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Dave Kendall

Joined: May 26, 2007 Posts: 421 Location: England
Audio files: 3
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Posted: Thu Dec 20, 2007 10:58 am Post subject:
Modular CV/audio levels. Subject description: Advice and opinions anyone? |
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Hi guys.
Going *slightly* mad with indecision here.....
I'm trying to settle on a standard for audio and signal levels for the modular.
So far ±5V looks like a good choice for audio, and having all modules able to take levels up to the rails (±15V ) seems a good idea.
But how about CV and gate voltages? The paia midi2CV8 puts out +10V gates and CVs, the EFM MIDIGATE puts out +5V triggers, and several homebrew/perfboard projects running on HCMOS will put out +5V gates. One advantage of +5V gates - I guess you can use the positive portion of a bipolar ±5V CV as a gate...... I have used a CGS style comparator to trigger some circuits, but would like to avoid always having to do that.
Some VCOs/LFOs put out ±7.5 volts - it seems a shame to attenuate them unecessarily, or is that not really an issue?
FWIW all the modules (12 behind panels, and a further 10 in various states of build) are from pcbs - a lot of EFM and CGS modules, with a few others - a Charlie lamm Irwin SSM2164 VCA for example.
I couldn't find any previous threads on this subject, and would really welcome any discussion, ideas and opinions about this, as it might help me come to some sort of useful decision, even if that decision is to live with different standards, and use level shifters and offsets etc. to deal with problems.......
cheers,
Daved and Confused |
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fonik

Joined: Jun 07, 2006 Posts: 3950 Location: Germany
Audio files: 23
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Posted: Thu Dec 20, 2007 11:49 am Post subject:
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i mean, the question is rather how to configure the gate/trigger inputs.
do you plan to build any module that needs more than +4V as gate/trigger signal? if not you are fine since both, +5V and +10V, would trigger it...
if there are any modules that would need more than that: how many? maybe it's worth to modify these modules only and you are fine again? _________________
cheers,
matthias
____________
Big Boss at fonitronik
Tech Buddy at Random*Source |
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Dave Kendall

Joined: May 26, 2007 Posts: 421 Location: England
Audio files: 3
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Posted: Thu Dec 20, 2007 4:55 pm Post subject:
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| Quote: | | i mean, the question is rather how to configure the gate/trigger inputs. |
Good point..... And with comparators on the gate/trig inputs, maybe it's not so important to get the gate output levels all the same.....
One thing I'm trying to achieve is to get as much functionality into as small an area as possible, so avoiding extra level shifters/attenuators etc. *just* for stuff that gets done often. I don't know, but if standardising levels can help even a bit with that, it'll be worth the extra effort. You can never have enough as it is....
I guess I should have mentioned that the other reason for building the modular is to test out combinations of modules to build a couple of fixed-architecture midi rack synths of different flavours.
I love playing with the modular (small though it is at the moment) , but sometimes I just want to get a musical or sound design idea down fast, and simpler, optimised instruments can really help you do that.
Standardised/maximum levels would seem to be more important in a fixed design to keep the number of components/pcbs down, while still offering maximum flexibility from what you've got. I have hopes of using my stash of CMOS 4066/ 405x ICs for many of the routing jobs. These could handle up to around ±9V I guess, with overvoltage protection.
I simply can't afford the (very nice) DG analogue switch series, or expensive PC boards for that matter, so it's squeeze-the-most-out-of-what-you-got time here....
Hmmmm, I must think on this some more..........
If anyone out there has built fixed architecture synths before, any thoughts are welcome. I'm thinking of a relatively complex design with 2 - 3 VCOs, Portamento, 2 - 3 TRI wave LFOs, a multi-wave LFO, saw animators, at least one VC waveshaper, sub oscs, noise source, Sample and hold, 2 - 3 VCFs of different character, a distortion unit, 2-4 ADSRs with re-trigger options, and a multi FX, along with enough VCAs, mixers, switchers/routers and performance control inputs to make it all work, driven by a paia MIDI2CV8 in mode 1. MIDI clock sync would be a nice addition too...
Then there's the dream of a dedicated multiple OddNoise/FX synth.... (Random/Chaos time.......... Hi Frijitz! )
cheers,
Dave |
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Thomas Henry
Joined: Mar 25, 2007 Posts: 298 Location: Southern Minnesota
Audio files: 2
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Posted: Thu Dec 20, 2007 8:47 pm Post subject:
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The very first thing I did when I got into synthesizers was buy and study the complete Electronotes collection. I'm self-taught in electronics, so that was perhaps the wisest decision I've ever made in my life.
Anyway, somewhere in the collection is a very nice write-up from Bernie on the standards. Naturally, his treatment is logical and makes a great deal of sense. I've always followed his standards in my own work.
Thomas Henry |
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etaoin

Joined: Jun 30, 2005 Posts: 761 Location: Utrecht, NL
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Posted: Fri Dec 21, 2007 2:19 am Post subject:
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It's a funny business this signal level stuff. I've never given it much thought myself even though I'm mixing 12V en 15V modules but I've never had any problems anywhere either. Mind you, none of these modules will actually output anywhere near the rails. You'd have to build them with rail-to-rail opamps for that to happen.
In my opinion it's easier just to plug it in and hear what it sounds like. You're unlikely to blow anything up at these signal levels. To be honest, I have no idea at all what signal level my LFO puts out. I just plug it into whatever I need and use it. If the level is too high, I attenuate it. You'll most likely want to attenuate anyway. I find I never sweep anything over it's full range, so matching up the levels exactly will only achieve something I don't want...
Triggers are probably the only tricky thing, although I've never given trigger voltages in my modular a closer look. They "just work" anyway. Probably because most triggers only require a couple of volts and aren't easily overloaded either. _________________ http://www.casia.org/modular/ |
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EdisonRex
Site Admin

Joined: Mar 07, 2007 Posts: 4579 Location: London, UK
Audio files: 172
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Posted: Fri Dec 21, 2007 3:44 pm Post subject:
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| Thomas Henry wrote: | The very first thing I did when I got into synthesizers was buy and study the complete Electronotes collection. I'm self-taught in electronics, so that was perhaps the wisest decision I've ever made in my life.
Anyway, somewhere in the collection is a very nice write-up from Bernie on the standards. Naturally, his treatment is logical and makes a great deal of sense. I've always followed his standards in my own work.
Thomas Henry |
It's pretty early on, I remember reading it around 1975 at the latest, maybe 1974, so it was early on, and it made sense then. In these enlightened times, I actually think it still makes sense.
It's too bad he doesn't have that issue on his website; he has a bunch of stuff up there, but this isn't there. _________________ Garret: It's so retro.
EGM: What does retro mean to you?
Parker: Like, old and outdated.
Home,My Studio,and another view |
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Dave Kendall

Joined: May 26, 2007 Posts: 421 Location: England
Audio files: 3
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Posted: Fri Dec 21, 2007 6:54 pm Post subject:
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Thanks for the thoughts guys.
I guess the levels issue is something I can probably afford to relax about in a modular, although the fixed architecture synths will take a bit more planning....
I've wondered about getting the Preferred circuits Electronotes set for a while now. I've just got hooked on saw animators recently, and many designs I've seen on the web hark back to an Electronotes article or 2.
I guess I'll have to see how the money situation is after Xmas and new year!
cheers,
Dave |
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