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 Forum index » Clavia Nord Modular » Nord Modular G2 Discussion
New G2 Killer(not really)
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astroid power-up!



Joined: Mar 23, 2004
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PostPosted: Sat Jan 13, 2007 4:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

dasz wrote:


The processing so far has been like this:

g2 sequencer sends patch change to evolver to switch between synth and audio processor patches. this sequencer also switches whether the nord is sending output to 3/4 for processing. it is not simultaneous. it is very experimental as I just hooked it up this way earlier today.


how bad of a skip is it?

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ian-s



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PostPosted: Sat Jan 13, 2007 4:06 pm    Post subject: Reply with quote  Mark this post and the followings unread

Actually the VS/Wavestation vector synthesis was just a marketing term for cross fading (interpolation) between waveforms that may or may not be being wave sequenced. This is only slightly more interesting than wave sequencing alone. Nice filters in the VS though.

I saw somewhere a list of descriptions for the wave tables in the original PPG wave. They were tables, pre calculated (on a PDP11?). Simple things like different combinations of sines, pwm or filter-ish sweeps. All stuff that could most likely be patched in real time on the G2, without the nasty stepping (or you could maybe even simulate that with some sample and holds).
Later models had bigger, higher resolution, downloadable tables but that is strolling into sampler territory
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astroid power-up!



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PostPosted: Sat Jan 13, 2007 4:25 pm    Post subject: Reply with quote  Mark this post and the followings unread

omgwad

you know what else is great about wavesequencing on the g2?

so you have your eight waveforms going into yr x-muxer. what's to stop you from having another few x-muxers with different envelopes?

it saves on the processing, and you can make huge evolveing pads that way-the waveforms are running all the time after all, so it's not that much more of a drain to have them running through different chains.

will post patch after i make it sound good:) but indeed, it does sound a bit like the wavetable synthesis i've heard before.

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qfingers



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PostPosted: Sat Jan 13, 2007 4:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

I think we should create a sub-forum for these kind of discussions. It's annoying to see these posts. It would be nice if these kind of opinion/flame war starting discussions be moved over there. I consider them neither useful or a benefit to this forum. This way the moderators can move it over there for people who want these kind of discussions and take part in them.

q

Last edited by qfingers on Sat Jan 13, 2007 4:37 pm; edited 1 time in total
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astroid power-up!



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PostPosted: Sat Jan 13, 2007 4:37 pm    Post subject: Reply with quote  Mark this post and the followings unread

here's what i'm not sure about, though.

g2ian, are you sure that "interpolation" in that context meant just "crossfading"?

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ian-s



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PostPosted: Sat Jan 13, 2007 6:50 pm    Post subject: Reply with quote  Mark this post and the followings unread

astroid power-up! wrote:
g2ian, are you sure that "interpolation" in that context meant just "crossfading"?



I think cross fading gives linear interpolation (but my math sucks). I cant see why anything else would be an advantage.

The VS schematics show the ABCD waves are just fed to four VCA circuits then the filter etc.
It uses BBD for chorus BTW.
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Unfed



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PostPosted: Sat Jan 13, 2007 7:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

T7 wrote:
I bought the G2 based on Clavia's advertising claims that it can do additive, and physical modelling.


sorry to hear that.

Quote:
I also wanted it for it's controller capabilities, and the gear lust factor. Lets face it the G2 is a beautiful piece of hardware.


certainly is, i hear you there. and what else compares to the G2 controller-wise?

Quote:
...please read my original post. I stated that the Waldorf is a G2 killer in the sense that I would be willing to sell my G2 in order to buy one. It was not a comparison.


i guess it was just a goofy thing to say, which really got me laughing pretty good. i can't fathom how the two are in any way comparable, or even why you'd say it like that.

Quote:
...you're so worked up over my harmless post, maybe you need a valium? But judging from you're avatar Prozac may be more appropriate Wink


worked up? and what's the shot about the avatar supposed to mean? Crying or Very sad

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dasz



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PostPosted: Sat Jan 13, 2007 8:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

astroid power-up! wrote:
dasz wrote:


The processing so far has been like this:

g2 sequencer sends patch change to evolver to switch between synth and audio processor patches. this sequencer also switches whether the nord is sending output to 3/4 for processing. it is not simultaneous. it is very experimental as I just hooked it up this way earlier today.


how bad of a skip is it?


The Evolver responds instantly and never loses a beat.
/Dasz
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astroid power-up!



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PostPosted: Sat Jan 13, 2007 8:10 pm    Post subject: Reply with quote  Mark this post and the followings unread

oh!

right

i thought you meant something else by "not simutaneous"

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jamos



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PostPosted: Sat Jan 13, 2007 11:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

I never played a Prophet VS, but -

The basic "vector synthesis" engine was designed by Chris Meyer, a guy I used to know and occassionally play with in college. We got together a few years after after that synth came out, and he told me how he pitched the idea to Dave Smith: he basically patched it up on an old EML modular. As I remember, while there were some sampled waveforms in the synth, they were not wavetables by either of the usual definitions (sweepable tables as in the PPG, or static samples as in ROMplers). So to call this a wavetable synth would be inaccurate.

The key to the sound, as I recall him saying, was that they took care to make sure all of the harmonics in the various sampled waves were in-phase, so that there would not be strange dips in level as the crossfaeds occurred. But that's, in essence, all there was/is to vector synthesis: crossfading.
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astroid power-up!



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PostPosted: Sun Jan 14, 2007 12:17 am    Post subject: Reply with quote  Mark this post and the followings unread

the main thing that really excited me about the prophet was the ability to save waveforms at the push of a button.
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dasz



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PostPosted: Sun Jan 14, 2007 12:41 am    Post subject: Reply with quote  Mark this post and the followings unread

yeah, by simultaneous I meant being able to send evolver oscs to g2 and send g2 back to the filter of evolver.

/Dasz
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3phase



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PostPosted: Sun Jan 14, 2007 6:20 am    Post subject: Reply with quote  Mark this post and the followings unread

jamos wrote:
I never played a Prophet VS, but -

....... in essence, all there was/is to vector synthesis: crossfading.



actually done with a joystick..i am sure they are called joysticks because of the Vs...
at least that was my impression when i touched it the first time..
"ah yes..that is the reason they are called joysticks..." i said..
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Kassen
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PostPosted: Sun Jan 14, 2007 6:51 am    Post subject: Reply with quote  Mark this post and the followings unread

Erm, I thought the G2 *does* have wavetables? As far as I know the oscilators are based on indexed tables.
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blue hell
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PostPosted: Sun Jan 14, 2007 7:10 am    Post subject: Reply with quote  Mark this post and the followings unread

Kassen wrote:
Erm, I thought the G2 *does* have wavetables? As far as I know the oscilators are based on indexed tables.


I remember that Magnus once said that for the sine osc a few terms of it's Taylor series were calculated (+ using some mirroring), but I don't know about the other wave forms.

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also .. could someone please turn down the thermostat a bit.
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ian-s



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PostPosted: Sun Jan 14, 2007 10:40 am    Post subject: Reply with quote  Mark this post and the followings unread

Kassen wrote:
Erm, I thought the G2 *does* have wavetables? As far as I know the oscilators are based on indexed tables.


My guess is they are not tables, otherwise the DSP % would not vary so widely for the different waveforms.

One curiosity is that the sine on an audio oscillator uses the least dsp of all waves. With the sine on an LFO, this is not the case.
Also the audio sine exhibits errors when doing frequency multiplicaion but the LFO sine does not.
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cappy2112



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PostPosted: Sun Jan 14, 2007 10:57 am    Post subject: Reply with quote  Mark this post and the followings unread

3phase wrote:
jamos wrote:
I never played a Prophet VS, but -

....... in essence, all there was/is to vector synthesis: crossfading.



actually done with a joystick..i am sure they are called joysticks because of the Vs...
at least that was my impression when i touched it the first time..
"ah yes..that is the reason they are called joysticks..." i said..


You can have a similar effect with any synth using Virtual Midi Sliders (free software).
http://www.granucon.com/vms.html


It has a 2-axis crossfade feature which directly controls CC's that you define. When you move the mouse it crossfades between those CC's.
(although I wouldn't call it vector synthesis) Smile


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Wout Blommers



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PostPosted: Sun Jan 14, 2007 12:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yep, VMS is a nice freeware program, created in addition to the Nord Modular Rack, I believe...

BTW the statement the Nord Modular has an open end... How far does Clavia have to go? It has a lot of possibilities, for sure.

Wout
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astroid power-up!



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PostPosted: Sun Jan 14, 2007 12:48 pm    Post subject: Reply with quote  Mark this post and the followings unread

that bit about wave sequencing needing the oscillators to be in pahse with each other is no joke. i mocked up a wavesequencing synth in the g2 last night (it's over at the experimental patch section). when they are not synced together, they phase alllll over the place, and it makes the sound very odd.
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T7



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PostPosted: Sun Jan 14, 2007 2:13 pm    Post subject: Reply with quote  Mark this post and the followings unread

Unfed wrote:

what's the shot about the avatar supposed to mean? Crying or Very sad


I just meant your avatar has that tortured artist vibe. Wink

Peace,

T

Last edited by T7 on Sun Jan 14, 2007 2:27 pm; edited 1 time in total
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T7



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PostPosted: Sun Jan 14, 2007 2:23 pm    Post subject: Reply with quote  Mark this post and the followings unread

dasz wrote:

Now prices for Waldorf XT's should drop, and those who are thinking of trading their G2 for it, may be able to keep it and get an orange beast to boot.

/Haagen Dasz


Good advice. Probably what I'll end up doing.
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W.T.



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PostPosted: Sun Jan 14, 2007 2:38 pm    Post subject: Reply with quote  Mark this post and the followings unread

i am not a big fan of waldorf products, but i am glad that there back (they deserve it Smile )
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T7



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PostPosted: Sun Jan 14, 2007 2:42 pm    Post subject: Reply with quote  Mark this post and the followings unread

Wout Blommers wrote:

BTW the statement the Nord Modular has an open end... How far does Clavia have to go?
Wout


At the very least, fix the bugs and follow through on the physical modelling stuff.
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monobass



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PostPosted: Sun Jan 14, 2007 2:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

I love my Waldorf Pulse, a 3 oscillator monosynth with 4 slots of modular routing, it has a terrible physical interface.. but it sounds fantastic to my ears and is pretty cheap these days.

It's a perfect compliment to the G2 as every parameter can be controlled via cc. Instant modular analogue monosynth! I'm pretty sure the Microwave has a similar midi spec.

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W.T.



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PostPosted: Sun Jan 14, 2007 6:39 pm    Post subject: Reply with quote  Mark this post and the followings unread

_ Steve _ wrote:
I'm pretty sure the Microwave has a similar midi spec.


microwave 2 and xt yes
microwave 1 no Sad
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