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Modding a Behringer T1953
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elektro80
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PostPosted: Fri Apr 13, 2007 10:15 am    Post subject: Modding a Behringer T1953 Reply with quote  Mark this post and the followings unread

A friend brought one over to me some days ago. He wanted me to have a look inside and see if I could mod it. Basically what he said he wanted was new and better tubes.

However, taking a look at the boards and listening to the sound of this thing, obviously this is simply a cheap op-amp based pre-amp design with a tube distortion circuit thrown in. Behringer is using the NJM4580 in this one. These are prettty bad but they are really cheap too. Overalll the T1953 isn´t built too badly at all. You can get these for nothing these days. Replacing the NJM4580s with something bettter might turn this thing into a gem. Replacing the tubes might of course change the sound of it, but the real problem is the NJM4580.

Posted Image, might have been reduced in size. Click Image to view fullscreen.


Any suggestions re better opamps? Which to choose? I guess there must be some drop in compatible ones out there.


Uh.. and the shit is all SMD. I haven´t really messed with SMD before. Shocked I always liked my opamps in huge fancy coloured sockets Shocked

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PostPosted: Fri Apr 13, 2007 10:19 am    Post subject: Reply with quote  Mark this post and the followings unread

What I do suspect is that replacing the opamps with better ones might turn this into something really useful. There are other mods to be done here too but those won´t make much sense right now.
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PostPosted: Fri Apr 13, 2007 10:36 am    Post subject: Reply with quote  Mark this post and the followings unread

My ears are telling me that the UTC thingie.. supposed to add "tube warmth" sounds nothing like how a classic tube design would. Instead it adds some grit which isn´t really very nice at all. Small amounts of grit kinda works like an exciter of sorts, but actually marketing this device as a tube pre-amp is a joke.

Any suggestion´s for which circle of Hell Mr. Behringer will end up in?
This one?

Quote:
Eighth Circle. The fraudulent—those guilty of deliberate, knowing evil—are located in a circle named Malebolge ("Evil Pockets"), divided into ten bolgie, or ditches, with bridges spanning the ditches:
Bolgia 1: Panderers and seducers walk in separate lines in opposite directions, whipped by demons. (Canto XVIII)
Bolgia 2: Flatterers are steeped in human excrement. (Canto XVIII)
Bolgia 3: Those who committed simony are placed head-first in holes in the rock, with flames burning on the soles of their feet. One of them, Pope Nicholas III, denounces as simonists two of his successors, Pope Boniface VIII and Pope Clement V. (Canto XIX)
Bolgia 4: Sorcerers and false prophets have their heads twisted around on their bodies backward, so they can only see what is behind them. (Canto XX)
Bolgia 5: Corrupt politicians (barrators) are immersed in a lake of boiling pitch, guarded by devils, the Malebranche ("Evil Claws"). Their leader, Malacoda ("Evil Tail"), assigns a troop to escort Virgil and Dante to the next bridge. The troop hook and torment Ciampolo, who identifies some Italian grafters and then tricks the Malebranche in order to escape back into the pitch. (Cantos XXI through XXIII)
Bolgia 6: The bridge over this bolgia is broken: the poets climb down into it and find the Hypocrites listlessly walking along wearing gold-gilded lead cloaks. Dante speaks with Catalano and Loderingo, members of the Jovial Friars. It is also ironic in this canto that whilst in the company of hypocrites, the poets also discover that the guardians of the fraudulent (the malebranche) are hypocrites themselves, as they find that they have lied to them, giving false directions, when at the same time they are punishing liars for similar sins. (Canto XXIII)
Bolgia 7: Thieves, guarded by the centaur (as Dante describes him) Cacus, are pursued and bitten by snakes. The snake bites make them undergo various transformations, with some resurrected after being turned to ashes, some mutating into new creatures, and still others exchanging natures with the snakes, becoming snakes themselves that chase the other thieves in turn. (Cantos XXIV and XXV)
Bolgia 8: Fraudulent advisors are encased in individual flames. Dante includes Ulysses and Diomedes together here for their role in the Trojan War. Ulysses tells the tale of his fatal final voyage, where he left his home and family to sail to the end of the Earth. He equated life as a pursuit of knowledge that humanity can attain through effort, and in his search God sank his ship outside of Mount Purgatory. This symbolizes the inability of the individual to carve out one's own salvation. Instead, one must be totally subservient to the will of God and realize the inability of one to be a God unto oneself. Guido da Montefeltro recounts how his advice to Pope Boniface VIII resulted in his damnation, despite Boniface's promise of absolution. (Cantos XXVI and XXVII)
Bolgia 9: A sword-wielding devil hacks at the sowers of discord. As they make their rounds the wounds heal, only to have the devil tear apart their bodies again. Muhammad tells Dante to warn the schismatic and heretic Fra Dolcino. (Cantos XXVIII and XXIX)
Bolgia 10: Groups of various sorts of falsifiers (alchemists, counterfeiters, perjurers, and impersonators) are afflicted with different types of diseases. (Cantos XXIX and XXX)





A possible later mod is take the tube shit out if the op-amp pre-amp circuit altogether and instead add jensen transformers and/ or a real tube linedriver circuit. It should be room enough for all this inside this box. Very Happy

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PostPosted: Fri Apr 13, 2007 11:46 am    Post subject: Reply with quote  Mark this post and the followings unread

Rob told me the other day that someone had found out, like the vagueness already Very Happy , that lowering the annode voltage of tubes would make them sound more tube like. What happens of course is that you add distortion that does not belong in a tube circuit.

Did you find a high voltage transformer at all ? I suspect the tube look of the device (nice knobs & meters) to be better than the tube circuit itself. I'm not sure what sound your 'custome' is after, should it be cleaner or dirtier ?

For dirtier maybe try to make the tube power supply worse, for cleaner rip out the tube stuff.

Just a wild guess of course Laughing

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PostPosted: Fri Apr 13, 2007 12:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

Jan, obviously my client got this thing because it was a real tube preamp. He always reads all these low end brit music gear rags. I hope he doesn´t read this. Shocked Anyways, he came up with this thing because some pro music buddy had told him about the vaccum in the tubes is more friendly to the audio than solid state components.. Imagine pushing audio through something solid? Not good! So.. the vaccum offers the least resistance. Shocked Rolling Eyes But.. there is more to come: The vaccum also adds an airy quality. Shocked Rolling Eyes

Enter the T1953.
He and his friends are always buying all sorts of different tubes for the guitar amps. Some tubes will play better with Boss effects and other tubes will sound better combined with Electri-harmonix boxes. Shocked They are always buying special batches of 9 volt batteries for their Boss pedals.
He was actually pleased with his T1953, because since it was a modern clone of a classic design it HAD to be good.

I listened to it. I opened it and explained to him how the unit works.
This is simply a basic op-amp based preamp. Then some crackhead in the marketing department must have demanded that they added some tube warmth. The circuit is simply an extra distorsion effect.

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PostPosted: Fri Apr 13, 2007 12:16 pm    Post subject: Reply with quote  Mark this post and the followings unread

Unless one intends to mod this thing, there is simply no sane reason for buying it new. A secondhand one will be insanely cheap and thus it gives some serious bang for the bucks. The unit isn´t useless and not all bad, but the marketing is all wrong.



A much hated unit ( because it lacks all the great Behringer features Shocked Rolling Eyes Laughing ) is the excellent and cheap M-Audio DPM3. This one is actually pretty OK. I see people are selling these in order to invest in gear like the T1953. Shocked Rolling Eyes Laughing

http://www.m-audio.com/products/en_us/DMP3-main.html

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PostPosted: Fri Apr 13, 2007 12:23 pm    Post subject: Reply with quote  Mark this post and the followings unread

HEY!!!!!!!

I googled and found THIS.

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PostPosted: Fri Apr 13, 2007 12:34 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
The circuit is simply an extra distorsion effect.


That is exactly what I was affraid of ... and a bit overdone as well probably.

Re. high end opamps, I stopped around the time when the OPA thingies became popular, I've really no idea about what to use these days, or about how bad or good the the NJM things are. I'm sorry.

Had a quick look at the [url=javascript:openreq('http://www.ortodoxism.ro/datasheets/newjapanradio/ae04056.pdf')]data sheets[/url], nothing really remarkable, not especially noisy, should be a usable opamp in a good design, not for microphones though probably (or anything needing substantial gain). I can't find the specs for the Behringer device. Are sure it's not simply a bad power supply ?

The idea to use transformers instead of the tube stuff seems well worth trying to me, the typical tube sound was supposed to be coming from the transformers anyway.

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PostPosted: Fri Apr 13, 2007 12:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
HEY!!!!!!!

I googled and found THIS.


Ok, so actually is for microphone inputs, looks like a usful article.

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PostPosted: Fri Apr 13, 2007 1:06 pm    Post subject: Reply with quote  Mark this post and the followings unread

Very interesting stuff Stein- especially the link Very Happy

I've got a Mic-100 valve DI box here, which I suppose is a single channel version of the T1953 without the fancy VU's on the front panel? It's funny because it states- I guess as a selling point that it includes 4580 op-amps. I presume it's playing on that shampoo idea, with the ads that say "Pro-vitamin XYZ" which no one really knows what the hell this 'vitamin' is so good for? Confused Laughing

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PostPosted: Fri Apr 13, 2007 1:22 pm    Post subject: Reply with quote  Mark this post and the followings unread

Blue Hell wrote:
elektro80 wrote:
HEY!!!!!!!

I googled and found THIS.


Ok, so actually is for microphone inputs, looks like a usful article.


What a most informative article. I was considering buying a Behringer 1U rackmount mixer for the analogue kit. I think I'll look elsewhere now.

I have some Behringer kit but it's mostly digital only - the Ultramatch specifically, and that's good value. I've been suspecting this little mixer I have for FX return mixing to be of less quality than the sources, but I've been not dealing with it. Also my Ultrafex is underused and I never actually thought about what it does.

Those opamps are atrocious, worse than 741s apparently.

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PostPosted: Fri Apr 13, 2007 1:23 pm    Post subject: Reply with quote  Mark this post and the followings unread

The moderator on that forum chimes in with this though, and I think he has a very valuble and highly important point;

Quote:
If you bought it to modify, you bought the wrong box. All SMD, too tiny for my eyes, not meant to be repaired or modified. kornowsd did an amazing lot of study on this $150 box: sounds like just $600 worth of labor would turn it into a $300 box. And he had to admit that, while far from perfection, it isn't that bad stock. A lot of hit records were recorded on much worse gear.


It's that last line that chimes with me. That bloke Jyoti Mishra who made a number one single a few years back (10 years!), recorded everything with stuff that would put a lot of studio engineers to early retirement (ie heart attacks!). All the vocals were recorded using a Tandy PZM mic, and the actual recording was done with a Tascam 688 portastudio using TDK D60's (not even chrome tapes Shocked ) It's definately worth reading the article originally published in SOS mag

more here

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PostPosted: Fri Apr 13, 2007 1:27 pm    Post subject: Reply with quote  Mark this post and the followings unread

EdisonRex wrote:

Those opamps are atrocious, worse than 741s apparently.


Well this is supposed to be it- but I really like noise and hiss and fuzz. I really dislike a lot of modern recordings as I find that there is too much emphasis on production rather than content.

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PostPosted: Fri Apr 13, 2007 1:33 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yup. The work and the SMD shit is annoying Laughing
I dunno. I better come up with the name of some local repair shop that will willingly go tube hunting for that "client" of mine. Replacing the opamps, killing the tube circuit completely and adding fat and fancy transformers is the only sensible I can come up with. I will either do something that will make some kind of difference or not to the job at all.



No matter how it looks.. the T1953 is really a cheap and fairly decent solid state 1U rack unit.. Laughing Laughing Laughing Laughing Laughing

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PostPosted: Fri Apr 13, 2007 1:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
Y
No matter how it looks.. the T1953 is really a cheap and fairly decent solid state 1U rack unit.. Laughing Laughing Laughing Laughing Laughing


Yes- It is! Laughing

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PostPosted: Fri Apr 13, 2007 1:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

v-un-v wrote:
EdisonRex wrote:

Those opamps are atrocious, worse than 741s apparently.


Well this is supposed to be it- but I really like noise and hiss and fuzz. I really dislike a lot of modern recordings as I find that there is too much emphasis on production rather than content.


I've nothing against hiss and fuzz. I don't particularly like the hum and buzz.
Well, actually, I like to control the hiss and fuzz. That's why I have outboard equipment to colour my pretty clean digital mixing console.

If it's a known quantity, I think that's ok. But if you're just line mixing and that's colouring the signals on its own, I dunno.

Funny how this preamp gets such stellar reviews too. It certainly adds to a signal's content.

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PostPosted: Fri Apr 13, 2007 1:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

But... did I say fairly decent? The truth is that the circuit looks like something out of some standard design example leaflet.. built with the cheapest opamps they could get. If Behringer had kept the 1U formfactor, slammed some inexpensive but OK transformers in there.. better opamps.. a slightly better cabling job.. Rolling Eyes
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PostPosted: Fri Apr 13, 2007 1:47 pm    Post subject: Reply with quote  Mark this post and the followings unread

It got stellar reviews? Really? Shocked But... this is impossible!

The box is nice though. I might want to pick up dead units in order to use the cabinet.

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PostPosted: Fri Apr 13, 2007 1:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

It got good reviews? But any seasoned reviewer will "get" what this is instantly. And they wil also have heard all sorts of preamps already. Shocked


Let´s take a look at how a tube preamp really looks like:

The Gyraf G9 DIY project

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PostPosted: Fri Apr 13, 2007 1:52 pm    Post subject: Reply with quote  Mark this post and the followings unread

yeah, it did. I've been reading up since this topic started. I knew nothing about it, not being in the market for a cheap "valve" preamp.

I'm sitting here reading this stuff and going "huh?" so it's good to read some actual analysis. I might dissect this UB502 here just to see what's in it. I bet I know...

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PostPosted: Fri Apr 13, 2007 1:58 pm    Post subject: Reply with quote  Mark this post and the followings unread

BTW....

I have posted this before... but...

Posted Image, might have been reduced in size. Click Image to view fullscreen.


Posted Image, might have been reduced in size. Click Image to view fullscreen.


Shocked Rolling Eyes

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PostPosted: Fri Apr 13, 2007 2:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

*snort*

oh dear. Eric Barbour would have a fit. Razz

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PostPosted: Fri Apr 13, 2007 2:03 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yeah but have you actually seen this tube glow without the LED's? It's pretty dull. Groovy lights in the dark look cool! Laughing
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PostPosted: Fri Apr 13, 2007 2:05 pm    Post subject: Reply with quote  Mark this post and the followings unread

v-un-v wrote:
Yeah but have you actually seen this tube glow without the LED's? It's pretty dull. Groovy lights in the dark look cool! Laughing


Nope.. doesn´t really glow.. Might output some infrared though..

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PostPosted: Fri Apr 13, 2007 2:14 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
doesn´t really glow.. Might output some infrared though..


for those long cold Norwegian winters? Laughing

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ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN.
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