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thru-zero VCOs
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frijitz



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PostPosted: Mon Jul 30, 2007 1:23 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:

The MS20 can be percieved as rich and warm based on the context and how it is used. That being said, is it OK if I drag the term "analougue warmth" out into the parking lot and semtex it to death and beyond?

Laughing
That's fine with me. But my Roland JV synth has a parameter called "analog feel" and I find it does a reasonable job of adding some natural sounding variations similar to what acoustic instruments have. So there is something here to think about, but I don't think it's the same as the "Moogey jitter" that people like to talk about to explain anlg wrmth. Very Happy
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Nosferatu



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PostPosted: Mon Jul 30, 2007 3:35 pm    Post subject: Re: Thru-Zero VCOs Reply with quote  Mark this post and the followings unread

del
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Funky40



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PostPosted: Tue Jul 31, 2007 2:04 am    Post subject: Reply with quote  Mark this post and the followings unread

I'm also very interested in analog FM synthesis.
As i understand Frijitz' explanations it isn't really successful to do.
Isn't it ?
Is there really no chance to get a VCO good enough for FM synthesis ?

If there is a chance, but maybe with a big challenge behind to get it done,
then maybe 2 Versions of a TZ-VCO would be fine.
Just an Idea
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v-un-v
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PostPosted: Tue Jul 31, 2007 2:14 am    Post subject: Reply with quote  Mark this post and the followings unread

frijitz wrote:


Why can't you warm it up by filtering it a tad to boost the bass, adding some dynamic vibrato, adding some chiff or chirp on the attack envelope, adding a second detuned osc etc?


Ahh- but that's a different kind of 'warmth' though isn't it? Idea

I don't give a monkeys either over this 'warmth' thing either- well err tell a lie, yes I do to an extent, but I did have a hang up over what the definition of lo-fi is (or was)....but that's a different story again Cool

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v-un-v
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PostPosted: Tue Jul 31, 2007 2:18 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
"analougue warmth"


Ahh! But I DIDN'T say "analogue warmth" did I? I said warmth!

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frijitz



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PostPosted: Tue Jul 31, 2007 7:15 am    Post subject: Reply with quote  Mark this post and the followings unread

Funky40 wrote:
As i understand Frijitz' explanations it isn't really successful to do.
Isn't it ?
Is there really no chance to get a VCO good enough for FM synthesis ?

I wasn't saying you can't do successful FM -- the ZO demos as well as the ones Rene has up show that you can. And I believe that it definitely makes sense to proceed with a diy project, especially if it turns out that the ZO is as simple as the old EN design.

But I still think that there will be limits on what you can do with analog as compared to digital. Not really sure what those limits are, but I kinda doubt anyone would want to do a four operator instrument in analog. Very Happy

So does it make sense to go ahead with a project to look at using a higher performance core? Dunno. Meebee.
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Scott Stites
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PostPosted: Tue Jul 31, 2007 7:24 am    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
So does it make sense to go ahead with a project to look at using a higher performance core? Dunno. Meebee.


Ian, if you're behind the wheel, hell yeah!

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TheAncientOne



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PostPosted: Tue Jul 31, 2007 9:14 am    Post subject: Reply with quote  Mark this post and the followings unread

When I was a school kid first dipping my toes into the world of electronic music, the first thing I actually made was a ring modulator. I used an old Valve (Tube) audio range BFO for one input, this, (I think it may have been Airmech or Marconi), covered the who audio range in one sweep of the dial. If I set the "Zero" control deliberately high, I could get what is now known as a through zero - it made for some good effects with the ring mod, as I recall.

Is this perhaps another approach? An RF VCO sweeping against a fixed oscillator? Quite like a Theremin. There would undoubtedly be stability issues, but I wonder just how bad they would be. An advantage is getting a native sine wave, from which most of the others can be shaped.

On the 'warmth' subject - save your semtex for one of the bigger targets, like the RIAA perhaps, I think it ought to be pelted to death with expired ECC83's (Sorry! 12AX7's), most have which have died in pursuit of it. Adding a bit of filtered noise to a control signal helps in some cases, I find - I've even done that virtually in CSound


Mike

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frijitz



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PostPosted: Tue Jul 31, 2007 10:16 am    Post subject: Reply with quote  Mark this post and the followings unread

TheProf wrote:
Is this perhaps another approach? An RF VCO sweeping against a fixed oscillator? Quite like a Theremin. There would undoubtedly be stability issues, but I wonder just how bad they would be. An advantage is getting a native sine wave, from which most of the others can be shaped. Mike

Yes, this is the approach of Jan Hall's EN design. It uses two 8038 VCOs, one fixed at 20 kHz and the other variable 10-30 kHz, and a BB4094 multiplier. No information on stability, etc., that I have seen.

Ian
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v-un-v
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PostPosted: Tue Jul 31, 2007 10:31 am    Post subject: Reply with quote  Mark this post and the followings unread

Hey Mike! welcome to electro-music.com!

Very Happy

Where in the UK are you from? (If you don't mind me asking?)

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TheAncientOne



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PostPosted: Tue Jul 31, 2007 11:07 am    Post subject: Reply with quote  Mark this post and the followings unread

v-un-v wrote:

Where in the UK are you from? (If you don't mind me asking?)



Bolton, Near Manchester.

Thanks for the welcome. I'm a kind of synth returnee. I built analogs for frinds through the late 70's and 80's, did a bit of volunteer assembly for IRCAM, and finally faded out in the late eighties with the onslaught of pre-built and digitals.

Kept my hand in by fixing musical gear for friends and some customers, (I'm an electronics engineer, specializing in industrial control systems). Following a chance discovery of the growing synth DIY fraternity on line, I decided to fulfill a long term dream and build some kit for myself. Started at Christmas, and have now got bits and boards everywhere. I'm quite eclectic, started with some of Thorsten Klose's excellent MIDIbox stuff, and the first thing I've had running in the analog area is a Thomas Henry SN Voice - I found the board project on here too.

I've been more of a poster on MIDIbox, but as I get back into analog wrangling, I hope to contibute a little here too. I've got a great interest in the Klee sequencer, as an antidote to the two digitals I'm working on. Just casing up a Ray Wilson Soundlab and his 16 step sequencer. Thats me.

Thanks again for the welcome

Mike

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TheAncientOne



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PostPosted: Tue Jul 31, 2007 11:12 am    Post subject: Reply with quote  Mark this post and the followings unread

frijitz wrote:
TheProf wrote:
Is this perhaps another approach? An RF VCO sweeping against a fixed oscillator? Quite like a Theremin. There would undoubtedly be stability issues, but I wonder just how bad they would be. An advantage is getting a native sine wave, from which most of the others can be shaped. Mike

Yes, this is the approach of Jan Hall's EN design. It uses two 8038 VCOs, one fixed at 20 kHz and the other variable 10-30 kHz, and a BB4094 multiplier. No information on stability, etc., that I have seen.

Ian


I was thinking myself of stealing some of the communications receiver technology, so as to use a varicap tune RF oscillator, and perhaps phase lock that to the voltage input, to keep it stable. I was thinking of high KHz or low MHz oscillators. I might have a go at the relatively low frequency approach. The mechanical construction of an RF design is a bit critical, though I know one or two good pro-am RF designers, so I can ask!

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frijitz



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PostPosted: Tue Jul 31, 2007 1:29 pm    Post subject: Reply with quote  Mark this post and the followings unread

TheProf wrote:
Thanks for the welcome. I'm a kind of synth returnee. I built analogs for frinds through the late 70's and 80's, did a bit of volunteer assembly for IRCAM, and finally faded out in the late eighties with the onslaught of pre-built and digitals.

Yep, basically the same story here. (Onslaught -- that's a good word for it.) There are lots of us old re-treads around. I've met a few here and also on the s-diy mailing list. Good to know another one!

Ian
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ian-s



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PostPosted: Tue Jul 31, 2007 3:40 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
>But I still think that there will be limits on what you can do with analog as >compared to digital. Not really sure what those limits are, but I kinda doubt >anyone would want to do a four operator instrument in analog.


You can get a huge amount of usable FM tones just with a single TZO and a couple of regular sine oscillators mixed as the modulator. I find the main deference between series/parallel modulators is how quickly the tone 'blows up' with increased modulation.

I have no experience with analog TZ FM, but I imagine the only minor problems would be with carrier:modulator tracking.

If you let a pair free run, you will get a slow beating in the tone (nice sometimes but not desirable in every case). Syncing them would solve the beating but might result in small discontinuities. Even if very small, imperfections in the modulator wave can result in prominent sidebands.

It would be nice to hear FM tones without any aliasing noise though.
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Nosferatu



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PostPosted: Thu Aug 30, 2007 8:16 am    Post subject: Reply with quote  Mark this post and the followings unread

So this interesting project just died? hanged
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Randaleem



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PostPosted: Thu Aug 30, 2007 12:28 pm    Post subject: Reply with quote  Mark this post and the followings unread

Nosferatu wrote:
So this interesting project just died?


Hi Nosferatu,

No, At least not the EN-based TZVCO PCB that I've been working on. You can expect it to be offered and available in September.

EDIT: Andrew F built the EN TZVCO circuit as published and is pleased with it. His positive results are what led to the EN design being pursued for further pcb development.

Randal

Last edited by Randaleem on Thu Aug 30, 2007 1:00 pm; edited 1 time in total
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frijitz



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PostPosted: Thu Aug 30, 2007 12:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

Nosferatu wrote:
So this interesting project just died?

I still have it on my list of projects. I'm concerned about the EN design, because there is a conflict if the reversal threshold is reached at the same time that the core is already in the process of reversing. I need to figure out if this is a real problem in practice, or just a paper one.
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vtl5c3



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PostPosted: Thu Aug 30, 2007 4:49 pm    Post subject: Reply with quote  Mark this post and the followings unread

Heh, somehow I managed to miss this thread until now. I built a pair of the EN 129 Through Zero VCOs back in 96. They're pretty interesting, but I have a hard time putting my finger on what sets them apart from non-TZ oscillators. I'll try doing some experiments and recording them for your perusal.

I also built a pair of the EN Option 4 through Zero VCOs that were in the preferred builder's guide. The circuit is a weird beast. I'm not sure I'd bill it as a "musical" vco, but if you're into the bizarre, this one is definitely worth investigating.

R.
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frijitz



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PostPosted: Thu Aug 30, 2007 5:07 pm    Post subject: Reply with quote  Mark this post and the followings unread

vtl5c3 wrote:
I also built a pair of the EN Option 4 through Zero VCOs that were in the preferred builder's guide. The circuit is a weird beast. I'm not sure I'd bill it as a "musical" vco, but if you're into the bizarre, this one is definitely worth investigating.

Romeo -- I only have an early version of the PBG. Could you give me the reference to the original EN article, if it is handy? Thanks

Ian
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guitarfool



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PostPosted: Thu Aug 30, 2007 5:23 pm    Post subject: Reply with quote  Mark this post and the followings unread

frijitz wrote:
I only have an early version of the PBG. Could you give me the reference to the original EN article, if it is handy? Thanks

Ian


It was in EN #129. Bernie posted the original article here http://electronotes.netfirms.com/free.html at the bottom.
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vtl5c3



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PostPosted: Thu Aug 30, 2007 6:48 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hi Ian,

Looks like that was EN # 75.

R.
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Photon



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PostPosted: Thu Aug 30, 2007 8:24 pm    Post subject: Reply with quote  Mark this post and the followings unread

the Hall "option 4" thu-zero VCO in the PBG appears to be from EN#65.

-P.
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vtl5c3



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PostPosted: Thu Aug 30, 2007 10:19 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hey Photon,

I just checked. The TZ VCO in EN 65 is by Jan Hall, but it's not the Option 4. That one uses two 8038s for the oscillators. Looks pretty unusual. The option 4 design is in EN 75, on page 19.

R.
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Photon



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PostPosted: Fri Aug 31, 2007 5:26 am    Post subject: Reply with quote  Mark this post and the followings unread

Thanks for checking. Sorry to misinform.


<edit>
at the risk of risk further confusion...
The thru zero design listed as VCO option 4 in my copy of the PBG IS the 8038 design from EN65, but plainly not the one you're referring to. Interesting...


-P
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Nosferatu



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PostPosted: Fri Aug 31, 2007 2:02 pm    Post subject: Reply with quote  Mark this post and the followings unread

del
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