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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Posted: Sun May 05, 2019 12:45 pm Post subject:
Noise Toaster Attack Decay Generator Control Voltage? Subject description: Convert audio into a control voltage question |
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Been a while since I've posted. I'm trying to figure out how to convert an audio signal (drum machine, mp3 player etc) into a voltage that can activate the Attack Decay Generator in the Noise Toaster. Ideally, I want to plug in an external audio source, have a pot to adjust the sensitivity of the incoming signal, and hear the AD Gen bounce along with the audio. I thought it would be pretty simple since the AD Generator just needs a positive voltage gate to work. However, its proving to be more of a challenge than I imagined.
A few of the problems I'm encountering here:
An audio signal from a CD player or drum machine is around 1v, as I understand. The AD Generator in the Noise Toaster needs at least 7 to 9v in order for it to create the gate, as I understand. So plugging the audio source directly into the AD Gen at S10 (the manual gate) does not work.
Some things I tried here:
I've tried a Comparator (LM324 and TL072 i think) but had no luck. It seemed to be always outputting a voltage even with no audio source.
I tried amplifying the audio signal via a 4049 to boost the voltage, then sending it through a scmitt trigger 74c14 to square it up, but that did not result in a clean gate that bounced along with the drum machine audio.
Also tried a simple LM324 non-inverting amplifier to boost the voltage, but also not really working. Does anyone have any experience doing this?
Here is pic of the AD Gen from the Noise Toaster. I assume an audio input CV would need to enter at S10...
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_________________ Jason |
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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Posted: Sun May 05, 2019 3:07 pm Post subject:
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Forgot to mention, I'm not trying to hear the external audio signal through the noise toaster, just use it as a voltage source. _________________ Jason |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24386 Location: The Netherlands, Enschede
Audio files: 296
G2 patch files: 320
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Posted: Sun May 05, 2019 3:32 pm Post subject:
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Just some gratuit rambling without too much thought ...
This seems to be designed to generate an envelope .. .. hmm how would that fit to track audio beats .. it would need some pre-processing then .. as in .. an envelope follower with some level detection after it .. or just an envelope follower by itself .. but the latter case could not make a shorter decay than the audio has .. so an envelop follower with a level detector and then an envelope generator seems to be what is needed.
?
Hm and maybe some compression .. but that might just muddify things instead. _________________ Jan
also .. could someone please turn down the thermostat a bit.
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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Posted: Sun May 05, 2019 7:47 pm Post subject:
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Quote: | .. an envelope follower with some level detection after it .. |
That may work. What do you mean by level detection?
Ultimately, I want the S10 manual gate button to be voltage controlled. So every time there is a peak in the audio, it would trigger the envelope generator (like tapping the S10 manual gate button every time there is an audio peak). If there was a sustained peak in the audio, then it would be like holding the S10 manual gate button down until the audio peak drops.
I'll look into some envelope follower circuits. As long as the follower outputs close to 9 volts it should work. _________________ Jason |
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Grumble

Joined: Nov 23, 2015 Posts: 1310 Location: Netherlands
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Posted: Sun May 05, 2019 10:23 pm Post subject:
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What I would do:
1st - a banpass filter set to the main frequency of the beat/signal you want to sync to
2nd - rectify this signal
3rd - low pass filter followed by a comparator of which you can set the tripping level
4th - attack (sustain) decay circuit _________________ my synth |
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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Grumble

Joined: Nov 23, 2015 Posts: 1310 Location: Netherlands
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Posted: Tue May 07, 2019 9:19 pm Post subject:
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Quote: | Why would I need to send the signal through a low pass filter if its already been isolated by the bandpass filter? |
Because after rectifying you have (positive pulses in the frequency double that of the bandpassfilter frequency. _________________ my synth |
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tinfoilcat

Joined: Apr 16, 2019 Posts: 8 Location: Stockholm, Sweden
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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Posted: Fri May 10, 2019 8:38 pm Post subject:
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That looks promising. Don't know how I missed that schem. Thanks for the tip. Will breadboard it up. _________________ Jason |
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Just Say Noise!

Joined: Nov 14, 2011 Posts: 17 Location: Portland, Oregon
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Posted: Mon May 13, 2019 10:45 pm Post subject:
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Just finished bread boarding Rays Guitar to Gate Circuit, and it worked nicely! Thanks for all the tips everyone! I didn't bother with the additional gain stage (U1-D), but may add that later to hear the audio signal as well. Of course, when I figure out one thing, it opens up more questions. I'll keep tweaking it in the meantime.
What is the purpose of the U1-B stage? additional gain? voltage follower? buffer? Its doing its job, but I'm trying to understand what that is.
Is there a way to keep the Guitar to Gate Circuit quiet when no input signal is present? For example, when there is no input signal at J1, and the gain sensitivity R2 pot happens to be all the way up, other unrelated oscillators in my synth are triggering the envelope generator. I can reduce the 1M resistor on U1-A so there is less gain and that fixes the false triggering, but is there another way? _________________ Jason |
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Grumble

Joined: Nov 23, 2015 Posts: 1310 Location: Netherlands
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