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Alesis mixers with Firewire
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elektro80
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PostPosted: Thu Jan 20, 2005 2:50 am    Post subject: Alesis mixers with Firewire Reply with quote  Mark this post and the followings unread

Posted Image, might have been reduced in size. Click Image to view fullscreen.

_Compact, affordable 8, 12 and 16-channel analog mixers and Multi-channel FireWire audio computer interface
_MultiMix 8 and 12 have 4 high-gain mic/line (XLR and 1/4" balanced) inputs with phantom power, 2 stereo balanced 1/4" line inputs, aux send (can sent to onboard or external effects), stereo aux return. MultiMix 16 has 8 high-gain mic/line
_100 28-bit onboard preset effects including reverbs, delays, chorus, flanging, pitch, and multieffects
_3-band EQ per channel with high/low shelving and mid bandpass/reject
_Separate 1/4" balanced main and monitor outs, headphone out
_24-bit, 44.1/48 kHz operation with high-end A/D and D/A conversion through integrated FireWire audio interface using next-generation Dice II FireWire chip
_Compatible with Mac OSX and Windows XP
_Steinberg Cubase LE included
_ Easy to attach rackmount available

http://www.alesis.com/products/new_products/index.html

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mosc
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PostPosted: Thu Jan 20, 2005 10:01 am    Post subject: Reply with quote  Mark this post and the followings unread

Not only does it compete with Mackie, it LOOKS like a Mackie...
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paul e.



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PostPosted: Thu Jan 20, 2005 10:05 am    Post subject: Reply with quote  Mark this post and the followings unread

hopefully, it doesn;t SOUND like a mackie Wink
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elektro80
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PostPosted: Thu Jan 20, 2005 10:09 am    Post subject: Reply with quote  Mark this post and the followings unread

Not really.. This is more like some attempt at getting cred for using firewire instead of USB. If I am not wrong this board has only stereo out and ins over firewire.. which is slighty stupid. It had made more sense having direct outs from each channel sent by firewire. I cannot see what makes this board interesting at all. Alesis pretty much has the same board already fitted with USB.
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PostPosted: Thu Jan 20, 2005 10:25 am    Post subject: Reply with quote  Mark this post and the followings unread

Well, it depends on the price. It might be useful to some people.
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elektro80
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PostPosted: Thu Jan 20, 2005 10:27 am    Post subject: Reply with quote  Mark this post and the followings unread

True... the price might be low..
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jacob_cowan



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PostPosted: Sat Jul 30, 2005 2:48 pm    Post subject: multi-track Reply with quote  Mark this post and the followings unread

Actually, the Firewire mixer has up to 18 simultaneous tracks (on the 16 channel mixer), including the left and right main mix. I am interested in reading a review of this product. Does anyone have one of these, or know where to find an informed review?


Here are some links from Alesis:

http://www.alesis.com/forums.html?id=59,56,0,0,1,0
http://www.alesis.com/product.php?id=40
Thanks, Jacob Cowan.
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elektro80
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PostPosted: Sat Jul 30, 2005 2:55 pm    Post subject: Reply with quote  Mark this post and the followings unread

You are right.
.
It might be a decent product. I am trying to find a link to some pdf manual for this product.

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jacob_cowan



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PostPosted: Sat Jul 30, 2005 3:11 pm    Post subject: Reply with quote  Mark this post and the followings unread

Me too. I have an Alesis 12FXD, which for the money is a great product. I just bought it for around $300 Canadian. I can get the 16 channel with firewire for around $800. If and when I can find some decent supporting material/reviews I think that I'll buy it and sell my 12 channel mixer. I emailed Alesis support to see if they will send me a pdf of the manual, or any other supporting documents. If they do I'll try to post it here, or a link.
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seraph
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PostPosted: Sat Jul 30, 2005 3:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

btw, jacob_cowan
welcome to electro-music.com
Very Happy

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jacob_cowan



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PostPosted: Sat Jul 30, 2005 3:32 pm    Post subject: Reply with quote  Mark this post and the followings unread

Thanks Very Happy
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mosc
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PostPosted: Sat Jul 30, 2005 10:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yes, welcome. I'm in Victoria, BC now at a wedding. Had a great visit with another BC electro-musician, DAZ. Excellent. Anyhow, great to have you here.
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jacob_cowan



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PostPosted: Sun Jul 31, 2005 2:57 am    Post subject: Reply with quote  Mark this post and the followings unread

Victoria is a great place. I was born there, and I met my wife there. Hope is about 2 hours away from the ferry terminal from Vancouver Island, past Vancouver. It's the end of the Fraser Valley, where it becomes the Fraser Canyon. It's actually quite a nice place, but very small.

Thanks for the welcome, and I hope you have a good time in beautiful BC.

Jacob
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jacob_cowan



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PostPosted: Mon Aug 01, 2005 11:18 am    Post subject: Reply with quote  Mark this post and the followings unread

I just got an email from Alesis stating that the Multimix Firewire won't ship until mid-September, and that it is still being Beta tested. I guess that explains the lack of reviews and documentation.

Jacob.
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lamarcph



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PostPosted: Thu Jan 05, 2006 11:04 am    Post subject: Reply with quote  Mark this post and the followings unread

Any one tried it yet?

For an integrated mixer + the 8in+2in/2out of 48khz/24bit the price seems right. (around 400$ on the net.) I am on a budget and I hope to be able to sell my old m-audio usb card and cheap behringer style mixer to finance a part of the MultiMix. I know that the 48khz is a bit outdated, but will it really make a difference, compared to 96khz? (I don't mind the quality of mp3 Embarassed)

The other possibility would be to wait for a Echo Audiofire or something similar, but however, i would need to unplug everything from my mixer and plug it in the echo when I record and reverse when i just noodle without my laptop connected (which appends a lot).

I would appreciate any insight.
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elektro80
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PostPosted: Thu Jan 05, 2006 1:42 pm    Post subject: Reply with quote  Mark this post and the followings unread

lamarcph wrote:
Any one tried it yet?

For an integrated mixer + the 8in+2in/2out of 48khz/24bit the price seems right. (around 400$ on the net.) I am on a budget and I hope to be able to sell my old m-audio usb card and cheap behringer style mixer to finance a part of the MultiMix. I know that the 48khz is a bit outdated, but will it really make a difference, compared to 96khz? (I don't mind the quality of mp3 Embarassed)


neither 44,1 or 48khz are "outdated" but there is not really much point in choosing 48khz over 44.1khz unless you are forced too ( by having to mess with some old DAT recorder ) . Conversion to 44,1khz will mess up the signal so there won´t be any improvements at all.

lamarcph wrote:
The other possibility would be to wait for a Echo Audiofire or something similar, but however, i would need to unplug everything from my mixer and plug it in the echo when I record and reverse when i just noodle without my laptop connected (which appends a lot).

I would appreciate any insight.


Anyways, I have recently had the opportunity to actually try one of these Alesis mixers with FW.

Bottom line: the actual mixer part is more or less a like any of the low end Behringer, Phonic or Alto products. The DA/ADs aren´t truly bad, but they aren´t really that good either. Sonically the Mackie Onyx series is far better. Really..
Personally I don´t think the Alesis mixers make much sense in a project studio. However, they are perfectly OK for basic rehearsel recordings. If a low end super budget mixer of this kind will do the job when you rehearse or when you play live, then add in the few dollars more for this Alesis product.
In a project studo I think you would be far better served by something like the new Echo firewire thingie. The Echo sounds amazingly great too.


Think about it:

1. This product is just like any other similar ultimate low end Behringer, Phonic and Alto.
2. The signal routing means it isn´t really that flexible in a project studio.
3. The product works best for capturing a live band.
4. This is an excellent product to keep around in the gear closet .. just in case... It is far more portable than a Midas console + rack of converters. ..Just add a laptop and something like Digital Performer, Logic, Garageband or Tracktion.


But please tell us some more about what gear you have and how you want to use the lot?

Last edited by elektro80 on Thu Jan 05, 2006 3:34 pm; edited 1 time in total
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lamarcph



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PostPosted: Thu Jan 05, 2006 2:30 pm    Post subject: Reply with quote  Mark this post and the followings unread

I play most of time alone, in realtime with various analog type sequence running around. A few months ago i sold more than half of my stuff and now I have 3 synth: Nord G2, Nord Electo and DSI Evolver.

I use a bottom line Alto 8 input mixer and Yamaha mp5a monitor. When i record, I use a m-audio audiophile usb (stereo sound card) connected to a 1.86mhz pentium M laptop.

I think there is a bent-over-backward way to record track by track when listening to previous track by connecting the monitor to the control room and passing the live audio in and out the the sound card...
I'll try it tonight...

I though that even if I had a Echo type thing I would still have to unplug everything from my mixer when I want to record, so it wouldn't be perfect.

That's what i would really like: To be able to record, track by track or simultaneously without having to unplug and plug anything and while keeping my monitor on main XLR out or equivalent.

Would a better mixer (like the onyx, at first without the firewire interface) solve this?
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mosc
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PostPosted: Thu Jan 05, 2006 2:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
... there is not really much point in choosing 44,1khz over 48khz unless you are forced too ( by having to mess with some old DAT recorder ) . Conversion to 44,1khz will mess up the signal so there won´t be any improvements at all.


Is this a mistype? I use 44100 instead of 48000 because when buring to a CD (which is 44100) I don't need to do a sample rate conversion. I agree that the down/conversion can sometimes mess up the signal, but I think with a modern DAW (I'm using Sonar) these problems are much less than they were in the 80s.
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elektro80
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PostPosted: Thu Jan 05, 2006 3:35 pm    Post subject: Reply with quote  Mark this post and the followings unread

Typo.. I corrected this. THX.

Cool

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PostPosted: Thu Jan 05, 2006 3:42 pm    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
I agree that the down/conversion can sometimes mess up the signal, but I think with a modern DAW (I'm using Sonar) these problems are much less than they were in the 80s.


Well, .. less..? sure.. kinda.. but samplerate conversion is still not perfect. Conversion always messes up the signal and 48khz to 44,1khz is far from perfect. There is simply no reason for doing so unless you have a VERY good reason. As you know, for 2 decades many badass pros have been doing their samplerate conversion by the way of analog tape.
"Samplerate mismatch? Shoot it to tape and rerecord it from tape at the right samplerate"

And then there are those high end digtal signal convertors. YMMV.

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PostPosted: Thu Jan 05, 2006 5:00 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
YMMV

Your Mileage May Vary Question Shocked

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PostPosted: Thu Jan 05, 2006 5:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

seraph wrote:
elektro80 wrote:
YMMV

Your Mileage May Vary Question Shocked


Indeed.

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PostPosted: Fri Jan 06, 2006 1:26 am    Post subject: Reply with quote  Mark this post and the followings unread

lamarcph wrote:
I though that even if I had a Echo type thing I would still have to unplug everything from my mixer when I want to record, so it wouldn't be perfect.

That's what i would really like: To be able to record, track by track or simultaneously without having to unplug and plug anything and while keeping my monitor on main XLR out or equivalent.

Would a better mixer (like the onyx, at first without the firewire interface) solve this?


Some unplugging/patching is often needed in most studios anyway. In my project studio I have patched everything into two patchbays. By default all hardware synths are routed directly into a 16 channel line mixer that is connected to the monitoring device ( Samson C-Control ). The stuff I want to have recorded I repatch into the DAW inputs.

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PostPosted: Fri Jan 06, 2006 2:29 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
The stuff I want to have recorded I repatch into the DAW inputs.

same here Very Happy

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PostPosted: Fri Jan 06, 2006 8:07 am    Post subject: Reply with quote  Mark this post and the followings unread

I used to do that monitor mixer thing too, but I've gotten rid of the mixer completely. Everything goes into my MOTU828MK2 and I control the monitor mix with it. Now, I don't do any patching at all. I like the MOTU because the intermal mixers are independent of the computer - so for the monitor signals, nothing goes out of the box. I think a simple firewire equiped mixer would have similar advantages. I have found the MOTU to sound a bit better than the Mackie mixer I have. (Better in this respect is quieter.)

Oddly, I know there is a lot a talk around here about DACs sounding bad and certain preamps are better than others and budgut mixers aren't very good - but to me, the most problems I've had are with bad connectors and bad cables. Even good 1/4" phone plugs start crackling over time because of dirt and corrosion. A patch bay just puts more connectors in the signal path. If you can get by without that, why not.
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