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tapes, tape loops - loop music
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DETOX



Joined: May 22, 2008
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PostPosted: Tue Aug 05, 2008 3:49 pm    Post subject: tapes, tape loops - loop music
Subject description: do you produce such?
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hey !

as the title says i want to know wether any of you use tapes /tape loops (mainly cassette tapes) as a medium for making music (as sort of an instrument) and for compositions, noise, background etc.....

i plan to build a multi (quatro) tape looping device and i'm interested in other techniques related to tape music and tape looping.

i first want to buy a cheap 4 or 8 track analog cassette tape recorder and recorded loops on loop-ified audio cassetttes to later put them together in compositions / noise / ambient pieces.

does anyone of you act similar?

i can imagine that it's a good technique to cut pieces out of field recordings and use them as loops .
which (analog/digital ?) device is quite affordable for field recording (a handy recorder, microphone etc.)?

thanks !
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elektro80
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PostPosted: Tue Aug 05, 2008 4:25 pm    Post subject: Reply with quote  Mark this post and the followings unread

I actually made some tape loop music nearly 30 years ago. I mainly used reel to reel recorders. I don´t think I have done much of this since say 1984.
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PostPosted: Tue Aug 05, 2008 4:46 pm    Post subject: Reply with quote  Mark this post and the followings unread

When I had access to a radio station's studio, I made some pretty strange stuff connecting two reel2reels in series. I can't remember exactly but i think the tape loop runs thru both machines, one is set to 'record' the other to 'play' - ends up with a 'sound on sound' loop which builds endlessly.

If you don't already know the term, you are proposing a style called 'musique concrete'. You can download Judd's book, "electronic music and musique concrete" from here -
http://www.sdiy.org/pinky/judd1.pdf
http://www.sdiy.org/pinky/judd2.pdf

in part2 he discusses techniques for splicing tape to give varying attack/release effects
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Joined: May 22, 2008
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PostPosted: Tue Aug 05, 2008 6:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

thank you both !

well, i've already heard of musique concrete and bruitism and such "ancient" (revolutionary ?!) forms of music using reel to reel techniques but those seem to be more hi-fi than i actually want my own stuff to be. the stuff i'm looking forward to produce should actually give me a sense of a very comfortable living room in my head which in my personal taste is given when the sound isn't that clean and has some scratches, glitches and more analog than digital sounds. that somehow gives me a warmer and better feeling than
hi-fi sounds. that's the first reason why i want to mainly use cassette tapes insted of reel to reel tapes. the other reason is obvious, i still go to school and just moved out home so i haven't that much money for expensive vintage reel to reele quipment. the third reason is handiness.
i want to be able to change tapes relatively fast within my custom quatro looper system.

i might not have enough knowledge and might be wrong with my impressions of musique concré(è ?)te (....can impressions be right or wrong?) but the most important reasons for my are lo-fi-ness, handiness and price (-ines).....

anyway, keep on posting, still haven't read anyone making music with cassette tape (loops).
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PostPosted: Tue Aug 05, 2008 6:15 pm    Post subject: Reply with quote  Mark this post and the followings unread

Some links :

http://ofsoundmind.wordpress.com/2006/12/05/wonders-of-the-cassette-tape-loop-part-1/


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blue hell
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PostPosted: Tue Aug 05, 2008 6:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

Also fun : http://www.f7sound.com/tapebreak.htm
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also .. could someone please turn down the thermostat a bit.
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andrewF



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PostPosted: Tue Aug 05, 2008 7:57 pm    Post subject: Reply with quote  Mark this post and the followings unread

DETOX wrote:

i might not have enough knowledge and might be wrong with my impressions of musique concré(è ?)te (....can impressions be right or wrong?) but the most important reasons for my are lo-fi-ness, handiness and price (-ines).....

anyway, keep on posting, still haven't read anyone making music with cassette tape (loops).


Sounds like you have the ethics of musique concrete just right - lo-fi, use what is on hand and cheap.
You don't need big studio reel2reels, small portable ones can be found cheaply on ebay, they are definitely not hi-fi, so not very popular.

as for making music with cassette tape - melloman!
http://www.mysterycircuits.com/melloman/melloman.html
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Ilanode



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PostPosted: Wed Aug 06, 2008 1:55 am    Post subject: Reply with quote  Mark this post and the followings unread

About 25 yrs ago I did many loops. Among others I used an old top loading cassette recorder without a cover. Thus I could insert small nails (which were sticking out) into the cassette by heat and force which were leading long loops through the cassette. Worked fine for me. Similiar to the more elaborated version explained in Blue Hell first link.
Sometimes I *carefully* scratched off parts of the tape's coating for new effects. Yes, I was very much into noise.
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PostPosted: Wed Aug 06, 2008 7:21 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
I actually made some tape loop music nearly 30 years ago. I mainly used reel to reel recorders. I don´t think I have done much of this since say 1984.


I coulda wrote the same thing and every word of it would be true.

I used to have two Akai reel to reel decks. I'd use one of those Rat Shack helping hands to hold a reel across my living room and create very long loops. This was sort of Andrew F's "Sound on Sound" technique - pretty cool if one used different speeds. I could make an old milk can sound like the end of the world...

I was into splicing as well, and even did it with cassette when I got my old Fostex four track. You could buy telephone answering machine loops and use those, though there was always a silent portion caused by a bit of leader holding the tape ends together if you went that route.

I had another product from Radio Shack which was a cassette recorder for taking notes. You could speed the tape up and down, and there was a slider there that you could adjust to keep the pitch of the voice constant - kept it from turning into Alvin and the Chipmunks at faster speeds and from sounding like Darth Vader at lower speeds. It used an MN3002 BBD to do this pitch shifting. Didn't realize what I had at the time (hell, it was the '80's and this stuff would be around forever, right?). Shoulda bought a dozen of them. Anyway, if you held the record and pause just right, you could talk through it and sound like Darth Vader. Or Alvin.

I had yet another Rat Shack normal cassete player that had variable speed - I remember I could the FFW switch just "so" when recording so that it ran extremely fast while recording. Recorded my kitty purring and meowing that way - sounded like a frikkin' lion on playback.

Good times......

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numbernone



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PostPosted: Wed Aug 06, 2008 7:53 am    Post subject: Reply with quote  Mark this post and the followings unread

Look into 8 track cartridge tapes. They are just giant loops which you can cut to whatever length you like with a bit of fiddling.
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PostPosted: Wed Aug 06, 2008 1:26 pm    Post subject: Reply with quote  Mark this post and the followings unread

very cool to hear that so many of you once did some tapelooping.
i just won an auction for a 4 track recorder which will be the basic piece in my hopefully soon established noise and looping setup.
it's a Yamaha MT3X and i hope it will be in a good condition.
i haven't really any experiences with tape loops yet, except some improvised cassette speeding up and slowing down.
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PostPosted: Thu Aug 07, 2008 2:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

please don't let this thread die Very Happy

unfortunately i already know most of the links you posted, i'd really like to read your personal ideas/experiences.
and what about the field recording?
maybe you can post some links to threads if any exist !?

thanks !
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PostPosted: Fri Aug 08, 2008 3:43 am    Post subject: Reply with quote  Mark this post and the followings unread

I will be doing a performance together with a performance artist and another sound artist later this month.

The theme is building, and the material we will be using is wood.

My setup will be a boss loopstation and korg kaosspad 3, both of them filled with sound material of breaking, burning, smashing, sawing etcetera of wood.

My part will be loops and loops and I would really love to do that stuff with tape, the only thing holding me back is price and experience. The boss and korg were very cheap and have an ease of use, i don't find using tape.

When I grew up, cassettes and vhs were slowly dying and I never had a chance to spend a lot of time with tape. Crying or Very sad

Is it the aesthetics or the technical (analog) side of tape that makes people choose tapeloops over looping devices, because even a youngster as myself is drawn to tape?

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PostPosted: Fri Aug 08, 2008 6:23 am    Post subject: Reply with quote  Mark this post and the followings unread

Alexander wrote:


Is it the aesthetics or the technical (analog) side of tape that makes people choose tapeloops over looping devices, because even a youngster as myself is drawn to tape?


i guess it's both related to each other. it's relatively easy to have a somehow physical relationship with a tape player and tapes (e.g. by slowing down by hand) which represents the technical part and i think i don't need to explain the aesthetics....
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PostPosted: Fri Aug 08, 2008 7:23 am    Post subject: Reply with quote  Mark this post and the followings unread

Alexander wrote:
I will be doing a performance together with a performance artist and
Is it the aesthetics or the technical (analog) side of tape that makes people choose tapeloops over looping devices, because even a youngster as myself is drawn to tape?


I guess it depends on what you want to do. Obviously reel to reel recorders were the first and only choice only back then if you wanted to create a wall of sound with stereo bounces and echo and whatnot and record this to two tracks ( in order to rewind the captured performance and layer it again ).
It also changes how you think if you decide to layer it it.. and you will instead start thinking both now and downstream while you play.

I´m pretty sure I´ll try to do this again, but what happened to me was that I eventually started to write music that kinda had that same feel and by then it was obviously easier to record this using conventional methods.

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PostPosted: Fri Aug 08, 2008 7:38 am    Post subject: Reply with quote  Mark this post and the followings unread

Arguably one of the most famous, if not the most ubiquitous, examples of tape looping:

http://www.soundonsound.com/sos/jun05/articles/classictracks.htm

I loved that song from the first minute I heard it back in the '70s.

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PostPosted: Fri Aug 08, 2008 10:01 am    Post subject: Reply with quote  Mark this post and the followings unread

i did this a lot in the early 2000s when i was ultra poor and had no gear except a guitar/amp and no desire to play rock music. i i would compose songs based around lots and lots of chord changes, then splice up loops inside cassette tapes and record sustaining guitar chords onto each one. then using 2 cassette decks id fade between one loop and another, switching tapes back and forth. made some sweet ambient tracks that are still some of my personal favorites. the tape warble from an imperfect loop = the best thing ever.
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PostPosted: Fri Aug 08, 2008 1:30 pm    Post subject: Reply with quote  Mark this post and the followings unread

One of the masters at tape music is Hugh LeCaine.

http://hughlecaine.com/en/biography.html

Also check out his composition "Dripsody" The entire composition was done from a single "drip" of water that was recorded. It was amazing what had ben done using just tape techniques. Hell, even the "flanger" was discovered using reel to reel analog tape decks.

http://hughlecaine.com/en/compositions.html

Also, you can take found sounds and create "Electro Acoustic" music. It typically involves taking sampled sounds then processing them until they are not recognizable anymore. This of course is not always the case but mostly was. A university close to me usually has about three EA music concerts a year and they are just amazing to attend.

The picture below is of his "Special Purpose Recorder"

From the Hugh LeCaine website
Quote:

Hugh Le Caine had heard radio broadcasts of tape music since the early 1950's and he had worked extensively with tape reverberation, feedback and multi-track recording. After the NRC programme in electronic music began, the focus of his instruments shifted from performance to composition.


Thanks for bringing the subject up .........

Bill


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PostPosted: Fri Aug 15, 2008 10:15 am    Post subject: Reply with quote  Mark this post and the followings unread

Thanks to this topic, I adjusted my setup. It is now a loopstation, kaosspad 3 and several walkmans running cassette tape loops!

The cassette tape loops will be swapped and selected at random, feeding the kaosspad and loopstation, creating layer upon layer upon layer.

Drawing it and thinking about the depth of possibilities, I will be stuck doing this for a while... great!

I love this topic, really, another great example of why a good forum is so valuable. You guys are one of a kind Cool

ps.. I am neglecting my g2 for this cassette obsession...

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PostPosted: Mon Aug 18, 2008 4:55 am    Post subject: Reply with quote  Mark this post and the followings unread

yeah, you're right, the topic defintely turned out pretty cool.

but for some reason (probably because of the post not being sent to the right address) i didn't get the 4track recorder yet....bah !

anyway, just won 2 further auctions on ebay for identical walkmen and currently bidding on another one of that kind so i think next month or so i caqn start building my loop device.
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PostPosted: Mon Aug 18, 2008 7:25 am    Post subject: Reply with quote  Mark this post and the followings unread

aaaaah!
my mother just told me tha package arrived at her so i'll get it today !!! woohoooo

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PostPosted: Mon Aug 18, 2008 9:58 am    Post subject: Reply with quote  Mark this post and the followings unread

Let me know how you're going to apply the walkmans.. I will be using a few of those too this week, but I propably just use them to play looped cassettes.

Enjoy!

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PostPosted: Tue Aug 19, 2008 7:24 am    Post subject: Reply with quote  Mark this post and the followings unread

well, i haven't that much money at the moment because i just moved into a new flat so i'll probably will start building my tape loop device next month but the plans are already in my head and on paper (at least sketches).
if everything works as it shouldmi'll i will be able to control speed/pitch, volume and maybe aux and (if i'm able to manage it) eventually a sync start and stop.

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PostPosted: Tue Aug 19, 2008 12:38 pm    Post subject: Reply with quote  Mark this post and the followings unread

Alex I ilke the fact that you are merging these technologies:
The tape machines can add lots of their own character since they don't have an A/D convertera to overrun but instead achieve their distortion by saturating the tape with high level signals. And, if I may, produces a more pleasant distortion Wink

Alex wrote :

Quote:
Thanks to this topic, I adjusted my setup. It is now a loopstation, kaosspad 3 and several walkmans running cassette tape loops!


Here is another bit of modern gear you may consider adding to any tape based looping system. Since the Kaoss Pads have been mentioned, I thought I would mention something I have recently aquired that is really fun to use. It's the Koassilator from Korg and is shown in the picture below. The part that would appeal to you loopers out there is quoted below from the company website.

From Korg Website:

Quote:
Loop Recording allows you to record a phrase with a specified number of beats (maximum 8 beats = 2 measures), and play it back endlessly. Once a phrase is captured, it will play back automatically. Now, go ahead and choose a different sound and play it on top… and repeat infinitely! Each time you add a phrase, KAOSSILATOR “stacks” it on top of what was previously entered, resulting in complete musical works as simple – or complex – as you desire!


I like the ideas presented here merging the old and new technology as applied to looping Cool Keep in mind though, the Kaossilator does not actually sample external audio but rather it's own internal synthesized and sampled sounds but don't let that fact keep you from exploring this little gem. The amount of things you can do with this are really amazing in terms of layering, scales, and tempos that you can play.

Here is a little easter egg I found for this unit. I read this in "Electronic Musician". The 2 bar loop limitation can be expanded to 4 bars, effectively doubling your time for each layer you can re-sample. Holding down the TAP and LOOP REC. button simultaneously when powering on will temporarily double the maximum loop length. The display will show CLR when this hack is activated. The hack is realized by disabling the undo buffer that is normally used to allow the user to remove the last layer recorded in case he/she does not like it. So this would be the only trade off. You can't fix overdubs.

While we continue our subject, let us PLEASE not forget Bebe Barron, a pioneer of electro acoustic music and tape manipulation:

http://www.nytimes.com/2008/04/25/movies/25barron.html?ref=movies

Bill


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PostPosted: Tue Sep 30, 2008 9:21 am    Post subject: Reply with quote  Mark this post and the followings unread

I posted the recordings of my performance on my site:

http://husc-sound.com/sound.html

"husc+marc+youri" 3 parts


The performance was very nice to do, and hard. What you will hear is a mono mixdown of the two stereo outputs.

One is my setup, the tascam 4 track running tapeloops into the kaosspad and the loopstation. Their outputs were interconnected as well, so I could loop and record/bounce from one device to the other.

The rest of the things you hear are Youri constructing things with palletwood on a stage, his hammer, saw, drill and other tools are all connected to marc's setup, using contact mics and lots of gaffatape.
The sounds of the tools went into marcs laptop and dr sample. And using the live input he did similar things as I did using ableton and the boss sampler.

We will definitely try to do this again and maybe interconnect both setups, but this generated a lot of nice sounds. Please comment and as soon as we have it ready I will post a video of the performance.


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