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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Sun Jun 26, 2005 7:16 am Post subject:
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I don´t think it´s the same discussion at all. In those threads I mainly pleaded in favour of dealing creatively with how interfaces link to synthesis and tried to encourage people to go beyond preset constructions -with very little success. Here we are talking about the differences between the G2 and the NM and wether they are worth the price differnce because VI asked about this and aparently couldn´t find this info. If they have anything in common it´s that I´m still very cirical of the G2 and that most others here still like the G2.
I´m getting a strong impression that people don´t like it when I write things like this here. I still use the NM, I tested the G2 for a few months while considering wether I should purchase it, I think I´m in a good position to try to answer his question. I´m trying to deal with the relevant points in depth, trying to help people who have a question and I think it´s uncalled for to imply the discussion is redundant simply because I disagreed with people in other threads on completely different topics too. _________________ Kassen |
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seraph
Editor


Joined: Jun 21, 2003 Posts: 12398 Location: Firenze, Italy
Audio files: 33
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Posted: Sun Jun 26, 2005 7:49 am Post subject:
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elektro80 wrote: | ...please stay on the espresso..
We are trying to be sponsored by some italian coffee brand.. |
Gevalia  _________________ homepage - blog - forum - youtube
Quote: | Don't die with your music still in you - Wayne Dyer |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24476 Location: The Netherlands, Enschede
Audio files: 298
G2 patch files: 320
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Posted: Sun Jun 26, 2005 7:55 am Post subject:
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Kassen wrote: | If they have anything in common it´s that I´m still very cirical of the G2 and that most others here still like the G2.
I´m getting a strong impression that people don´t like it when I write things like this here. |
I think its good to have some critical sounds here, keeps us grounded.
Personally I don't want to go back to the NM Classic (and I tried so yesterday, not for going back, but I wanted to teach a bit of how to use the Classic to someone, I'm not as fluent anymore I noted).
I'm not too critical on sound quality anyway and for me the ability to have better interaction between patches (i.e. the audio busses and the MIDI modules of the G2) has become a 'must have', sort of.
I'm happy as well with some of the other new modules, like the longer delays and the pitch shifters.
So for me it's G2 time now, but still the Classic has been very much fun to use for over five years, I will not forget about that ! (and there is some stuff that I still mis, mostly the sound of the old percussion osc)
Jan. |
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Tim Kleinert
Joined: Mar 12, 2004 Posts: 1148 Location: Zürich, Switzerland
Audio files: 7
G2 patch files: 236
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Posted: Sun Jun 26, 2005 8:21 am Post subject:
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Quote: | I don´t think it´s the same discussion at all. In those threads I mainly pleaded in favour of dealing creatively with how interfaces link to synthesis and tried to encourage people to go beyond preset constructions -with very little success. ... |
I'm sorry, Kassen, but those threads are full of NM/G2 comparisons. |
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cebec

Joined: Apr 19, 2004 Posts: 1099 Location: Virginia
Audio files: 3
G2 patch files: 31
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Posted: Sun Jun 26, 2005 10:18 am Post subject:
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i just got a great deal on an nm classic rack so i'll be able to do my own sound quality, etc., comparisons! hehe. expect a massive thread to emerge re: the DACs, soon... KIDDING!
why'd i get the rack? well: several 'missing' modules/different implementations than on the G2, more knobs!!, the small footprint, the price, and the fact i could probably sell it for more down the line, if ever... nostalgia...
and i'm really excited to run the thing through a spectrum analyzer! kidding... (maybe)
btw, Kassen, are you involved in nmEdit, at all, the open source NM Classic editor project? |
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vi scose poise

Joined: Jun 23, 2005 Posts: 31 Location: USA
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Posted: Sun Jun 26, 2005 11:04 am Post subject:
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Cheers for all the replies!
I'm still a bit undecided.. I really do need to go to a shop and have a listen (that is, if they still have the NM1 in stock!). However, Kassen has made a very convincing argument for the NM1. Audio quality is a major issue of mine. However, I love both digital and analogue sounds. Also, I am certainly not a keyboard player and prefer experimental synthesis and sound design. My user name is a reference to the electronic duo, Autechre - NM1 users. Additionally, I am well into the music of NM1 users Taylor Deupree and Frank Bretschneider (12k.com). Mosc's thread regarding the expressiveness of the G2 offered fantastic insight.
As an enthusiastic Mac OS X user, I am quite disappointed in the lack of support for the NM1. This is one clear advantage of the G2. However, I do have an older computer running Windows 98SE that I could use exclusively with the NM1, if I chose such a route.
I suppose such a decision will require more consideration!
Moreover, I am only a novice Max/MSP user. |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Sun Jun 26, 2005 12:24 pm Post subject:
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Blue Hell wrote: |
I think its good to have some critical sounds here, keeps us grounded.
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Thanks.
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Personally I don't want to go back to the NM Classic (and I tried so yesterday, not for going back, but I wanted to teach a bit of how to use the Classic to someone, I'm not as fluent anymore I noted).
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:¬) I know what you mean. I switch around between multiple systems and I always mix up what names they give to various modules. After a while of patching on the NM Tassman seems very frustrating because it -for example- files the VCA under the "envelopes" section and considders the polarity inverter to be a audio effect. I also tend to subconciously keep naming modules like they were named the first time I saw them in some system. Very confusing. _________________ Kassen |
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rnp

Joined: Sep 14, 2004 Posts: 55 Location: germany
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Posted: Sun Jun 26, 2005 2:48 pm Post subject:
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vi scose poise wrote: | Additionally, I am well into the music of NM1 users Taylor Deupree and Frank Bretschneider (12k.com). Mosc's thread regarding the expressiveness of the G2 offered |
not that it means anything but Frank Bretschneider used a g2 rack when I saw him live last year and Taylor Deupree has posted a few great g2 patches on the nm list, so they at least added g2's to their arsenal.
I got a Micromodular for cheap to complement my G2 keyboard and as a fixture in the studio it definitely adds a lot (the perc module, spectral osc etc.). however the two needed midi interfaces and unstable osx editor render it unsuitable for live use for me. _________________ http://www.regicide.org
deer music
offering temporary solutions |
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v-un-v
Janitor


Joined: May 16, 2005 Posts: 8932 Location: Birmingham, England, UK
Audio files: 11
G2 patch files: 1
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Posted: Sun Jun 26, 2005 4:14 pm Post subject:
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vi scose poise wrote: | Moreover, I am only a novice Max/MSP user. |
In that case get a NM1! If you've got an old PC- that'll do nicely -the PC version of the editor was much less buggy than the Mac OS9 version- like for eg holding your mouse over the module folders bought up a pop-up window to tell you what module you were about to choose- this, for one, never worked (to my dismay) in OS9.
Max/MSP is a pig with a pig of a learning slope- I found Supercollider easier to figure out than Max. At least I could get it (SC) to make a noise.
I've never been a big fan of computer software synth emulators- but I guess it's how your brain is wired. If like Kassen it comes second nature, then go for it but if you are like me and prefer the 'If it ain't broke, don't fix it' school of thought, and your hard-up (join the club!) get a NM1- you won't regret it!
BTW (and on the other hand) If you want really cheap- Audiomulch is a brilliant piece of PC software. (Kieran Hebdon of Fridge/ Four Tet fame for eg, also uses it) Autechre did mess with the original version a long time ago (if my memory serves me right). Autechre (believe it or not) are old friends of mine from 10 or so years back (rob and shaun that is)- so this is a bit of inside information. How the hell else did they come up with those fucked-up noises so quickly for/ and around the Chastic Slide period? ;)
Tom :-) |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Sun Jun 26, 2005 4:25 pm Post subject:
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v-un-v wrote: |
I've never been a big fan of computer software synth emulators- but I guess it's how your brain is wired. If like Kassen it comes second nature, then go for it but if you are like me and prefer the 'If it ain't broke, don't fix it' school of thought, and your hard-up (join the club!) get a NM1- you won't regret it! |
Hey, now. Second nature is realy exagerated. I lived like a hermit for a few years. Decided I would learn everything about this "audio" stuff and spend months on end reading and patching and testing and scribeling on pieces of paper. It´s not like it all just flew into my head! I also had a fair amount of cources in formal logic and arteficial intelligence and so on which makes those yellow cables a lot easier to deal with; it´s not like a was born mumbling about any system with enough logic gates and S&H modules being able to calculate everything!
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BTW (and on the other hand) If you want really cheap- Audiomulch is a brilliant piece of PC software. (Kieran Hebdon of Fridge/ Four Tet fame for eg, also uses it) Autechre did mess with the original version a long time ago (if my memory serves me right). Autechre (believe it or not) are old friends of mine from 10 or so years back (rob and shaun that is)- so this is a bit of inside information. How the hell else did they come up with those fucked-up noises so quickly for/ and around the Chastic Slide period?
Tom  |
Plogue bidule is also getting very popular as a cheap solution. Many people use it to push Ableton Live a bit further for example. It can do some realy sick things. _________________ Kassen |
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v-un-v
Janitor


Joined: May 16, 2005 Posts: 8932 Location: Birmingham, England, UK
Audio files: 11
G2 patch files: 1
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Posted: Sun Jun 26, 2005 4:28 pm Post subject:
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seraph wrote: | elektro80 wrote: | ...please stay on the espresso..
We are trying to be sponsored by some italian coffee brand.. |
Gevalia :?: :shock: |
LOL!
I drink LIDL expresso coffee (when I'm not drinking tea)- it's like rocket fuel %-) and only 99p a can
It tastes like Italian Coffee. Perhaps I've been proved wrong? _________________ ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN. |
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v-un-v
Janitor


Joined: May 16, 2005 Posts: 8932 Location: Birmingham, England, UK
Audio files: 11
G2 patch files: 1
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Posted: Sun Jun 26, 2005 4:34 pm Post subject:
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Kassen wrote: |
Plogue bidule is also getting very popular as a cheap solution. Many people use it to push Ableton Live a bit further for example. It can do some realy sick things. |
WOW you write fast Kassen! I'm one-finger-man Sam I am!
Yeah Plogue- forgot to mention that one- it's a bit more difficult than Audiomulch but I do agree with you there- sick noises indeed! Ableton Live is also very cool- Sometimes I wish that I hadn't bought Logic 6- but hey! |
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vi scose poise

Joined: Jun 23, 2005 Posts: 31 Location: USA
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Posted: Sun Jun 26, 2005 5:10 pm Post subject:
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Kassen wrote: | Plogue bidule is also getting very popular as a cheap solution. |
I purchased Bidule not long ago and have built a few patches for live performance. It really is a fine program. |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Sun Jun 26, 2005 7:06 pm Post subject:
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v-un-v wrote: |
WOW you write fast Kassen! I'm one-finger-man Sam I am!
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I use most of my fingers but move my hands around depending on what letters are coming up over my IBM model "m", hacker style. On my laptop´s keyboard I´m crippled.
I´m going to buy Bidule soon. _________________ Kassen |
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vi scose poise

Joined: Jun 23, 2005 Posts: 31 Location: USA
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Posted: Tue Jun 28, 2005 3:18 pm Post subject:
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Right, after reading over Mosc's thread regarding expressiveness and performing with the G2, I was reminded of another Modular question..
Aside from composing and performing composes pieces, I plan on using the NM1 or G2 for live improvisational performances (I'm quite fond on the Erstwhile label), typically with a percussionist. As with my compositional needs, I would like more radical and experimental sounds ("noisy," "raw," and "sick" - haha) for such performance. I am more interested in sonic textures than lead sounds. Would the NM1 better meet such needs? |
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inversekinematics
Joined: Feb 12, 2005 Posts: 29 Location: Sweden
G2 patch files: 1
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Posted: Tue Jun 28, 2005 3:44 pm Post subject:
Re: General Nord Modular (NM/G2) advice needed |
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vi scose poise wrote: | Greetings, this is my first post on these forums..
I'm a music composition student studying 20th century and electroacoustic music. I compose experimental electronic (IDM, braindance, whatever) music as well.
I am primarily interested in a modular synthesizer for sound design use (but also melodies and basses) in the fields mentioned above. Such a synth would compliment a Yamaha FS1R, Elektron Machinedrum, Reaktor (not used often because of CPU usage), and Max/MSP in my setup.
I would absolutely love a Cwejman Sound S1mkII but it is simply beyond my budget. This leaves me to consider the original Nord Modular and the G2. The G2 is quite expensive and I've focused mostly on the original NM. However, is the G2 is an absolute must, I will definitely reconsider.
Comments? Advice?
Fantastic forums, by the way! |
i just have to comment about your name "vi scoise pose"... autechre, and your avatar... RePHLeX
nice! hehe _________________ (dx/dt=delta*(y-x))(dy/dt=r*x-y-x*z)(dz/dt=x*y-b*z) |
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Jason

Joined: Aug 12, 2004 Posts: 466 Location: Los Angeles, CA. USA
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Posted: Tue Jun 28, 2005 5:18 pm Post subject:
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I dont have a NM1 but rather a G2 engine and as for sonic texturess I think its just amazing. Especially when you get into using sequencers within patches to modulate things. The possibilities are exciting, a world of sound at your fingertips... And it is not limited to this of course. I would think with the G2 you get most functionality of the NM1 and then some in addition to current updates. As for these 'sick' sounds you speak of yes , it is out of this world. The FM implemetation is just mind boggling this in conjunction with the other features is sweet. So you can get both , more conventional sounds as well as creative patches, though some take longer than others to come up with, though there is many to get you started, here on the forum as well as presets within the G2. I hope that helps some. |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Tue Jun 28, 2005 8:44 pm Post subject:
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Now it´s becoming very hard and subjective. Both are very capable of genrating lots and lots of textures but those come out a bit different. To my ear, whatever the polyphony count, the G2´s textures end up reminding me a little more of poly synths and end up with a larger imression of space while the NM´s have tendency to go more towards something more defined and dry. Personal taste comes in again heavily hear; if at all possible listen to both. _________________ Kassen |
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Chet

Joined: Nov 19, 2004 Posts: 231 Location: Lititz,PA,USA
Audio files: 7
G2 patch files: 35
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Posted: Wed Jun 29, 2005 7:12 am Post subject:
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vi scose poise wrote: | ..Aside from composing and performing composes pieces, I plan on using the NM1 or G2 for live improvisational performances (I'm quite fond on the Erstwhile label), typically with a percussionist... |
If you're planning to play live, the G2's front panel is a big advantage.
While sound is subjective, I think the G2 sounds better, overall. Perhaps it's because the DACs have more resolution. Or because some of the oscillators can play an octave higher without aliasing. But it is different, a little smoother. And it's always easy to add grunge, if you want.
But the G2 isn't cheap. Perhaps you could play with the G2 demo for a while, and see how necessary the new features are (or aren't) to you. |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Wed Jun 29, 2005 7:20 am Post subject:
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Chet wrote: | Or because some of the oscillators can play an octave higher without aliasing. |
Could you go into this a little deeper? Which oscilators are free from aliassing in what range? _________________ Kassen |
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Chet

Joined: Nov 19, 2004 Posts: 231 Location: Lititz,PA,USA
Audio files: 7
G2 patch files: 35
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Posted: Wed Jun 29, 2005 7:32 am Post subject:
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I'm sorry, but I can't remember which particular ones. I do remember that the square wave went higher, but that the benefit decreased as I narrowed the width.
If no one else answers this today, I'll set up my NM1 tonight and repeat the comparison. |
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Kassen
Janitor


Joined: Jul 06, 2004 Posts: 7678 Location: The Hague, NL
G2 patch files: 3
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Posted: Wed Jun 29, 2005 7:57 am Post subject:
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Chet wrote: | I'm sorry, but I can't remember which particular ones. I do remember that the square wave went higher, but that the benefit decreased as I narrowed the width.
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Realy? I suspect something else may be going on there, that realy shouldn´t be like that, right? Let´s call Cebec and put him on this case, we´ll have nice plots on our desks by nightfall! :¬) Shouldn´t sines alias less then anything else? Or should I go back to my books? _________________ Kassen |
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cebec

Joined: Apr 19, 2004 Posts: 1099 Location: Virginia
Audio files: 3
G2 patch files: 31
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Posted: Wed Jun 29, 2005 10:32 am Post subject:
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Heh... On the double!
I'm pretty sure you're right -- sines should alias the least. I haven't run any tests on the NM Classic (rack arrives tomorrow) but my findings with the G2s OSCs were that aliasing increased as the pulsewidth decreased and frequency increased. Falling ramp waves also generated some aliasing at higher frequencies.
Originally, I had put this down to the G2s DACs but after more testing I found the same behavior in the G2 Demo on two different DACs.
A separate, but possibly related phenomenon, is that the use of envelopes with very fast attack speeds or other control signals with fast transients can cause what appear to be large 'spikes' at approx. 24 kHz when the signal is plotted on a spectrum analyzer. On the suggestion of jksuperstar, elsewhere on this forum, lowpassing these control signals, at about 1.05 kHz with a 6 dB slope, I've found, attenuates these 'spikes' by up to 20 dB without causing any noticeable degradation in sound quality or performance. |
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Tusker

Joined: Feb 03, 2005 Posts: 110 Location: Texas
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Posted: Wed Jun 29, 2005 10:50 am Post subject:
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Personally, I'm interested in hearing about any auditory differences in the basic architecture (oscillators, filters). I've considered the G2 primarily for the control environment
Jerry |
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Tusker

Joined: Feb 03, 2005 Posts: 110 Location: Texas
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Posted: Wed Jun 29, 2005 10:52 am Post subject:
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Double trouble |
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