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iPassenger

Joined: Jan 27, 2007 Posts: 1070 Location: Sheffield, UK
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Fri Aug 10, 2007 8:56 am Post subject:
Re: how to get inspiration ? |
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| Stanley Pain wrote: |
i'm using the term "pop" as in "popular". i don't think there's a particular musical element that in itself is inherently "popular" and to be honest, i think there's more of an art to constructing something popular than there is in constructing something that is layered or developed enough to be considered "intellectual". |
I don't really grog the bipolar division of music into popular and intellectual, if that is your intent. And I don't really understand the concept of intellectual music at all. When I was a teen I had a profound emotional response to Bach, Beethoven and Prokofieff at a time I had no knowledge of the vocabulary, methods or techniques of music. Do you think those composers created intellectual music and if not who? _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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Travis Coats
Joined: May 20, 2007 Posts: 64 Location: USA
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Posted: Fri Aug 10, 2007 12:12 pm Post subject:
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I know this is silly, but drama and deep thoughts help me. Usually I can write an entire song in it's infancy after reading the Tao te Ching or a good movie, especially the latter. Good movies that get the thoughts going. All I need are images and deep emotions to open that gate. It seems most musicians have the need to stand staring into an enormous black hole awaiting that gentle breeze that lifts with it some transcending seed which transforms in the lower human consciousness into something beautiful but not totally grasped. I am not a God person in the least bit, but mystery (in it's most profound form) is generally the essence of becoming close to the "THING THAT PROVIDES."  |
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bachus

Joined: Feb 29, 2004 Posts: 2922 Location: Up in that tree over there.
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Posted: Sat Aug 11, 2007 6:24 am Post subject:
Re: how to get inspiration ? |
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| Stanley Pain wrote: | ... i think there's more of an art to constructing something popular than there is in constructing something that is layered or developed enough to be considered "intellectual".
the latter is reliant on technique and, in order for it to work successfully on it's own, an educated audience. |
I have been thinking back to my early adolescence, the time when I discovered "classical" music and bonded with it. This music is the one thing I had in common with the friends I had and was a part of what made us "geeks" and outcasts. Among these only one had knowledge and experience with the technical side of music when classical music became important to them (that person was not I). So if you mean to divide music into mutually exclusive sets, popular and intellectual, I have to reject out right that an educated audience is necessary, at least without further clarification. _________________ The question is not whether they can talk or reason, but whether they can suffer. -- Jeremy Bentham |
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dewdrop_world

Joined: Aug 28, 2006 Posts: 858 Location: Guangzhou, China
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Posted: Sat Aug 11, 2007 6:47 am Post subject:
Re: how to get inspiration ? |
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| bachus wrote: | | I have been thinking back to my early adolescence, the time when I discovered "classical" music and bonded with it. This music is the one thing I had in common with the friends I had and was a part of what made us "geeks" and outcasts. Among these only one had knowledge and experience with the technical side of music when classical music became important to them (that person was not I). So if you mean to divide music into mutually exclusive sets, popular and intellectual, I have to reject out right that an educated audience is necessary, at least without further clarification. |
I like to think of it this way:
- A good musician gives the audience what they want.
- A great musician gives the audience what they didn't know they wanted (or needed) until they heard it from you first.
To me intellectual vs popular is a red herring.
This may be another way of saying what SP is getting at... listening to top 40 and then wanting to do something else is kind of like saying, if that's what the audience want, what can I offer that is outside the scope of what they already know (but still approachable and inviting)?
James _________________ ddw online: http://www.dewdrop-world.net
sc3 online: http://supercollider.sourceforge.net |
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dewdrop_world

Joined: Aug 28, 2006 Posts: 858 Location: Guangzhou, China
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Posted: Sat Aug 11, 2007 8:20 am Post subject:
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... and the flip side of that is the somewhat silly disciple of Herbert Brün I chatted with some years ago, who said his goal was to put the audience in a situation where they would be "forced" to confront the fractures in social/economic/political organization (yeah, avant-gardism mixed with now-passé lit crit).
Somehow he overlooked the simple fact that the audience are never forced to do anything. They can always leave the room.
James _________________ ddw online: http://www.dewdrop-world.net
sc3 online: http://supercollider.sourceforge.net |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24498 Location: The Netherlands, Enschede
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Posted: Sat Aug 11, 2007 8:46 am Post subject:
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| dewdrop_world wrote: | | They can always leave the room. :lol: |
Or do any other experiment they see fit ... but there is of course some social pressure to "behave". _________________ Jan
also .. could someone please turn down the thermostat a bit.
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Acoustic Interloper

Joined: Jul 07, 2007 Posts: 2073 Location: Berks County, PA
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Posted: Sat Aug 11, 2007 2:49 pm Post subject:
Re: how to get inspiration ? |
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| dewdrop_world wrote: |
I like to think of it this way:
- A good musician gives the audience what they want.
- A great musician gives the audience what they didn't know they wanted (or needed) until they heard it from you first. |
One of my all time favorite liner notes is at the liner start for a CD release of John Coltrane's Ascension in 2000
| Lewis Porter wrote: |
Thirty-five years after it was recorded, John Coltrane's *Ascension* remains a good way to start an argument. |
Then there's this.
| From Eric Nisenson's *Ascension, John Coltrane and his Quest* wrote: |
A [Pharoah] Sanders solo at this time in his career would begin in climax and build from there, driving many listeners quickly out the door. |
Despite the facts that this music drove many of Coltrane's prior fans away, and it gets at best back handed complements from otherwise admiring critics, I love Ascension. It makes me laugh, makes me happy, not because I think it's silly, but because I think it's great fun. It's so uninhibited in what it does. There was a period of time where I used to have to intervene in the conflicts of some extended family members, and more than once I'd listen to Ascension during the drive there. You'd think that music that is so dissonant on so many levels would be just the wrong thing, but it's like a cosmic laugh at chaos.
| Ravi Shankar, quoted in the above book, said wrote: | | I was much disturbed by his music. Here was a creative person who had become a vegetarian, who was studying yoga and reading the Bhagavad-Gita, yet in whose music I still heard much turmoil. I could not understand it. |
Coltrane was exploring the same 'wrathful deities' explored in Tibetan Buddhist art. This isn't about going off the deep end of turmoil, it's about exploring the whole thing. There is always a resonance to be found, and always someone who is resonating there.
My point is that this isn't necessarily about contacting the whole audience or even most of it at a given performance -- Coltrane lost a lot of audience mid-concert in those years -- it's about finding a well of resonance and resonating with it. If there is a well of energy with which a musician can resonate, it will resonate, and attract some attention, and perhaps repel some. The resonance seems fundamental. _________________ When the stream is deep
my wild little dog frolics,
when shallow, she drinks. |
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LB
Joined: Aug 15, 2007 Posts: 3 Location: Toronto
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Posted: Thu Aug 16, 2007 12:03 pm Post subject:
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I've been having a hell of a time trying to figure out how to write lyrics.
Like, I've done poetry and whatnot before (mostly blank verse, milton style stuff), but I'm having trouble figuring out how to sync lyrics I've been writing with the music. On top of that, I always come up with the lyrics and can't figure out a way of actually writing the song...
Mind you, I've only been doing this stuff for a month now, first learning how to use my synth, then reading a good amount of theory and leraning how to use a soft sequencer, but... yeah. I've only made one song so far using the samples provided in a training DVD I got at the library, and it was lyricless...
So...
Any suggestions for coming up with the music after making the lyrics? |
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elektro80
Site Admin

Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Thu Aug 16, 2007 12:13 pm Post subject:
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LB!  _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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elektro80
Site Admin

Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Thu Aug 16, 2007 12:19 pm Post subject:
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Re lyrics and musc, see if you can find VDGG - Godbluff and VDGG - Still Life. This is fairly weird material. I guess some is on iTunes as well as Youtube. PH has all of his lyrics online at: http://www.sofasound.com
The reason I mention this stuff is that none of PHs lyrics ( at least the mid period VDGG material) should be possible to bend into songs. Still.. it works.  _________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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Posted: Fri Aug 17, 2007 11:10 am Post subject:
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WOW...VDGG! Not too many here in the USA have heard them. Probably since they only did on gig on the continent. "Still Life" lyrics leave me confused, "Godbluff" lyrics are amazing, "World Record" blows me away. I have a video tape of them playing live on Swedish TV, they do ALL of "A Plague of Lighthouse Keepers."
Peter Hammill could read a newspaper and put it to music. Baffles me. |
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Wayne Higgins

Joined: Aug 16, 2007 Posts: 270 Location: Greenville, FL
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Posted: Fri Aug 17, 2007 11:19 am Post subject:
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Oops, topic on Inspiration. The VDGG side-tracked me for a moment there.
I have gotten inspiration from walking in the woods and hearing a particular bird song, to a footnote in a book on Nazi Germany. I get a lot from reading, but nothing in particular. I did this thing called "Mammon Spake" based on a passage from Milton's "Paradise Lost". "The Sun, The Moon and Talia" was an idea from a book "The Uses of Enchantment" which is a study on Fairy tales and their hidden sexual meanings. "The Mystique of the Event" was a sarcastic piece I did to an old band member refering to an event that never happened, and then became a monster which would not let go of me. "70 years" is based on my father, who was a minister, yet the inspiration came from watching a DVD of the Alice Cooper "Billion Dollar Babies" tour.
What really gets to me is that once I get an idea, it won't go away until I complete it. My music is the monkey on my back. |
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elektro80
Site Admin

Joined: Mar 25, 2003 Posts: 21959 Location: Norway
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Posted: Fri Aug 17, 2007 12:19 pm Post subject:
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| Oenyaw wrote: | | Peter Hammill could read a newspaper and put it to music. Baffles me. |
Did you see this interview?
| Quote: | FaceCulture spoke to British progrock legend Peter Hammill. He told about his urge to keep on making music, his heart attack, Singularity, personal changes, the death of his mother, the process of songwriting, asking questions in his music, the Peter Hammill from the past, being
self obsessed, Van Der Graaf Generator, success, David Bowie and Peter Gabriel, his independence and lots more!!
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_________________ A Charity Pantomime in aid of Paranoid Schizophrenics descended into chaos yesterday when someone shouted, "He's behind you!"
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Stanley Pain

Joined: Sep 02, 2004 Posts: 782 Location: Reading, UK
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Posted: Fri Aug 17, 2007 12:51 pm Post subject:
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i'm surprised no one's mentioned the "m" word yet...
i played a gig the other night that was the most satisfying of my life. the right audience in the right venue, out to have a good time, try something new and listen to an established act that was guaranteed to "rinse" the room out.
when all is said and done, whoever persuaded those people to walk through the door did a good job. they matched the right audience to the right music...
m.. m... m..... marketing.....  _________________ there's no I in TEAM, so let's all act as individuals instead |
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Stanley Pain

Joined: Sep 02, 2004 Posts: 782 Location: Reading, UK
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Posted: Fri Aug 17, 2007 12:52 pm Post subject:
Re: how to get inspiration ? |
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| Acoustic Interloper wrote: | | dewdrop_world wrote: |
I like to think of it this way:
- A good musician gives the audience what they want.
- A great musician gives the audience what they didn't know they wanted (or needed) until they heard it from you first. |
One of my all time favorite liner notes is at the liner start for a CD release of John Coltrane's Ascension in 2000
| Lewis Porter wrote: |
Thirty-five years after it was recorded, John Coltrane's *Ascension* remains a good way to start an argument. |
Then there's this.
| From Eric Nisenson's *Ascension, John Coltrane and his Quest* wrote: |
A [Pharoah] Sanders solo at this time in his career would begin in climax and build from there, driving many listeners quickly out the door. |
Despite the facts that this music drove many of Coltrane's prior fans away, and it gets at best back handed complements from otherwise admiring critics, I love Ascension. It makes me laugh, makes me happy, not because I think it's silly, but because I think it's great fun. It's so uninhibited in what it does. There was a period of time where I used to have to intervene in the conflicts of some extended family members, and more than once I'd listen to Ascension during the drive there. You'd think that music that is so dissonant on so many levels would be just the wrong thing, but it's like a cosmic laugh at chaos.
| Ravi Shankar, quoted in the above book, said wrote: | | I was much disturbed by his music. Here was a creative person who had become a vegetarian, who was studying yoga and reading the Bhagavad-Gita, yet in whose music I still heard much turmoil. I could not understand it. |
Coltrane was exploring the same 'wrathful deities' explored in Tibetan Buddhist art. This isn't about going off the deep end of turmoil, it's about exploring the whole thing. There is always a resonance to be found, and always someone who is resonating there.
My point is that this isn't necessarily about contacting the whole audience or even most of it at a given performance -- Coltrane lost a lot of audience mid-concert in those years -- it's about finding a well of resonance and resonating with it. If there is a well of energy with which a musician can resonate, it will resonate, and attract some attention, and perhaps repel some. The resonance seems fundamental. |
i'll ignore the coltrane bait
nice post. _________________ there's no I in TEAM, so let's all act as individuals instead |
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David Westling
Joined: Jan 16, 2007 Posts: 41 Location: Chicago USA
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Posted: Fri Aug 17, 2007 1:25 pm Post subject:
Inspiration vs strategy |
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| I've been tumbling around inside a quote by Samuel Beckett recently: "It is indeed becoming more and more difficult, even senseless, for me to write an official English. And more and more my own language appears to me like a veil that must be torn apart in order to get at the things (or the Nothingness) behind it. Grammar and style. To me they seem to have become as irrelevant as a Victorian bathing suit or the imperturbability of a true gentleman. A mask. Let us hope the time will come when language is most efficiently used where it is being most efficiently misused. As we cannot eliminate language all at once, we should at least leave nothing undone that might contribute to its falling into disrepute. To bore one hole after another in it, until what lurks behind it--be it something or nothing--begins to seep through; I cannot imagine a higher goal for a writer today." To concentrate on the artistic side of this endeavor, I would say that it is possible to do this "boring" in a pedestrian or a sparkling way. A workmanlike approach may do the basic job, but to do it with a high degree of inspiration makes it great art. It might be possible to do all this within a pop idiom, but I doubt it. |
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Sound Maniac
Joined: Oct 25, 2008 Posts: 46 Location: Sweden
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Posted: Sat Oct 25, 2008 11:14 pm Post subject:
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Had missed text Last edited by Sound Maniac on Sat Oct 25, 2008 11:20 pm; edited 1 time in total |
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Sound Maniac
Joined: Oct 25, 2008 Posts: 46 Location: Sweden
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Posted: Sat Oct 25, 2008 11:16 pm Post subject:
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Try to make all you do as quick you can, almost random, and then try to see what you like most of all.And find ure path by that way after you've chosen keep into it and make it more serious and better.. It really helps sometimes.
PLUR |
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Uncle Krunkus
Moderator

Joined: Jul 11, 2005 Posts: 4761 Location: Sydney, Australia
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Posted: Sun Oct 26, 2008 3:57 am Post subject:
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| LB wrote: | | Any suggestions for coming up with the music after making the lyrics? |
I rarely try to write music to lyrics, so I won't try to explain how that might be done, but something I do often is to write the lyrics to a piece of music by "using" ideas which I wrote before the music. It basically means re-writing the lyrics once you have a feel for how the melody will draw the ideas out. You need to stop yourself from being too precious about the original words, phrase structures, order of events, etc. and use the original prose as a mixing palette which you paint the lyrics with.
I also need to have a strong melody line to guide me, and yes, a strong melody line could mean none at all. You just need to know where the road is, otherwise the lyrics may as well just hang in an un-pitched, un-timed space. (This sounds like an interesting experiment! )
Writing an original nursery rhyme is a great excercise in understanding how deceptively simple great melodies and lyrics can be. _________________ What makes a space ours, is what we put there, and what we do there. |
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abreaktor

Joined: Nov 01, 2008 Posts: 106 Location: Duesseldorf, Germany
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Posted: Sat Nov 01, 2008 4:44 pm Post subject:
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just arrived on page #2 on this great thread. wii lread it rhoroughly, but i can definitely relate to the "block" part - since my primary field of creation is writing. i had those blocks quite a few times, and never found a 100% cure for them. but they all disappeared when i shifted my attention to other fields of art; say, an exhibition or a great concert. blocks are perhaps some inevitable form of self-protection... well thats my take on this, so feel free to flame me to hell and back.
if you lie awake at night pondering over some sentence (or recently in my case, musical expression) for more than a month , that will take its toll. so, being blocked is some form of self-defense, and might be annihilated by distractions. do something that you really like; except for that insane drive of creation. its kinda hard, but i found it to be working quite well.
on to reading.
edit: #6. as one of my heroes, the german comedian and jazzer helge schneider said: "i did not prepare anything, so i cant fail", and another guy said "failure is possibility" (VERY roughly translated, due to time and wine) the "just do it" approach has its merits. otoh, fiddling around with instruments might do the trick. consider a writer doomed in that department... fiddling around with a pen has never done me anything good =( |
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Uncle Krunkus
Moderator

Joined: Jul 11, 2005 Posts: 4761 Location: Sydney, Australia
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Posted: Sat Nov 01, 2008 5:51 pm Post subject:
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| abreaktor wrote: | | otoh, fiddling around with instruments might do the trick. consider a writer doomed in that department... fiddling around with a pen has never done me anything good =( |
You could say that a writer's instruments are the actual words, so, instead of "fiddling around with a pen" maybe there could be inspiration in doing some word excercises. Things which have no obvious or direct connection with the task at hand, but are related to the "tools" needed.
For example,
* write a list of 2, 3 & 4 syllable words which start with the letter F, M & T.
* do a crossword
* use the internet to look up the actual lyrics of a favourite old album
etc. _________________ What makes a space ours, is what we put there, and what we do there. |
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destroyifyer

Joined: Mar 22, 2006 Posts: 425 Location: Babylon
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Posted: Sat Nov 01, 2008 6:05 pm Post subject:
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Inspiration, inspiration...the will to create (major), um...a mind orchestra, encounters with aliens, dying and coming back from the dead, a dreadful and/or splendid feeling of eternity...vivid or lucid dreams, encounters with demons and/or gnomes, suffering...um, staring at some chaos...eliminating bodily toxins and addictions (not inspiration but it really helps)...anything that involves geometry and patterns...making a song about a family member or someone you love or at least very much look up to.
I'll be brutally honest. If you ask me, asking a musician or artist where to get inspiration is just like asking your parents where babies come from when you're little...you're never going to get a straight answer, because to me at least it sounds like someone asking you, "where does my soul come from?"...even if you know it's impossible to explain! I know where alot of my influence comes from, but I cannot tell you where you will find yours.
For the most part I believe better music is made when the inspiration is there and you ask "how do I make music?" or better yet, simply do not ask and carry on independently. Blah, blah blah. |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24498 Location: The Netherlands, Enschede
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Posted: Sat Nov 01, 2008 6:16 pm Post subject:
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Life seems to be project oriented to me ... I've times that music simply doesn't work, but mostly then I happen to be programming, or doing visual stuff, or social. But I do not always have a "project" ... when life is stressful there is not much room things besides just that. It's a privilege of sorts to be able to do creative stuff, or to see things ... I find it amazing at times how few people look around or are being creative ... maybe a stress thing for them too? _________________ Jan
also .. could someone please turn down the thermostat a bit.
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abreaktor

Joined: Nov 01, 2008 Posts: 106 Location: Duesseldorf, Germany
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Posted: Sun Nov 02, 2008 2:02 am Post subject:
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| destroyifyer wrote: | Inspiration, inspiration...the will to create (major), um...a mind orchestra, encounters with aliens, dying and coming back from the dead, a dreadful and/or splendid feeling of eternity...vivid or lucid dreams, encounters with demons and/or gnomes, suffering...um, staring at some chaos...eliminating bodily toxins and addictions (not inspiration but it really helps)...anything that involves geometry and patterns...making a song about a family member or someone you love or at least very much look up to.
I'll be brutally honest. If you ask me, asking a musician or artist where to get inspiration is just like asking your parents where babies come from when you're little...you're never going to get a straight answer, because to me at least it sounds like someone asking you, "where does my soul come from?"...even if you know it's impossible to explain! I know where alot of my influence comes from, but I cannot tell you where you will find yours.
For the most part I believe better music is made when the inspiration is there and you ask "how do I make music?" or better yet, simply do not ask and carry on independently. Blah, blah blah. |
i guess this thread is more about how to get ones inspiration BACK. otoh, revisiting your sources might help. |
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