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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Sun Oct 28, 2007 12:34 pm Post subject:
Opinion-New Korg MS-20 with Legacy Software |
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Hello,
I am curious as to what the opinions are on the New style Korg MS-20 with Legacy Collection software.
As I understand it, the Korg Legacy Collection is still available, but the new style MS-20 controller can only be had used.
I been wondering why Korg did this, but at the same token I am interested in those that have the complete collection and what their opinion is on it. Particularly I am interestedin the MS-20 controller and what it can do.
Thank You,
Geo |
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EdisonRex
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Joined: Mar 07, 2007 Posts: 4579 Location: London, UK
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Posted: Sun Oct 28, 2007 1:13 pm Post subject:
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My understanding of the controller is that it is an accurate representation of an MS-20. The software is a bit too clean for my tastes, but does accurately mimic the original circuitry of the MS-20. I saw one of these controllers a couple years ago, it looks just like an MS-20. Why did Korg discontinue it? Probably only sold to a niche market. Or they want to come out with the next thing. Who knows. It's Korg. Lucky it wasn't Roland. _________________ Garret: It's so retro.
EGM: What does retro mean to you?
Parker: Like, old and outdated.
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v-un-v
Janitor


Joined: May 16, 2005 Posts: 8932 Location: Birmingham, England, UK
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Posted: Sun Oct 28, 2007 4:00 pm Post subject:
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It's a lot cheaper to put out software than hardware.
That controller was a bit of a gimmick too. Now imagine if Arturia put out hardware controller interfaces for their plug-ins??  _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 4:09 pm Post subject:
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The official reason they pulled it off the market prematurely in Europe is supposedly a RoHs issue with the controller. It was however intended to be a limited run as well( supposedly ).
I have the KLC+ the MS20 controller. The software is excellent. Obviously it lacks the grit of the original. The controller is really cool, but i hate the small keys. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Sun Oct 28, 2007 4:30 pm Post subject:
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elektro80 wrote: | The official reason they pulled it off the market prematurely in Europe is supposedly a RoHs issue with the controller. It was however intended to be a limited run as well( supposedly ).
I have the KLC+ the MS20 controller. The software is excellent. Obviously it lacks the grit of the original. The controller is really cool, but i hate the small keys. |
Hello
Whats an ROHs issue???
Yes, I don't like the small keys either, but what I am after is the rest of it, for knob tweeking and patching purposes. I have a Kontrol 49 anyway.
Geo |
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blue hell
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Joined: Apr 03, 2004 Posts: 24423 Location: The Netherlands, Enschede
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Posted: Sun Oct 28, 2007 4:33 pm Post subject:
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jukingeo wrote: | Whats an ROHs issue??? |
http://en.wikipedia.org/wiki/RoHS _________________ Jan
also .. could someone please turn down the thermostat a bit.
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Sun Oct 28, 2007 4:33 pm Post subject:
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v-un-v wrote: | Now imagine if Arturia put out hardware controller interfaces for their plug-ins??  |
Oh! Yes, yes! Me wants a controller for the TimewARP 2600! (foams at mouth)!!
Geo |
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 4:36 pm Post subject:
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jukingeo wrote: |
Whats an ROHs issue??? |
RoHS = Restriction of Hazardous Substances Directive
Usually the RoHS term, is used about the restriction of use of lead in solder and components. In real life this is really about 6 substances which are :
Lead
Mercury
Polybrominated diphenyl ether (PBDE)
Cadmium
Hexavalent chromium (chromium xxx or Cr6+)
Polybrominated biphenyls (PBB) _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 4:42 pm Post subject:
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The KLC is really cool, but there are more interesting digital clones around. The Creamware ABS series is really excellent.
http://asb.creamware.com/ _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 4:46 pm Post subject:
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This is one of the ABS units:
A pairing of the Pro12 and the Minimax. Personally I´d rather preferred something else in the place of the Pro12.
The ABS units have more of the grit the originals had. I´ve briefly used the Minimax and the Prodyssey. Both were brilliant. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Sun Oct 28, 2007 4:54 pm Post subject:
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EdisonRex wrote: | My understanding of the controller is that it is an accurate representation of an MS-20. Why did Korg discontinue it? Probably only sold to a niche market. Or they want to come out with the next thing. Who knows. It's Korg. Lucky it wasn't Roland. |
Hello,
Yeah, I guess you are right...but I thought there were quite a few of us that want to play around with analog controls. That is why the orignal synths were driven up in value the past 2 decades.
Roland? You like Roland? IMHO they havn't produced a decent synth since the D-50 back in the 80's. When it comes to modern synths, for me I would say it is a close first for both Yamaha and Korg. Everyone eles falls in place behind them.
I like Korg for the 'club' or dance sounds. Yamaha more for traditional type sounds.
But when it comes to that 70's and 80's sound...or sound for Sci-fi work...nothing beats an analog synth. This is one reason why I am after the MS-20. Supposedly it also has CV control and that opens the door to DIY synth projects.
I recently had a MiniMoog in my shop the other day and that got me interested in analog synths again |
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Sun Oct 28, 2007 4:59 pm Post subject:
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elektro80 wrote: | This is one of the ABS units:
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Absolutely beautiful! Saw the website and they have one for the ARP Odyssey. Nice, really nice. Probably really expensive too. Unfortunately stuff like this is out of my pocketbook range. Which is why I was considering building my own synth in the first place. Even the old classics are becoming hard to find and untouchable in price.
But it is nice to see pieces like this out there.
Geo |
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 5:16 pm Post subject:
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I found these to be pretty cheap. I cannot remember the price though. they are around one K USD here in Scandinavia and might be approx 25-35 % cheaper in the US. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Sun Oct 28, 2007 7:01 pm Post subject:
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jukingeo wrote: | that 70's and 80's sound...or sound for Sci-fi work...nothing beats an analog synth. This is one reason why I am after the MS-20. Supposedly it also has CV control and that opens the door to DIY synth projects. |
I dunno. The MS 20 is very nice ( when it´s in mint condition and doesn´t hiss or hum or snigger etc ), but it isn´t really suited for the really wild excursions into synth wilderness. If you get the complete package with the MS-50 and so on you´ll be better off, but don´t get a secondhand MS.20 for integration with modern modules. The MS-20 uses the V/Hz scheme for VCO control and it won´t play well with say dotcom modules.
I´d say the new Macbeth monster EdisonRex just aquired is a better bet for those sounds you want. If you want additional analogue grit then you should add a few preamps like the Groove Tubes The Brick, some of the Universal Audio ones and even some old iron ( transformers ). You should also get some amps and cabs and record the synths off the speakers.
The Macbeth monster :
 _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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EdisonRex
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Joined: Mar 07, 2007 Posts: 4579 Location: London, UK
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Posted: Mon Oct 29, 2007 1:31 am Post subject:
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MS20 has linear voltage control, not exponential. It's a cool little (and I stress "little") instrument. I think the draw is the pitch to CV converter, which sorta works, and the funky little filter. The linear VC limits what you can add to the sound generation. _________________ Garret: It's so retro.
EGM: What does retro mean to you?
Parker: Like, old and outdated.
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Mon Oct 29, 2007 1:34 am Post subject:
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Little is right. It looks more substantial than it really is.  _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Mon Oct 29, 2007 6:55 am Post subject:
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Hello Elektro, Edison:
Keep in mind when I am talking about the MS-20 above, I am referring to the NEW MS-20 that originally came with the Korg Legacy package...NOT the original MS-20.
It is true the the new MS-20 does have a couple things that it doesn't have going for it which is the 1/8" patch cords and the mini keyboard. BUT it has the controls which I believe can control a computer program as well as CV.
Another thing is that I have seen this MS-20 sell on Ebay for less than $200.
Now I am not 100% sure if it produces sound on it's own. I doubt it. I believe you need the program for it to run. But the patch points are still real and this unit could be patched into other modules later on and that is what interests me...especially if I can then interface the whole shebang with my computer.
Perhaps this is a good way to go...then again maybe not. It's disadvantages could be the reason why it was discontinued in the first place. For one the mini-keys are next to impossible to use for someone with large hands (raises large hand here). To interface to outside modules would require 1/8" to 1/4" adapter cables.
Elektro:
The Macbeth is another beauty, very Odyssey-ish. It looks very expensive too.
Guys...keep in mind I do want to keep my project below $500. I have kids to think about AND a move on the horizon.
I just got my oats up when I saw that you can build your own synth on the Music From Outer Space site for less than $300.
I guess what my intentions are does warrant an explanation.
What I really want the synth for is to create sounds for a haunted attraction that I am planning for '08. The sounds I am after are those that you hear in the movie Close Encounters (the 5 note sequence), from the TV series Dr. Who (various sounds including the theme song), and pretty much the standard theremin sounds you hear in the 50's sci-fi flicks.
The attraction I am planning is going to be mostly Sci-Fi / alien based. Think a demented Area 51 / Roswell and you get the idea.
One of the central attractions will be a mad-lab room and I have thought of making the synth part of the attraction (a functional as well as artistic piece...in the event I do build it instead of buy it).
Finding the Music From Outer Space site, was kind of a funny pun...as that is what I am exactly looking for and that eventually led me to the forums here.
Now mind you I don't want to use an analog synth for JUST this purpose, and I know I can achieve what I want through sampling. But why? It is MUCH nicer to trigger voltage based sounds through microprocessor control and have the real thing generate unique sounds. Further, something is lost in the sampling and it just doesn't sound as good as analog. The heavy bass sounds that analog offers I could easily incorporate into a low frequency soundtrack.
So far in my searches I found that the ARP Odyssey comes the closest to what I am after. This synth was in fact used to partially create the DR. Who theme of the 80's. So I know it can do the theremin type sounds and Close Encounters should be fairly easy on this puppy as well.
The bottom line...I am looking for an ARP Odyssey-ish synth that could be had for around $300 or I will end up building one as I do have a strong audio electronics background.
Ok, so that is the long story in something larger than a nutshell, but it should get you guys up to speed at what it is that I am doing.
BTW, thanx for the good chat on synths. It has been a while since I messed around with this stuff. All this re-kindled interest in old synths was sparked because I got a MiniMoog in my shop the other day. I had fun playing around with it .
Geo |
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EdisonRex
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Joined: Mar 07, 2007 Posts: 4579 Location: London, UK
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Posted: Mon Oct 29, 2007 7:52 am Post subject:
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jukingeo wrote: | Hello Elektro, Edison:
It is true the the new MS-20 does have a couple things that it doesn't have going for it which is the 1/8" patch cords and the mini keyboard. BUT it has the controls which I believe can control a computer program as well as CV.
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Yes, to my knowledge that F-V converter would have to provide CV out.
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Another thing is that I have seen this MS-20 sell on Ebay for less than $200.
Now I am not 100% sure if it produces sound on it's own. I doubt it. I believe you need the program for it to run. But the patch points are still real and this unit could be patched into other modules later on and that is what interests me...especially if I can then interface the whole shebang with my computer.
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Needs a computer. The "MS-20" hardware is a very fancy controller, but does not actually produce sounds of its own. You need the software for that.
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Ok, so that is the long story in something larger than a nutshell, but it should get you guys up to speed at what it is that I am doing.
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By the way, the actual synthesizer used in Close Encounters of the Third Kind was an ARP 2500, and the guy at the controls was Phil Dodds of ARP. An Odyssey would be quite capable of doing all of the sounds you want.
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BTW, thanx for the good chat on synths. It has been a while since I messed around with this stuff. All this re-kindled interest in old synths was sparked because I got a MiniMoog in my shop the other day. I had fun playing around with it .
Geo |
well, $500 isn't going to find you a used ARP, unless you are either really lucky and the used ARP in question is actually in operating condition. Have you considered building something?
If you have a spare computer lying about, there are a number of free or cheap software synthesizers, including clones of ARP 2600 and Minimoog. _________________ Garret: It's so retro.
EGM: What does retro mean to you?
Parker: Like, old and outdated.
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egw
Stream Operator

Joined: Feb 01, 2003 Posts: 1569 Location: Asheville NC
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Posted: Mon Oct 29, 2007 8:08 am Post subject:
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That mini-MS-20 is kind of a novelty product for people with some nostalgia for the original, but don't want to deal with it for whatever reason. It does NOT produce sound (without software), and I don't believe it produces real control voltages but has some kind of internal signaling that detects which patch cords are connected. Perhaps someone who has one can verify or correct this. As a stand-alone midi controller, it is less than ideal. Others have mentioned the mini-keys, also the layout is somewhat peculiar to the MS-20 and certainly not what one would come up with if designing a generic controller. If you want to capture the best part of the MS-20 in a small and affordable box, I recommend the Frostwave Resonator. However that is a filter only, not a complete synth.
For a small, affordable analog synth (apart from DIY), check the MFB-lite.
I'm sure there are others out there. I find that a Nord Micromodular does the job pretty well ($300-$400 used). _________________ www.gregwaltzer.com |
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elektro80
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Mon Oct 29, 2007 11:07 am Post subject:
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Hello Elektro, Edison, and EGW:
Elektro EGW:
Thank you for your insight / link on the New MS-20. I tried to find out as much on the New MS-20 as I could, but I couldn't find much on it. I guess it is because that I really didn't now the full model number of the new MS-20 which is the MS-20iC. Those last two letters make the difference. Anyway that link you provided, Elektro, confirmed what EGW was referring to. This line sealed it's fate for me; "In other words, the front-panel patch points are not real CV connections, and you should not attempt to input control voltages from other synths."
Thanx guys...you have averted me from making a huge mistake. I did know that the MS-20iC needed the program to work, but I was hoping that it had CV. Well, that explains why the controller is cheap...and probably why it was discontinued.
EGW:
The Nord micro-modular, huh? I guess I will check that out. Do you know if does the "spacey" sounds I require?
Edison:
Yes, I am aware of the history behind the ARP 2500 used in Close Encounters. I also know during the scene where were the 5 note sequence is presented in the lecture hall that the synth used for that scene is a Yamaha SY-2...the 2nd synth Yamaha created. However, in the movie, the 5 note sequence was dubbed over when the Yamaha was used.
Not many 2500s floating around. I don't think many were made to begin with. I guess they are just too big (and expensive). I only see some of the really 'big' performers that have them, such as Pete Townshend.
I did play around with an ARP 2600 many moons ago and back when I really didn't know much about synths. I was so naive back then I needed someone to help me with patching. I was not used to a modular synth back then. Heck I overall have not had too much experience with modulars. Mostly it was small synths from Roland, Yamaha, and Moog.
You know, come to think of it, I think I may still have a Roland Juno 106 floating around my shop that someone left behind. That just dawned on me when I mentioned Roland. I think it has a major problem though.
As for the Odyssey, I have heard about it in the past and the present, but to this day I never got my hands on one. Doing quite a bit of research on it the past week or so and it does appear that this could be the one that fits the bill. But it is out of my price range. I can't afford to drop a grand (or more) on a mono synth right now.
Yes, I AM considering building my own and I mentioned that above. In fact I was going to ask if there was an Odyssey clone out there that one could build.
I will say that I have explored the idea of computer synths, but for one they don't sound the same. There is just something to the analog sound. When you have a good set of speakers hooked up to a 'real' analog synth, the sound is incredible. Computer synths sound thin...even for a recreated piece. It is always 'close', but no cigar.
Unlike a Hammond organ (another favorite instrument), I have accepted 'close' in terms of a PC or keyboard clone. Very simple that a real Hammond is just way to heavy and way too large and we are not even talking about the price yet.
Synths are small, and I have seen quite a few options in the under $500 range.
So it guess that settles it...I would be best off looking for something along the lines of the ARP Odyssey.
I am open to suggestions....
Thanx again all for the convo and advice!
Geo |
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egw
Stream Operator

Joined: Feb 01, 2003 Posts: 1569 Location: Asheville NC
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Posted: Mon Oct 29, 2007 11:50 am Post subject:
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jukingeo wrote: |
The Nord micro-modular, huh? I guess I will check that out. Do you know if does the "spacey" sounds I require?
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Yes, it can definitely do "spacey" sounds, but you would probably want to run it through a reverb/delay. It is a virtual modular (not real analog), so it can make a huge variety of sounds, depending on how you program it. It's limitations would be not much polyphony, and only three knobs on the front panel for tweaking (you can set these to control whatever parameter you want). But it is very small and portable. You might have to be a little patient to grab a used one, as they are not frequently sold. _________________ www.gregwaltzer.com |
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jukingeo
Joined: Oct 24, 2007 Posts: 166 Location: The dark side of the moon
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Posted: Mon Oct 29, 2007 2:01 pm Post subject:
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egw wrote: |
Yes, it can definitely do "spacey" sounds, but you would probably want to run it through a reverb/delay. It is a virtual modular (not real analog), so it can make a huge variety of sounds, depending on how you program it. |
Yeah, running the sound through a reverb (or other effects) is a given.
I did check out the Nord Micro-Modular piece, but I wasn't too impressed with the fact that practically has no knobs. I guess you would have to initially program it with a computer and then hook up a knobs and sliders box to it.
Overall it isn't a bad idea. But I would be hoping for something with a little more tweekability.
I found this today on YouTube:
http://www.youtube.com/watch?v=bacxgzseUvo
This is a VERY wild (and cool) demonstration on the ARP Odyssey. THIS is definitely what I am after.
Sure didn't take me too long to home in on a particular synth I liked, huh?
Now I wonder if someone has released something like this in a DIY kit. That would be awesome!
Geo |
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EdisonRex
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Joined: Mar 07, 2007 Posts: 4579 Location: London, UK
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Posted: Mon Oct 29, 2007 2:10 pm Post subject:
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Now I wonder if someone has released something like this in a DIY kit. That would be awesome!
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You can come close. The most interesting bits of the Odyssey, other than its winning configuration, were its filter, and its oscillators. You can actually improve on both with modern components. The configuration actually makes the Odyssey such a good performing instrument.
That said, nobody is offering a "kit" like that. That I know of, anyway. _________________ Garret: It's so retro.
EGM: What does retro mean to you?
Parker: Like, old and outdated.
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elektro80
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Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Mon Oct 29, 2007 2:17 pm Post subject:
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OK, your most cost effective option for an ARP Odyssey is the digital clone made by Creamware/Soniccore. If you really want an ARP Odyssey, but don´t feel like paying shitloads of dollars for something you will have to refurbish and repair anyways, then the Creamware Prodyssey is the only choice. You won´t be able to build anything thing like this for the same money anyways if it is an Odyssey you really want. The bonus is getting something pretty stable, polyphonic and you can store patches in the internal memory. _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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