:
If I ever had to live near "civilization" I'd include lead foil in the walls and ceiling of the listening room, below the sound absorbing layers of course.


Shocked

Why? Shocked

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PostPosted: Wed Apr 16, 2008 5:18 pm    Post subject: Reply with quote  Mark this post and the followings unread

bachus wrote:

I confess I have not heard modern vinyl. And I hope not to Wink But to me an important question is how quiet will it be after being played for ten years?


In my experience modern records last longer then modern CD's and a few crackles are less objectionable then skipping CD's.

I should explain that it's been a long time since "vinyl" was actually made of that material. The modern stuff is much better and lasts much longer. Modern needles are much better as well. Since the introduction of the CD, records have been a specialist market and there has been a LOT of progress fuelled by the kind of budget that brings (mainly DJ's).

So, yes, I think many records can take that challenge compared to many CD's but it does depend on the treatment and the individual product. You really can't judge modern records based on what old ones were like, it's a very different thing now.

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PostPosted: Wed Apr 16, 2008 5:20 pm    Post subject: Reply with quote  Mark this post and the followings unread

To keep the noise floor tolerable :

Of course it would also keep out all the radiation caused by your neighbors nuking food in their microwaves.

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