In 1986 I moved to Boston to study Music Synthesis at Berklee College of Music. There I started upgrading my setup:
- Yamaha KX76 master keyboard (that I still own),
Yamaha MEP4 (a midi event processor programmable only in hexadecimal, perfect for a geek like me :-) )
Roland D110 (not many good sounds but those were cool), and a
Yamaha TX81Z (I love FM synthesis with a breath controller)
Yamaha TX802 (one of my best workhorses. Sold after many years of service and sometimes missed)
Yamaha DD5 drum pad midi controller (it was cheap but very cool)
Alesis HR16 drum machine (I really liked it. It was my main source of drum samples for many years)
Other software I used on the Atari includes:
- Music Mouse by Laurie Spiegel
Intelligent Music's M (I had my "randomistic", "stochastic", "aleatory" period)
Intelligent Music's RealTime (a sequencer with algorithmic quirks and twists. Cool!).
Dr.T’s KCS Omega, Copyist, TuneSmith, TigerCub (I worked for their Italian distributor, too bad they went out of business - their stuff was too weird and not mainstream at all).
Of course I also needed a mixer ( a Boss BX16) and a midi patch bay: first a Kawai MAV8 (not programmable) and then a KMX MIDI Central 15 in/16 out (programmable) that I still own and that I consider one of the best choices I ever made to work with midi instruments.
I came back to Italy in 1990 and, of course, I kept upgrading my setup: a newer Atari Mega STE4. Even if I am not using it now I am sentimentally attached to this computer and am not going to sell it. It’s like a pet; would you sell your dog? I had all the midi peripherals made by C-Lab/Emagic for a total of 8 independent midi ports. I never ran out of midi channels even in the heydays of midi hardware! And then came an avalanche of stuff, chronologically:
- Korg M3R (I loved it! Its sounds inspired many songs I wrote)
Yamaha MU80 (my first General Midi synth)
Emu Proformance 1+, my first piano module
AKAI S1100 (I bought it used with a 50 something library of CD ROMs. I sold the sampler and kept the CDs :-) )
Boss DR660 drum machine (it did not last long)
Alesis Nanopiano, Nanosynth, Nanobass (I had all 3 of them mounted on a 1 unit rack)
Korg Wavestation A/D (it did not impress me, maybe because when I bought it its sounds were already out of fashion)
AKAI S2000 (it was connected via SCSI to my computer. (I hate SCSI, SCSI IDs, SCSI terminators. I got rid of everything SCSI. Thanks God for USB and Firewire a.k.a.IEEE 1394 protocols)
Yamaha MU100R (I love VL synthesis with a breath controller)
Yamaha SU10 (battery powered sampler useful for live gigs, the only hardware sampler I own)
Kurzweil Micropiano (my main source of piano sounds)
Alesis QSR (good sounding synth and GM module)
Alesis DM5 (nice drum sounds module)
Alesis DM Pro (great drum sounds module with internal effects)
Korg Wavestation SR (same as Wavestation A/D)
Roland JV1010 (cool but hard to program without a computer)
Roland JV2080 (fully expanded with 8 cards, spectacular)
Access Virus C (wow! It gathers no dust, if you know what I mean)
- Yamaha M1602 (it served me well until I sold it)
the ill fated Yamaha Promix01 (forget it)
Behringer MX2642 (inexpensive and excellent)
Motu Midi mixer 7s (1 unit rack mountable and midi programmable, 7 stereo pairs inputs, that’s all I need now)
- Behringer Ultramizer (outboard processing is dead)
Digitech Studio Quad V2 (outboard processing is dead)
TC Electronic Fireworx (even if it sounds fantastic, outboard processing is dead, for me, at least)
- PAIA 6710 (I soldered all the parts together then I sold it)
Digitech Talker (not exactly a vocoder but a talk box, sold when I bought the Virus C)
- MAM MAP1 arpeggiator (sold when I bought the Virus C)
- Charlie Lab Digitar (interesting device but I did not need it)
Yamaha CBX K2 (my main keyboard for live gigs)
M-Audio Oxygen8 (get rid of your midi interface, go USB)
Peavey PC1600X (great programmable midi fader controller)
- Emagic Logic Audio Gold (a huge application, fantastic)
Emagic SoundDiver (a great editor)
Propellerheads Reason, Recycle, Reload (I love Propellerheads. Reason is my main virtual synth, sample playback device of the above mentioned AKAI CD ROMs plus a huge collection of audio CDs)
Ableton Live (a new approach to audio files)
Native Instruments Reaktor (a behemoth of a virtual synth)
- Digidesign Audiomedia III (2 analog inputs/outputs plus S/PDIF, good sounding)
Digidesign Digi 001 (a great studio-in-a-box that I recently sold because I am going Firewire)
- Yamaha MSP5 (a great bang for the bucks)
- Midiman Macman (1 midi in / 3 parallel midi out, serial port)
Emagic mt4 (2midi in/4 midi out, USB)
As the lyrics of “Fixing a hole” say:
I'm fixing a hole where the rain gets in
And stops my mind from wandering
Where will it go
I'm filling the cracks that ran through the door
And kept my mind from wandering
Where will it go
And it really doesn't matter if I'm wrong
I'm right
Where I belong I'm right
Where I belong.
It is certainly time for me to fix some of my holes.
Holes anyone?
Carlo Serafini
Florence, Italy
July 2003
Thanks to Howard Moscovitz for proofreading and editing this article