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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Mon Apr 14, 2008 2:20 pm Post subject:
Which recordings do you miss most |
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I got rid of virtually all my vinyl in the ealy 90s. I saved a view sleeves of those I was too attached to-- The Mercury Living Presence seies of 5 LPs of the incomparable Marcel Dupre playing the equally incomparable Cavaillé-Coll at St. Sulpice .
I can literally make me cry that these are no longer available. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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seraph
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Joined: Jun 21, 2003 Posts: 12398 Location: Firenze, Italy
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Posted: Mon Apr 14, 2008 3:27 pm Post subject:
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when I was 18/19 years old I started listening to and collecting jazz albums. As I was becoming a jazz buff I thought I had to get rid of all the pop rock albums I had collected before to "purify" myself so I remember getting rid of albums by Genesis, Gentle Giant, Jefferson Airplane, Quicksilver Messenger Service, Frank Zappa, Jethro Tull, Blood Sweat and Tears, Chicago, Colosseum, John Mayall, Traffic, Tangerine Dream, Electric Light Orchestra, Moody Blues, Curved Air, Crosby Stills Nash and Young and who knows what...I don't miss many of those albums but a few... _________________ homepage - blog - forum - youtube
| Quote: | | Don't die with your music still in you - Wayne Dyer |
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Low Note

Joined: Jul 20, 2007 Posts: 146 Location: New Jersey
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Posted: Mon Apr 14, 2008 7:01 pm Post subject:
Re: Which recordings to you miss most |
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| bachus wrote: | I got rid of virtually all my vinyl in the ealy 90s. I saved a view sleeves of those I was too attached to-- The Mercury Living Presence seies of 5 LPs of the incomparable Marcel Dupre playing the equally incomparable Cavaillé-Coll at St. Sulpice .
I can literally make me cry that these are no longer available. |
You know, they've re-released the Eastman Wind Ensemble "Living Presence" titles, so they may get around to the other parts of that catalog.
If not, http://www.arkivmusic.com/classical/AlbumGroup?album_group=8 is re-issuing titles that are unfindable these days. Maybe a suggestion to them could get them to try and pick up Mercury... |
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Mon Apr 14, 2008 7:04 pm Post subject:
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Excellent vinyl reissues:
http://www.speakerscorner.de/
And there are Living Presence reissues too.. of course..
 _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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Posted: Tue Apr 15, 2008 7:56 am Post subject:
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In 1979, I was broke and in college (first time). Sold around 425 albums. In 1987, I returned to college. Sold around 600 albums. Then cds came around. I started the Oenyaw thing and there were a few deaths in the family and a large collection of cds seemed quite ridiculous so I sold about 700 of them (but this time, I made copies before I sold them). I kept the elctronic and classical. Now I'm buying vinyl again.
What do I miss the most?
Tomita "The Bermuda Triangle" and "Bolero"
Eugene Fodor "Tchaikosky's Violin Concerto"
An album of women electronic musicians containing Johanna Beyer (?), Megan Roberts and a couple of the first recordings by an unknown Laurie Anderson
and some NY punk band called The Real Kids. _________________ http://www.virb.com/waynehiggins
http://www.myspace.com/waynehiggins |
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v-un-v
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Joined: May 16, 2005 Posts: 8933 Location: Birmingham, England, UK
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Posted: Tue Apr 15, 2008 12:57 pm Post subject:
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Funnily enough, I too sold pretty much all my vinyl when I first got into CD's, but then spent the next 10 years madly hunting for all the ones I loved (thinking very stupidly that I'd replace all of them via CD), just to get them all back again!  _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 7:03 am Post subject:
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| Oenyaw wrote: | | Yeah, and then when I did replace all the cd's, I got a turntable and found that I wanted them back on vinyl. |
I hate vinyl with a passion. I hated it when I was a child and I longed for/ dreamed of a replacement that did not hiss and scratch and pop. To me every bit of noise was like being poked with a sharp stick. I thought CDs were the greatest thing in the world and I still love them and wouldn't let a turntable into my house even if it begged. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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Posted: Wed Apr 16, 2008 9:15 am Post subject:
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I was really happy to switch to cd. No more pops, scratches, ect. What I really hated about vinyl was that sound of a daimond needle scraping across the vinyl that seemed to compromise the music itself. And there was no way any one could convince me that the dynamic range of vinyl could match cds. Only problem was that most of the remastered redone 24 bit HDCD expensive discs I was buying began to sound bad to me. I felt like I was occasionally being dupped.
Then something really wierd happened this year. I found a number of used albums, really cheap, very rare. So me and my wife decided to get a turntable. Stanton, manual, inexpensive. I found that the amplifier I had on the surround sound system at home didn't have a phono input, none of the home stereo systems made have one anymore. You have to plug the turntable into the auxilliary. I had to buy a phono preamp. $50. Sure, what the hell. I wanted to hear the 1957 printing of the Fantasia soundtrack I got in an antique store. Hooked it all up. I couldn't believe my ears! My wife got a copy of Led Zeppelin VI (Black Dog, ect) at an antique store for the cover. Turned out to be the first pressing. Sounds better than the cd. I really think the difference is that phono preamp thing.
The one thing I never liked about digital recording are cymbal crashes. They don't "hang" like they do on older analog recordings. No matter how close to a sine wave digital can be, there will always be a point where it just ends.
Here's the true test. Mott The Hoople "Brain Capers" the song "The Journey". It breaks into a part where the band is pounding out chords that stop abruptly. The silence in between the stops changes. It's the reflex of the speaker. It doesn't happen on cd. I know I'm splitting hairs, making mountains out of molehills. It's actually a personal priority preference. Would you rather hear a cymbal hang or would you rather not hear the occasional "pop!"? As for me, I don't buy very many cds anymore, but I'm buying lots of vinyl (and it's really cheap!) _________________ http://www.virb.com/waynehiggins
http://www.myspace.com/waynehiggins |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 11:30 am Post subject:
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| Oenyaw wrote: | | The one thing I never liked about digital recording are cymbal crashes. They don't "hang" like they do on older analog recordings. No matter how close to a sine wave digital can be, there will always be a point where it just ends. |
Well here's my take on this: First signals on vinyl are highly compressed and being compressed the tails of such notes remain unnaturally loud. Another is that most digital mixers allow you to set a level below which the signal is zeroed out. There are a lot of poorly mastered CDs where this is used. Finally if properly mastered and the ring is allowed to decay completely in will fall below the resolving abilities of any thing less than very expensive speakers. Finally there are some basic engineering princples violated by your last sentence. Under even the best circumstances a signal becomes inaudible when it falls below the signal to noise ratio of the system. CDs have a substantially larger signal to noise ratio then vinyl. Thus you should (and I would argue can) hear a cymbal ring longer on a properly mastered CD played though high quality speakers (and decent amps--they don't make much difference any more because it costs little to build one that surpasses the sensitivity of the human ear) As I am not an engineer I could have this wrong so I will let mosc or another qualified person address my comments regarding S/N etc. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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elektro80
Site Admin

Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Wed Apr 16, 2008 11:57 am Post subject:
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The cymbal issue is simply just a matter of production techniques and production choices.
Get a free subscription to Tape Op! _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Wed Apr 16, 2008 12:02 pm Post subject:
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Robert is quite right about the audio being highly compressed on vinyl. A big part of that stunning "full" sound on vinyl is partly caused by compression being a vital tool when producing for vinyl. It is however amusing that compression + good engineering often results in a recording that sounds far more dynamic and transparent than a recording with little compression applied. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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Kassen
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Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
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Posted: Wed Apr 16, 2008 12:08 pm Post subject:
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The noise-floor of modern vinyl is about -60db practically speaking.
Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal.
Modern music on vinyl will either have larger dynamics then new CD's or be quite low. Because of some properties of the material and the grooves you can't cut vinyl as continually "hot" as you can with CD (which everybody does these days and which sounds like shit). Though of course some compression is recommendable it's actually extremely unwise to over-compress material to be cut on vinyl. _________________ Kassen |
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Wed Apr 16, 2008 12:57 pm Post subject:
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I don´t think we were actually discussing overcompression here
But yes, too much compression is not good. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 2:43 pm Post subject:
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| Kassen wrote: | | Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal. |
It is in my listening room and intentionally so. Both in terms of room treatment and where in the world the room is located. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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v-un-v
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Joined: May 16, 2005 Posts: 8933 Location: Birmingham, England, UK
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Posted: Wed Apr 16, 2008 3:04 pm Post subject:
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To be honest Robert, I actually miss books that I've lost over the years more than recordings. I had a great William Klein book that I can't find any more  _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 3:49 pm Post subject:
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| v-un-v wrote: | To be honest Robert, I actually miss books that I've lost over the years more than recordings. I had a great William Klein book that I can't find any more  |
How 'bout that, we almost have something in common. The lost book I miss most is by Morris Kline. Generally Im not big on material attachments but the Dupre disks were something special. And the Kline book was a gift from a friend. I hope you find yours. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 3:56 pm Post subject:
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| Kassen wrote: | | The noise-floor of modern vinyl is about -60db practically speaking. |
I confess I have not heard modern vinyl. And I hope not to But to me an important question is how quiet will it be after being played for ten years? _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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v-un-v
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Joined: May 16, 2005 Posts: 8933 Location: Birmingham, England, UK
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Posted: Wed Apr 16, 2008 3:57 pm Post subject:
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I love books- they're wonderful. These days I buy more books than records/ CD's etc. _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 4:04 pm Post subject:
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| bachus wrote: | | Kassen wrote: | | Worse then CD but I personally think it's so close to the noise-floor of practical listening situations in the modern world that it's no big deal. |
It is in my listening room and intentionally so. Both in terms of room treatment and where in the world the room is located. | If I ever had to live near "civilization" I'd include lead foil in the walls and ceiling of the listening room, below the sound absorbing layers of course. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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v-un-v
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Joined: May 16, 2005 Posts: 8933 Location: Birmingham, England, UK
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Posted: Wed Apr 16, 2008 4:53 pm Post subject:
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| bachus wrote: | | If I ever had to live near "civilization" I'd include lead foil in the walls and ceiling of the listening room, below the sound absorbing layers of course. |
Why?  _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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Kassen
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Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
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Posted: Wed Apr 16, 2008 5:18 pm Post subject:
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| bachus wrote: |
I confess I have not heard modern vinyl. And I hope not to But to me an important question is how quiet will it be after being played for ten years? |
In my experience modern records last longer then modern CD's and a few crackles are less objectionable then skipping CD's.
I should explain that it's been a long time since "vinyl" was actually made of that material. The modern stuff is much better and lasts much longer. Modern needles are much better as well. Since the introduction of the CD, records have been a specialist market and there has been a LOT of progress fuelled by the kind of budget that brings (mainly DJ's).
So, yes, I think many records can take that challenge compared to many CD's but it does depend on the treatment and the individual product. You really can't judge modern records based on what old ones were like, it's a very different thing now. _________________ Kassen |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Wed Apr 16, 2008 5:20 pm Post subject:
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To keep the noise floor tolerable :
Of course it would also keep out all the radiation caused by your neighbors nuking food in their microwaves. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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