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Just Intonation and Temperaments
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mosc
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PostPosted: Tue Sep 07, 2004 10:25 am    Post subject: Reply with quote  Mark this post and the followings unread

Maybe we should split of yet another topic. Anyhow, here's some email I got from a friend who is big into guitars. I asked him if he had played a Variax. Here's his response.

Quote:
I've heard about them but not seen one yet. However, in December D-Tar (Duncan-Turner) will be coming out with a DI box that does the same thing. It's called a "Mama Bear". I saw a prototype demonstrated at the Healdsburg Luthier's Festival last August and it was awesome! It has many of the instruments that the Variax does, but in addition it's got some real intersting ones like a $22K Traugott Brazilian. The list price will be about $649. I'm gonna get one!
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Oskar



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PostPosted: Tue Sep 07, 2004 10:45 am    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
Maybe we should split of yet another topic. Anyhow, here's some email I got from a friend who is big into guitars. I asked him if he had played a Variax. Here's his response.

Quote:
I've heard about them but not seen one yet. However, in December D-Tar (Duncan-Turner) will be coming out with a DI box that does the same thing. It's called a "Mama Bear". I saw a prototype demonstrated at the Healdsburg Luthier's Festival last August and it was awesome! It has many of the instruments that the Variax does, but in addition it's got some real intersting ones like a $22K Traugott Brazilian. The list price will be about $649. I'm gonna get one!


Sterling work as always, Mr Moscovitz!
On behalf of us strummers and pluckers ( pheasant pluckers, actually Cool), I should apologise for veering off topic, but intonation, temperament etc is something that concerns us greatly, seeing as our instruments of choice are more prone than even harmoniums to veering off key.

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7/4



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PostPosted: Tue Sep 07, 2004 1:03 pm    Post subject: Reply with quote  Mark this post and the followings unread

Written in the 20th Century, but most of it still valid today. http://www.justintonation.net/whatisji.html
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ian-s



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PostPosted: Tue Sep 07, 2004 4:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

Thanks for the link, I was concerned that my experiments were not working. The examples on this sight confirmed what I thought.

Quote:
Equal temperament was not adopted because it sounded better (it didn't then, and it still doesn't, despite 150 years of cultural conditioning)


To my uncultured ears, JI intervals just sound wrong. The chords have an interesting diesel train horn quality though. Thank god for the 12th root of 2 Smile

I know this topic inspires a great deal of passion in some people and I do not wish to offend anyone. Simply offering an alternate opinion.
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ffransis



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PostPosted: Tue Sep 07, 2004 5:19 pm    Post subject: Reply with quote  Mark this post and the followings unread

g2ian wrote:
I know this topic inspires a great deal of passion in some people and I do not wish to offend anyone. Simply offering an alternate opinion.


That's fair enough. Just intonation has its place, as do temperaments, 12TET included. I do find it interesting, however, that singers tend to JI if unconstrained by instrumental accompaniment. Or at least, they do except where they deliberately add varying degrees of dissonance in order to create tension in the music.
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mosc
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PostPosted: Tue Sep 07, 2004 7:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

Thanks so much for that link. The JI explanation is excellent. I listend to the mp3 demo of JI vs ET and it was facinating. I've listened to and played ET so much that JI sounds out-of-tune. Shocked

Still, I wish my synth, G2, could play those intervals - easilly.

Another thought - the equal temperament system is very good for what it does. It seems quite logical too.

There is a wacky paradox I'm sure you experts in this area are quite aware of, where if you go up perfect 5ths using whole number ratios, by time you get to back to the note where you started, you'll be out of tune.
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7/4



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PostPosted: Wed Sep 08, 2004 3:29 am    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
There is a wacky paradox I'm sure you experts in this area are quite aware of, where if you go up perfect 5ths using whole number ratios, by time you get to back to the note where you started, you'll be out of tune.


The Pythgorean comma is the difference.
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seraph
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PostPosted: Wed Sep 08, 2004 5:37 am    Post subject: Reply with quote  Mark this post and the followings unread

7/4 wrote:

The Pythgorean comma is the difference.


Quote:
Pythagorean comma
When you ascend by a cycle of justly tuned perfect fifths (ratio 3:2), leapfrogging 12 times, you eventually reach a note around seven octaves above the note you started on, which, when lowered to the same octave as your starting point, is 23.46 centss higher than the initial note. This interval, 531441:524288 or approximately 1.0136:1, is called a Pythagorean comma.

This interval has serious implications for the various tuning schemes of the chromatic scale, because in western music, 12 perfect fifths and seven octaves are treated as the same interval. Equal temperament, today the most common tuning system used in the west, gets around this problem by flattening each fifth by a twelfth of a pythagorean comma, thus giving perfect octaves.


http://www.fact-index.com/p/py/pythagorean_comma.html

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7/4



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PostPosted: Wed Sep 08, 2004 5:44 am    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
Another thought - the equal temperament system is very good for what it does. It seems quite logical too.


There's been a lot of great music made in 12tet.
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7/4



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PostPosted: Wed Sep 08, 2004 6:12 am    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
Thanks so much for that link. The JI explanation is excellent. I listend to the mp3 demo of JI vs ET and it was facinating. I've listened to and played ET so much that JI sounds out-of-tune. Shocked


There were a couple of years where I couldn't stand playing a guitar tuned to 12tet. With in minutes, I'd have to whip out a slide and tune the guitar to an open chord.

Quote:
Still, I wish my synth, G2, could play those intervals - easilly.


My Korg MS2000R can!
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