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Inverting attenuators
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Coriolis



Joined: Apr 11, 2005
Posts: 616
Location: Stilling, Denmark

PostPosted: Tue Oct 10, 2006 10:17 am    Post subject: Reply with quote  Mark this post and the followings unread

No idea... Sad

C
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fonik



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PostPosted: Tue Oct 10, 2006 1:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

okay, i thought about it: you don't want any attenuation on CV used for 1V/oct. the VCO would get out of tune. so you'll have to pay attention to the linearity of the circuit=no amplification/attenuation.
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Coriolis



Joined: Apr 11, 2005
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PostPosted: Tue Oct 10, 2006 8:55 pm    Post subject: Reply with quote  Mark this post and the followings unread

IE: trimming the center-tapped pot to be 0V right in the middle, and not touching offset either?

C
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fonik



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PostPosted: Tue Oct 10, 2006 10:37 pm    Post subject: Reply with quote  Mark this post and the followings unread

he, he, no! no attenuation (center taped pot in the middle) would mean 0 Volts on the output no matter what you put in!
what i meant was that you want a "perfect matched" OPA: center taped pot to the right (fully open) and you get out what you put in. therefore the resistors (pots/trimmer) on the input of the first OPA and the resistor in the feedback path have to be matched to guarantee a 1:1 amplification (i.e. 4V in, 4V out). one could put a 2nd trimmer (T2) in line with the resistor in the feedback path so that P1=R3+T1=R4+T2

cheers,
matthias
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Coriolis



Joined: Apr 11, 2005
Posts: 616
Location: Stilling, Denmark

PostPosted: Sat Oct 21, 2006 2:32 pm    Post subject: Reply with quote  Mark this post and the followings unread

Fonik, and everybody else: Sorry for digging this thread up again, but I've been working on a pcb layout for that last schem fonik posted, and thought I'd run it by the forum. It's not verified - perhaps someone here can take a look at it and point out some obvious faults (if any)? I haven't even breadboarded this thing yet, but I just bought this neat layout program Sprint-Layout, from Abacom (same people who make Uncle K's beloved Lochmaster), and I just had to get my hands dirty... Wink

Well, here you go. Anybody spot anything yet?

C

Edit: Layout removed - was incredibly faulty... Embarassed

Last edited by Coriolis on Wed Feb 14, 2007 2:07 pm; edited 1 time in total
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fonik



Joined: Jun 07, 2006
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PostPosted: Sat Oct 21, 2006 2:56 pm    Post subject: Reply with quote  Mark this post and the followings unread

looks very good, i didn't looked for errors though...

you gave me a credit on the layout - to be honest i don't want to adorn myself with borrowed plumes: it's a peter grenader circuit based on a chris macdonald design slightly improved by me:)

BTW and FYI i already made a pcb layout for the voltage processor, including the LEDs, optimized for eurorack format with cliff jack sockets - breadboarded version works like a charm:
http://www.modular.fonik.de/Page15.html

cheers,
matthias
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Coriolis



Joined: Apr 11, 2005
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Location: Stilling, Denmark

PostPosted: Sun Oct 22, 2006 1:09 am    Post subject: Reply with quote  Mark this post and the followings unread

Guess you're right about the credits - I'll remove them! Wink
I can already see a few things that need reworking. Power rails and gnd should be grouped together, so a standard connector can be used (2.54mm=0.100 inch between holes). Other than that?
I think I'll just build one and see. Since you've already done a layout, there's no need for another one - I just hadn't seen yours. Smile

Ch
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fonik



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PostPosted: Sun Oct 22, 2006 5:05 am    Post subject: Reply with quote  Mark this post and the followings unread

Coriolis wrote:
Since you've already done a layout, there's no need for another one - I just hadn't seen yours. Smile

no, no, no, go ahead with your layout, yours would be more universal... (mine is very special with the cliff sockets, the doepfer style ribbon connector and that stuff)

i think i will take a look at this abacom software - looks great.

cheers,
matthias
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Fernando



Joined: Dec 30, 2006
Posts: 286
Location: Barcelona & Emporda, Spain

PostPosted: Thu Feb 08, 2007 1:44 pm    Post subject: Reply with quote  Mark this post and the followings unread

fonik wrote:
Coriolis wrote:
Thanks fonik, those look nice and easy to try, and probably deserve a module of their own as you say.


hi coriolis, i know the klee2 deserves all our attention, but the voltage processor is easy and fast to build. i breadboarded the circuit and came up with some improvements. besides some minor changes i incorporated a lag pot, a trimmer for calibrating a center taped pot (+/- processing) and there's a resistor missing in the original schematic. to bring the LEDs to live they'll have to go to ground via a resistor. so here's my breadboarded and tested version of the buchlidian voltage processor:


hi all. fonik,

I'd like to add a trim pot to the offset, so one can be shure that there is no offset when the pot it's at the center detent.

How could be done for this circuit? (your circuit)

Also, what would be the general concept so one could apply it somewhere else? (when wanting 0V at the center of a center-detent pot)

And, last question, does it have some gain? I'd like to be able to have x2 and x-2 gain (or at least something like x1,5 or x1,7...)

lots of thanks in advance,
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fonik



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PostPosted: Thu Feb 08, 2007 2:16 pm    Post subject: Reply with quote  Mark this post and the followings unread

Fernando wrote:
I'd like to add a trim pot to the offset, so one can be shure that there is no offset when the pot it's at the center detent.
How could be done for this circuit? (your circuit)
Also, what would be the general concept so one could apply it somewhere else? (when wanting 0V at the center of a center-detent pot)

this is already implemented: the trimmer T1 takes care for that. it's used to compensate the tolerances of the components. as to say: use this trimmer to set the voltage to 0V when the processing pot p1 (+/- attenuation) is set to it's center.

Quote:
And, last question, does it have some gain? I'd like to be able to have x2 and x-2 gain (or at least something like x1,5 or x1,7...)

it has a x1 gain. the offset just adds voltage (i.e. to bring a -2.5/+2.5V LFO to 0-10V)
0-x2 gain could be added by using a 100k pot instead of R47.

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Fernando



Joined: Dec 30, 2006
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PostPosted: Thu Feb 08, 2007 2:24 pm    Post subject: Reply with quote  Mark this post and the followings unread

thanks mathias,

I meant to add a trimmer to the offset pot, not to the processing pot...
The idea is using a center detent pot for the offset control but use a trimmer to compensate and have 0V at the detent
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fonik



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PostPosted: Thu Feb 08, 2007 3:14 pm    Post subject: Reply with quote  Mark this post and the followings unread

oh, now i see!
funny, i thought about this before (but after building the modules!). i'd tried to put the offset between +V and -V instead of +V and GND and then put trimmpots between the +V/-V and the pot to calibrate the offset to 0V at the center detent. I'm just guessing - try it on the breadboard!

+V
I
T1
I
<
>POT- to circuit
<
I
T2
I
-V

hope you can see what i meant?
BTW did you see my BUCHLAesque module on my site?
buchlaesque

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Fernando



Joined: Dec 30, 2006
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PostPosted: Thu Feb 08, 2007 3:46 pm    Post subject: Reply with quote  Mark this post and the followings unread

>hope you can see what i meant?
thank you (and excuse such a basic q)

>BTW did you see my BUCHLAesque module on my site?
Yes. In fact I had that circuit in my files... both the original and Grenader's (I'm refering to the processor)

I would have inverting attenuators w/offset almost anywere!

It would be great to fabricate small pcbs with the processing pot as a holder so you can add it where you need it (and add the extra offset pot if you can/like, as well as an output to use it as an independent processor...)

Peter Grenader sold boards in that fashion but for a short period of time.
He called them the Gizmotron.
By comparing the schem to a picture of the actual Gizmotron from his old site I assumed this was the circuit in the Gizmotron: (see atachment)


Another interesting circuit that can work as a single or multiple (mixer) inv. att. is at the top of Ken Stone's VCO schematic:
http://www.cgs.synth.net/modules/cgs48_vco.html
A 1k or whatever output resistor should be added instead of the 100k (wich is part of next block)
IIRC, it has some gain at both extremes of each proc. pot and that more gain can be achieved by lowering the value of a given input resistor.
Just a dual op amp and you can make an at/inv input or mixer!


P.S. should "Attinvoff"/"Attinvofflag" be a good name for such a tool? =:))
btw, how do you spell that stoned emoticon?


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Funky40



Joined: Sep 24, 2005
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PostPosted: Sat Feb 10, 2007 2:30 am    Post subject: Re: Inverting attenuators
Subject description: Where to use them - where to avoid?
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sorry i'm maybe i lttle late,

Coriolis wrote:
I see that Serge-fans rave about having attenuators with inverting capabilities on cv-inputs. Makes sense I guess, giving more functionality using less space.

So where would you put them, if you were building a synth? Do they make more sense on some modules than others?


I would NOT put them everywhere, where i want to be shure that there is absolutely no modulation when not wanted, but an modulation signal is patched to.

( I hope ,) i will do for own Projects normal Cv inputs with added Inverting stage wich you can switch in or out.
That little thing you can put between any input socket and cv input pot of any module.
A fisrt work i did was to build a own inverter module with 4 Inverters. 2 have a bypass switch -----> very useful !
Yeah, after a view time patching i can say: this is my choice. switches with which you can change polarity


One workaround for the Problems i had with polarized CV Inputs is to to add a mute switch for the CV Input.
so for me i see this two ways:
mute switch on polarized inputs
inverter switch on normal CV Inputs
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mosc
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PostPosted: Sat Feb 10, 2007 9:57 am    Post subject: Re: Inverting attenuators
Subject description: Where to use them - where to avoid?
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Funky40 wrote:

One workaround for the Problems i had with polarized CV Inputs is to to add a mute switch for the CV Input.
so for me i see this two ways:
mute switch on polarized inputs
inverter switch on normal CV Inputs


Yes, good points. The Moog modular inverting CV attenuator has a disconnect switch. An inverter switch is a great option. A three position toggle switch can do the job.

Down - inverted
Center - off
Up - non-inverted

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Scott Stites
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PostPosted: Sat Feb 10, 2007 5:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

You can use a pot with a center detent and have the detent calibrated for zero volts.

IMO, the main advantage of the inversion switch is that it will give you a finer range of adjustment (full travel of the pot). However, in those cases, I'll just patch an inverter in and avoid using up space with a switch. My personal panel standard uses less room for a connector than a switch. Mixers generally provide an inverted output, and I often put in a tap there, regardless of the function of the mixer - I find I don't use 100% of my modules 100% of the time, so why not put some freebie functions in them for the times the main function of the module is not being used?

Also, snagging the non-inverted output of a mixer is a real plus, too. Mixers are always the key ingredient in my more complex patches.

Cheers,
Scott
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Funky40



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PostPosted: Sat Feb 10, 2007 7:39 pm    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:


Down - inverted
Center - off
Up - non-inverted


interesting

i thought the last weeks that it could be also interesting to on-off switch "normal" Cv inputs.
But combined, with the inverting switch: thats it !




The center detendent pots are not easy to get ( here ) as it seems.
and also the Modules i know are without.
If i find them i will get one to look.
where do you get them in the US ?
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Scott Stites
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PostPosted: Sat Feb 10, 2007 9:16 pm    Post subject: Reply with quote  Mark this post and the followings unread

I get them at Mouser.

P/N is 313-2000F-XXXX where 'XXXX' is the value.

313-2000F-100K is 100K, 313-2000F-10K is 10K, etc.

Cheerios,
Scott
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fonik



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PostPosted: Sun Feb 11, 2007 4:24 am    Post subject: Reply with quote  Mark this post and the followings unread

Scott Stites wrote:
You can use a pot with a center detent and have the detent calibrated for zero volts.


yo man, thats exact what my my circuit does Exclamation
potentiometer P1 with center detend and trimmer T1 to calibrate...

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Funky40



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PostPosted: Sun Feb 11, 2007 4:55 am    Post subject: Reply with quote  Mark this post and the followings unread

@Scott
Yeah, thanks,
i have to get anyway some jack sockets from mouser when i have money next months.

@fonik

sorry, where is your file ?
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fonik



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PostPosted: Sun Feb 11, 2007 4:59 am    Post subject: Reply with quote  Mark this post and the followings unread

Funky40 wrote:
@fonik
sorry, where is your file ?

this topic, previous page
or
BUCHLAesque

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Fernando



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PostPosted: Sun Feb 11, 2007 7:19 am    Post subject: Reply with quote  Mark this post and the followings unread

I think it highly denpends on what you want to do... how do you make your magic (music) Your aproach.

I like to explore small interesting control zones I find of musical interest (no matter what I'm controlling) so I need to be able to scale and offset a control signal to get there...
I do not use cv to generate specific pitches and then other voltages to model the timbral characteristics.

If you want to have perfect control of the pitch within the western traditional temepered scale (or whatever), the procedure and tools are different. So having too many "control doors" open may become a problem. (I'm talking only about pitch here)

I mean I think there are two main aproaches to build your music (very generally speaking of course). One based on instrumental (western) tradition, where everything is built over pitch and then the timbral shape of that voice. And another aproach (let's call it post-Schaeffer) where music is built from the sound up, made possible thanks to the existence of the synthesizer (= all the sound generating and processing tools available)
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Fidgit



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PostPosted: Wed Feb 14, 2007 6:37 am    Post subject: Reply with quote  Mark this post and the followings unread

i'd refrain from using pots with center detent. while it may seem a nice feature at first sight, later you realise that it doesn't allow you to adjust values only a little bit off the zero/middle value.

the pot always "falls back" into the detent or the gap in the middle. uncool...
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Scott Stites
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PostPosted: Wed Feb 14, 2007 7:46 am    Post subject: Reply with quote  Mark this post and the followings unread

Hmmm, never had that problem with the pots I use. However, I don't like'em because I hate that little bump in the middle when you're sweeping the pot.

Cheers,
Scott
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CJ Miller



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PostPosted: Fri Feb 16, 2007 9:05 am    Post subject: Reply with quote  Mark this post and the followings unread

Center detents can be removed from most pots! By "most" I mean those which are in a metal frame, typically held together by tabs. Sealed pots though are of course made to stay enclosed, so likely can't be rebuilt.

I have done this on Alpha pots before, and just last week on some nice 50k Alps sliders which were in a crappy equalizer. The detent is simply a small metal bearing which stays in a recessed area. Then when the pot is moved the resistance element gets caught on the bearing at its midpoint. I just gently pry the tabs open, drop the bearing out, and re-assemble. No more detent, only smooth travel.

This may well not work with all pots, but there were no problems with those I've tried. Make sure to use spares if one is unsure!
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