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Kick Sync circuit adds hard sync at any phase to VCO or LFO
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Ricko



Joined: Dec 25, 2007
Posts: 251
Location: Sydney, Australia
Audio files: 27

PostPosted: Mon Jun 05, 2017 11:08 pm    Post subject: Kick Sync circuit adds hard sync at any phase to VCO or LFO Reply with quote  Mark this post and the followings unread

I don't recall having seen any circuits for this around, so I thought I'd make one: The Palpitator

This is a kind of hard-synch circuit, where you select the phase that you want your wave to start at. You could use it to synch LFOs to the first beat of a bar, or for VCO synch. It works as an add-on to oscillators, rather causing any reset. (This is not the kind of synch where you say "reset my slave oscillator when the master oscillator is at a certain phase" this is the kind where you say
"When the master generates a synch pulse, advance this oscillator to the selected phase".)

In the diagram, the top is a fairly standard Electronotes VCO. (It uses a 331 comparator, so it needs a pullup resistor, if you need to use a 311 then you need something else.) We use the saw signal.

The bottom is a simple waveshaper, which converts the saw to a triangle by fullwave recitification. There is an offset selector so you can go from saw to triangle to ramp). It also smooths out glitches.

The middle section is the guts. It has a flipflop that gets set by the master oscillator or sequencer. This puts a high voltage into the frequency input of the VCO, to speed it up as much as practical. There is a variable window detect on the VCO saw, to reset the flipflop when the desired phase has been reached.

So this synchronizes by FM, not resetting the oscillator's integrator.

The values shown are for an LFO. If you wanted to use it for a VCO, you would need to adjust the glitch suppression.


PALPITATOR.JPG
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Rick Jelliffe Palpitator
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PALPITATOR.JPG


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Ricko



Joined: Dec 25, 2007
Posts: 251
Location: Sydney, Australia
Audio files: 27

PostPosted: Mon Jun 05, 2017 11:31 pm    Post subject: Example Reply with quote  Mark this post and the followings unread

Here is an example trace from TINA-TI simulation.

If anyone builds this, please let me know.

You can see from the saw and tri traces below that this would be suitable for producing wobbles and rhythm accent variations: the tightness of a highhat, or the accent in a drumline or sequence, for example.


PALPITATOR-EG.JPG
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Example of synching saw to about 270 degrees phase of saw.
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blue hell
Site Admin


Joined: Apr 03, 2004
Posts: 24672
Location: The Netherlands, Enschede
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PostPosted: Wed Jun 07, 2017 4:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

Interesting .. could you post some sound samples maybe?
_________________
Jan
also .. could someone please turn down the thermostat a bit.
Posted Image, might have been reduced in size. Click Image to view fullscreen.
9 3 4 .. erm .. not 13 then? .. hmm, ah eight! .. yeah yeah as in 8647 .. 47 is an 88 .. pwew .. numbles!
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gabbagabi



Joined: Nov 29, 2008
Posts: 652
Location: Berlin by n8
Audio files: 23

PostPosted: Sat Jun 10, 2017 12:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

nice, really nice cheers
i really like the way of thinkig, someting fresh banana
feel free to present more of this
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